I regarded his bleary eyes and lurid complexion, his disheveled clothes and shaggy auburn hair. Rank fumes of whisky rose from his person. “You have been drinking again.” I felt the anger, disgust, and helplessness that Branwell’s inebriation always occasioned in me.
“It was just a little tipple down at the Black Bull Inn,” Branwell protested, clambering to his feet. “Life gets unbearably dull hereabouts, and surely you wouldn’t deny me a bit of amusement now and then?”
“Except that it isn’t only now and then.” I shut the door more firmly than was necessary. “And it’s not just the drink. You’ve taken laudanum, haven’t you?” Branwell had, alas, degenerated into a habitual user of that tincture of opium dissolved in spirits.
“I’m sorry, Charlotte,” Branwell said, “but I was so in need of comfort.” A coughing fit wracked his thin body. “Can you not see how miserable I am? Please forgive me.”
Reluctant compassion quenched my anger as I observed my brother. He was only thirty-one but looked a decade older, his once handsome features haggard. Still, I could see in him a vestige of the robust, bright-eyed boy who had been my favorite childhood companion.
“You had better go upstairs before Papa sees you like this,” I said.
The door of the study opened, and out stepped our father. Though in his seventies, Papa was still an imposing figure-over six feet tall, whitehaired, stern-featured, and proud of posture. Beneath his black clerical garb he wore a voluminous white silk cravat wound high around his neck to protect him from Yorkshire drafts and guard against bronchitis. He squinted at Branwell through the spectacles perched on his prominent nose, and a look of anxious confusion came over his face.
“I thought you were asleep upstairs,” he said to Branwell. “Have you been gone all night?”
Branwell hung his head; his coughs subsided into wheezes. “Not all night. I just slipped out for a few hours. That’s God’s honest truth.”
“It is a sin to deceive,” Papa said, frowning in reproach, “and shameful of you to invoke God as your accomplice.”
My younger sisters, Emily and Anne, appeared in the parlor doorway. Anne, neat and unobtrusive as always, held a cloth with which she’d been dusting furniture; when she saw Branwell, distress clouded her violet eyes and gentle features. “Oh, dear,” she murmured.
Emily, tall and lanky, pushed up her leg-of-mutton sleeves. Always indifferent to her appearance, she stubbornly clung to that outmoded style of dress. She had been canning blackberry preserves, and purple stains blotched her apron. Heat had frizzed her brown hair and flushed her long face, and that day she looked even more wild and singular than usual. She glared at our brother. She had lost all tolerance for the sickness, the convulsive fits, and the unpredictable moods that Branwell inflicted upon our household.
“Well, have you all gotten a proper look at me?” Branwell said with sudden belligerence. “Then I believe I shall go to bed. I’m all done in.”
Reeling towards the stairs, he stumbled. Emily grudgingly helped me assist him up the stairs. I couldn’t help but regard with some sadness the family portrait in the stairwell. Branwell had painted that portrait. He had, when he was younger, possessed artistic talent, and Papa had sacrificed much in order to pay for painting lessons. All of us had hoped Branwell would attend the Royal Academy, but his ambitions and our dreams had come to naught. Now, awkwardly climbing the stairs, Branwell began to weep.
Emily and I dragged him into the bedroom he shared with Papa. Anne turned down the coverlet of his bed and pulled out the pillows he had rearranged to trick our father. Emily and I heaved Branwell onto the bed.
“Lydia, my distant, darling Lydia,” he keened. “My love for you has ruined me!”
Six years ago, Branwell had become a tutor to the son of the Reverend and Mrs. Robinson at Thorpe Green Hall, near York. Lydia Robinson, a wanton woman of forty, had seduced Branwell. He had fallen madly in love with her, and they’d conducted a torrid affair until her husband had discovered it and dismissed Branwell. Ever since then, Branwell had pined for Lydia, drowning his woes in liquor. What a sorry waste he had allowed that terrible woman to make of his life!
“None of you understand how I suffer,” he moaned as Emily tugged off his shoes. “You have never loved and lost as I have!”
With great self-restraint, I forbore to remind him that our father had many years ago lost his beloved wife, and we our mother. Emily, stern and unrelenting, went downstairs without a word, but Anne tenderly arranged the coverlet over Branwell.
“Oh, Anne, don’t fuss so,” Branwell cried. “Lord, I wish you would all go away!”
Chastened, Anne crept out of the room. Papa sat beside Branwell. “We must pray for God to forgive your sins and give you the strength to reform.”
“I cannot bear another sermon now,” Branwell said in a tone of rising hysteria, “and besides, there’s no use moralizing, Father. It’s too late; it’s all over with me.”
Stifling a sigh, I left the room. I knew I ought to finish sweeping and set out for my afternoon visits to parishioners suffering from the hard times that had fallen upon the country. Yet the tedious routine of my days oppressed me so that I succumbed to the powerful urge to escape to my other life, the secret existence known to but three other people besides myself.
Furtively, I slipped into the small room above the front hall. Near its window stood a battered desk. I took from my pocket a key, then unlocked and opened the desk drawer. I lifted out a book whose cover read “ Agnes Grey, a novel by Acton Bell.” Opening it to the title page, I read the handwritten inscription: “To my dear sister Charlotte, with much love, Anne Bronte.”
In another book, “ Wuthering Heights, by Ellis Bell,” Emily had simply penned her signature. I then took up my own book, and pride swelled within me as I caressed the gilt lettering that read “ Jane Eyre, by Currer Bell.” Almost ten months had passed since its publication, but I felt the same ecstatic thrill as when I first held it in my hands. I could still hardly believe that Emily, Anne, and I had accomplished our dream of becoming authors. But the drawer contained further proof of this miracle. I perused book reviews cut out of newspapers. The one from the Westminster Review read, “Decidedly the best novel of the season.”
There were also letters from my publisher, informing me that the first edition of my work had sold out, and notices of two subsequent editions. I smiled at a handbill for a play, Jane Eyre, The Secrets of Thornfield Manor, produced in London. Finally, I turned to the account book where I had recorded my income-one hundred pounds for the copyright of the novel, and an additional hundred pounds in royalties. This was no great fortune, but it represented ten times more than the annual salary I had earned in my former occupation as a governess. Yet uncertainty about the future and a nagging dissatisfaction with the present worsened as I paged through the notebooks that contained the manuscript of my next, as yet unfinished, novel, Shirley.
I had developed serious doubts about this novel and its reception by my publisher and, ultimately, my readers. I feared their high expectations of Currer Bell, whose identity was a subject of intense speculation among the literati. And I mourned that my present success had failed to bring me everything I craved.
As a young girl, scribbling stories and dreaming of a future as an author, I believed that publication would gain me passage into a world of art galleries, concerts, and the theatre, where people conversed brilliantly. I’d hoped to travel and to win the friendship of writers, artists, and intellectuals. Yet here I remained, hidden behind a nom de plume, my life as a parson’s spinster daughter virtually unchanged. A wistful melancholy stole over me as I looked out the window and down the hill upon the grey rooftops of Haworth and the grey smoke from the textile mills in the wooded valley. Beyond these familiar environs lay the world of my dreams. I was thirty-two years old and, it seemed, destined to spend the rest of my days in torpid retirement.