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He sounded as if he meant it. A lump wedged itself in my throat, but I managed a weak wave in his direction as I disappeared into my office. In my absence, it had been swept and cleaned. Two polite mountains of paper sat on the desk.

‘Hello.’ Deb walked lightly into the room. ‘How are you?’

‘I hope I’m managing.’

‘I’m so very sorry, Minty. It must be quite dreadful.’

I managed to smile. ‘So dreadful that I need diversion. Please tell me what you’ve been doing.’

She needed no second invitation. Within five minutes, I had been acquainted with every shudder and sigh that made up her affair with Chris Sharp. I was reliably informed that he was the most talented man since Einstein, and fantastic in the sack. Chris had such ambitions for Paradox, and vision that stretched far into the future of the industry and the changes that were likely to take place. ‘He says that people will compose their own television viewing programmes in the not too distant future…’ Her voice dipped, swooped, grew dreamy as she released one detail after another. She said things like: ‘To think I could so easily not have met him.’ Or ‘Do you think he’s good-looking?’ As I listened to the outpourings of the former cool-urban-hunter now girl-clearly-besotted, I was reminded that other things did exist.

‘Is he nice to you, Deb?’

‘Oh, sure. Sure. But he doesn’t really want absolute commitment at the moment. And that’s how we’re playing it.’ Deb reached over and flicked on my screen. ‘He’s organizing new software.’ She fiddled with the keyboard. ‘It might mean I have to find a new job because it’s not sensible for us both to work for the same set-up.’

Alarm bells clanged. ‘Hang on, Deb. Why should you leave? You like the job, and you’ve earned your place here.’ But I could see that whatever I said would make no difference. ‘Tell me about the projects.’

A suggestion of worry traced itself across her glowing features. ‘That’s a bit of a story. I’m afraid we had a clear-out after you went off. Chris and Barry have been talking hard about trends. Reality shows, property and things. Chris thinks we’ll improve the margins that way. There’s a couple of good ideas going through the pipeline at the moment.’

‘And?’

‘You’ll have to talk to Barry, but I have a feeling…’ She paused, then added, ‘Chris feels we shouldn’t be too cultural or earnest. It brings the strike rate down.’ She giggled. ‘Do you know what he’s called the Middle Age proposal?’

‘Tell me, Deb.’

‘Finished at Forty.’

Later on, in the editorial meeting, we discussed strike rates, and I heard myself issuing comments that made enough sense to get me through. Not that either Chris or Barry paid me much attention: they were far too busy talking to each other.

‘OΚ,’ I said, and my voice sounded rusty and foreign. ‘There’s an article I read in Harper’s about ballerinas. Nora Pavane, one of them, is quite something, and a defender of the arts. I think we should grab her and ask her to participate in a series on dance.’

Chris reflected. ‘Get her to front, even.’

‘Yup,’ said Barry. ‘Sounds good.’

‘I’ll work on the treatment and think about the format,’ I said. ‘Ed Golightly at BBC2 might be interested. He’s an arts editor, and I met him at a Vistemax do. I could set up the meeting.’

‘Sounds good,’ repeated Barry.

On the way home I sprinted into Theo’s office. I wanted to talk over the financial and legal position and he had suggested that I call in.

He sat me down at his desk, and asked his assistant for tea, which arrived in a china pot. ‘The next few months won’t be easy,’ he said. ‘Probate will take a while and then I have to convene several meetings with the trustees to discuss the division. Meanwhile Vistemax are honouring the severance package.’

I let out a sigh of relief.

‘And, of course, there’s Nathan’s pension. That will be sorted out.’ He paused. ‘There is the question that Rose might be due a portion.’ With a steady hand, he poured me a second cup of tea. ‘Whatever you receive won’t be riches, but it will provide you with a base from which to operate. Add to that the money from your slice of the stocks and shares, and any earnings you may have, and I think you’ll be all right, providing you’re not extravagant. However, if you did lose your job, you wouldn’t be destitute, and it will tide you over the worst.’

I stared at my tea. ‘Theo, what was Nathan doing when he suggested Rose as a guardian? What was he thinking? He must have known how… difficult – impossible – that would be.’

‘He made it clear that he wanted to put the boys’ interest first. He said he had every faith that you would understand.’

‘But I don’t!’ I cried. ‘I don’t. And to make it so public! He should have talked to me.’

Theo had witnessed many such exchanges in his office. Scenes in which outrage, betrayal, bitterness had burst through the dam of good behaviour and politeness. ‘It’s difficult to absorb, perhaps, at the moment. But things change. Why don’t you drink your tea?’

Then he showed me the facts and figures of my new life.

‘If you marry again, or live with someone else,’ he said, as I rose to take my leave, ‘you will be obliged to sell the house and the proceeds will be invested for the twins.’

He left me to reflect that, since Theo’s hourly fees would make anyone’s eyes water, this had been an expensive way to learn that celibacy paid.

I climbed on to a bus. At least I knew that now, I must be vigilant. Extra, extra vigilant. In the coming months, possibly years, I would require energy and the stamina to attack. At the moment, I was not sure I possessed either. What I did have was an overwhelming sense of panic. That would have to do. In fact, its blackness and sharpness would do very well.

*

Theo advised me to draw up a list of priorities, and a financial timetable. ‘Be ruthless,’ he said. ‘Put together all the facts and figures to see the whole picture. It will make it easier for you.’

Fact. There was no one to fall back on.

Fact I must get used to it.

Fact A widow with two children was hampered as to what she could do to survive.

Fact After cataclysm, the mind indulges in curious illusions. And they are fiction.

Once, early in the morning, I stumbled downstairs and Nathan was in the kitchen making breakfast. Coffee. Bacon. Toast. All those lovely aromas. He was in his dressing-gown, whistling under his breath. ‘Hello,’ I said, with a rush of pure delight. ‘You’re up early.’ Without turning round, he reached back and pulled me close.

Then he was gone.

Yes, my mind skittered about. Concentration lapsed and I found it hard to read. Sleep was unpredictable, and I asked myself difficult questions. Would Nathan have known as he died what was happening to him? Had it been painful? I prayed not. But perhaps, if he had understood what was happening, he had been granted the chance during the final seconds to think, Thank you for a good life. I can’t imagine what it must be like to die with the conclusion, I had an unsatisfactory/woeful/beastly life.

Did he manage to think about any of us?

The self-help manual After Life, which I was now reading, said we cannot possibly comprehend Death. Anything we think we know is fantasy.

I want to know how the author knew that.

Sue Frost turned up at the house. At first I didn’t recognize the figure in pink cut-off trousers and matching loafers – she looked older than the woman I had encountered in the supermarket. ‘Surprise?’ she said.

‘Well, yes. But no.’

She held out a bunch of peonies and a couple of leaflets. ‘For Nathan’s sake I brought you these.’