I’m not surprised to see the bathroom’s made for comfort. Samir designed it, after all. The claw-foot tub is generously sized. It’s made of porcelain and occupies at least a quarter of the room. White Carrara marble he must have imported from Italy covers the floor and the walls.
In the cupboard, I find a box of English bath salts and an indigo bottle of lavender oil; I dump a handful of salts into the steamy water, and a capful of the oil, then I go back to the bedroom. Sheela hasn’t moved. She’s sitting, staring at the Persian carpet; her glass of scotch now empty.
I put my hands on my knees and bend at the waist so we’re looking at each other eye to eye, the way I might approach a child. “Let’s get you in the tub.”
She stares at me, uncomprehending. I help her to stand and point her to the bathroom. Then I pick up my jacket, salaam her and leave the room.
I’m at the bottom of the stairs before a chilling thought occurs to me: since we arrived, she’s put away two healthy glasses of the scotch, and she’s been drinking on an empty stomach. If no one else is with her, might she drown?
I run back up the stairs and into her bedroom, throwing my jacket on the empty bed. The voices in my head are screaming now: Bevakoopf! Mat karo! The bathroom door is open, and I step inside. Sheela’s hands are holding on to the sides of the tub, but the rest of her, including her head, is under water.
“Sheela!” I run to the tub, grab her under her arms and haul her up.
“What?” she says. She sounds annoyed. She can see from my expression that I’m panicked, and it makes her chuckle. “I was only wetting my hair. In any case, you’re just in time to shampoo it.” She’s slurring her words.
I’m looking at her naked body, when I wonder what I’m doing here, and back away as if I’ve just been scalded. The cuffs of my shirt and suit coat are soaked, and my hands are dripping water on the sari, blouse and petticoat she was wearing tonight, lying next to the tub.
She raises her eyebrows and points. “Abbas,” she says, “shampoo!” Now she is the girl with the cut-glass surface: imperious and spoiled. But then she looks at me, offers me a playful smile and says, politely, “Please.” She points me to the shelf above the sink, where I can see the shampoo bottle. It’s as if the Sheela that I’m dealing with tonight has two sides: the first haughty, used to giving orders to the help, and the second needy, wanting company and consolation.
“And if Sahib comes home?”
“He won’t,” she says. “He has a thing for actresses.”
She sinks under the water again as if to put an end to any conversation about Ravi. When she comes back up, she wipes her face with her palms.
I’ve spent a lifetime serving others. I’m good at it, and always have been. But only so long as it serves me, too. I do it gladly, willingly, when I can see the benefit. When the benefit is questionable, or when there might be consequences, I weigh the two. Usually, the end result is a zero sum. What’s the harm? I ask myself. It doesn’t make me lesser if I’m helping someone who’s in need of a simple service I can provide.
I sigh, take off my jacket again—now mostly wet—and roll up my shirtsleeves again. I take the shampoo bottle from the shelf and stand behind her, squeezing a generous amount of shampoo onto her scalp.
“Where’d you learn how to make a tourniquet?” I ask. A question I’ve been pondering all evening; how she knew just what to do, despite the chaos.
“Maharani Latika taught us at the Maharani School for Girls. She taught us Western dancing, how to set a table for ten guests and how to save a life in an emergency.”
Sheela cleans under her fingernails while I massage her scalp. “She’d boarded in Switzerland for school, and guess where the Red Cross started?”
She turns her head to look at me.
“Close your eyes,” I tell her, “or I’ll get shampoo in them.”
She closes her eyes and faces front again like an obedient child. “I was good at all the medical stuff. I could have been a doctor.”
“What stopped you?”
She sighs. “My father wanted me to marry Ravi so his business could be merged with Singh Architects. And I wanted to marry Ravi.”
She takes gardenia soap from the tray attached to the tub. It takes two tries because the alcohol has slowed her down. Now she’s using it to soap her arms.
“He was such a prize, Abbas. Every girl I knew was hoping to land Ravi as her husband. But I was determined to win. The marriage was arranged when I was fifteen, but his family sent him off to England and we had to wait until he finished his degree.”
My ears are burning, now, with indignation. They sent their son to England to conceal his dalliance with Radha and the son he fathered with her. I’d like to say it, but I don’t. I don’t want anyone to know that Niki’s illegitimate. It’s better that he’s with the Agarwals than with the Singhs. Of that, I’ve always been sure.
Sheela rinses the soap off her arms. “Abbas? What will happen now?” The tremor is back in her voice.
I don’t know any more than she does. I’ve seen rickshaw drivers get a leg smashed by a passing motorist. I’ve seen drunks fall off the second story of the Pink City bazaar. But I’ve never seen anything like tonight’s catastrophe. “Close your eyes,” I tell her.
“Yes, Sahib.”
“Lean forward.” I open both the bathtub taps and fill the steel container that was sitting on the floor with warm water. I pour the water on her head and watch the suds fill up the tub. The fact that I no longer see her breasts, or the dark triangle of hair between her thighs, is a relief. I realize the feeling that I’ve been having is guilt—as if to look at Sheila’s naked body is to cheat on Nimmi. But now that feeling starts to ease.
“It isn’t Ravi’s fault, you know,” she says.
I rinse the remainder of the soap from her hair. “What’s not?”
“The cinema. Tonight.” She turns to face me, the water from her wet hair splashing my face. “I want to show you something.” And before I know what’s happening, she climbs out of the tub, grabs a thick white towel from the rack and wraps it around herself. She runs into her bedroom, still a little unsteady on her feet.
When I open the drain to let the water empty from the tub, the vision of her rising from the water—supple buttocks, slim waist, caramel-colored legs—is seared into my brain. I can hear her in her bedroom, rummaging through her dresser drawers.
“Here it is!” I hear her say. Just as suddenly, she’s standing next to me, her scented body, her warm, damp skin, the water dripping from her hair. She’s pointing to a piece of paper that she’s holding.
It’s a transcript from Ravi’s final year at Oxford. “See? He’s very good in math and material sciences. He understands how buildings work, and how to make them strong. There’s no way he’d have anything to do with the disaster we went through tonight. He couldn’t have. He didn’t.”
Her eyes are begging me to agree with her. I know she wants me to absolve her husband. But I can’t stop thinking of those bricks I saw at the cinema house tonight. Why were they there? If they came from somewhere other than Chandigarh Ironworks, how did they end up in the Royal Jewel Cinema? There’s something off there. I just don’t know what it is. And there’s no way I can confide in Sheela. She loves her husband—I can see that plainly—and will do anything he asks of her. I also see the question behind her question—What if he has done something wrong? I don’t know. And the answer, when it comes, could hurt those who are dear to me. I’m thinking about Manu and Kanta. And Niki.