'Thank you, sir,' he called after the tall man who was limping towards the pub door. 'Now you take care if yer drivin'. Some roads might be flooded already.' And yer've had four stiff brandies, he thought, so you're over the limit.
The tall man turned his head and in acknowledgement touched the brim of the funny little hat he wore. The landlord smiled back, thinking what friendly eyes his customer had.
A gust of wind drove heavy rain through the door when the customer opened it and the landlord watched as Maurice Stafford pulled the hat with the small feather sticking out of the headband more firmly down on his head before stepping out into the storm.
63: INNOCENTS
It was no good. She couldn't put them out of her mind. Not Eve and her family (although their predicament did weigh on her conscience), but the children who had perished in Crickley Hall. Lili could not stop thinking about them.
Their spirits were troubled and Lili sensed only she, or someone else with her gift, could help them. But she did not know how.
Why were they bound to that miserable intimidating house? Why hadn't their spirits passed over peacefully? Was it because they were still traumatized by their own deaths? Was something holding them there in a lonely neverworld of fear, were they somehow dominated by another force, one that was malign? She had felt it herself, had been terrified when it almost materialized in front of her and Eve. She dreaded the thought of facing it again.
But the children. They needed her help. She was convinced of it. But she had vowed never again to put herself in that position. And what if she did and next time it was the ghost of Marion that manifested itself? Would that be as terrifying? She couldn't help cringing in her chair as lightning flashed and thunder roared overhead.
Lili poured another glass of wine and her hand shook as she brought it to her lips. Oh God, help me, tell me what I should do. Those poor innocents should not have to suffer any more. They had been tied to Crickley Hall for more than half a century, they should be allowed to continue their journey. They shouldn't be afraid ever again. But how could she help them, what could she do?
A sob escaped her. Why was she so drawn to Crickley Hall? What was calling her from there? The children themselves? She could almost hear their small voices pleading with her, but surely that had to be in her own imagination. Was guilt causing her mind to play tricks, inventing these voices because somewhere in her deepest subconscious she felt responsible for them? Why else would she have been gifted—or cursed—with extrasensory powers if not to help lost souls find their way?
With the back of her hand, Lili wiped away a tear that had trickled down her cheek.
She couldn't ignore them. The child spirits were desperate, she could feel their mood. They needed her so badly and she could not refuse them. Suddenly, her determination grew stronger. For the sake of her own peace of mind, she had to do something for them, even if it meant putting herself in danger. And even if Eve's husband didn't want Lili there, she knew she had to go back to Crickley Hall, she had to do what she could for the children.
She sensed that things were stirring in the old house, that secrets were waiting to be exposed. Perhaps when they were, the spirits would find peace. Perhaps she would, too.
Lightning flared and thunder seemed to heave itself at the room's two windows as if to challenge her resolve. Lili trembled, but she would not give in to her fears. She put the wine glass down on the coffee table, then picked up the keys that were in an unused ashtray on the sideboard.
She headed for the door.
64: FLIGHT
Maurice Stafford stared out at the rain through the windscreen of his Ford Mondeo. The storm buffeted the car and bent the trees, the high walls of the gorge creating a natural channel for the wind that came off the moors and tore down to the sea. His car was parked in the short bay close to the bridge that spanned the river leading to Crickley Hall. Debris—branches, foliage, even rocks—was already piling up beneath it and Maurice wondered how long the wooden structure would last before it was smashed and carried away.
Curiously, his Mondeo was the only vehicle in the parking area beside the road; the Caleighs' Range Rover, which had been evident yesterday, was missing. Did that mean the husband was away from home? Maurice had slowed down before turning into the parking area so that he could get a good look at the house across the river and was able to make out a figure in the kitchen. Even at that distance he could see that it was a woman, so it had to be the wife, Eve Caleigh. Well, that was just fine and dandy, because if the man was away, then it would make his own task—his duty—all the more easy.
Something thumped against the Mondeo's windscreen causing Maurice to start. A loose tree branch rattled against the glass for a few moments before it was dislodged by a fresh gust of wind.
A truly dreadful night, he thought, so much like the night he and Magda had fled Crickley Hall in fear for their lives. In the shadows of the car's interior, Maurice grimaced as he remembered.
•
They had run from the house, terrified of the madness they were leaving behind. Augustus Cribben's final descent into total insanity had been swift, the terrible pains in his head driving him there it seemed. Of course, Maurice had come to realize, Augustus was always on the verge of insanity—his ways had never been entirely normal—but circumstances and excruciating pain had combined to throw his brain into a maniacal disorder that had become uncontrollable. Fortunately for them, they had left before the flood-waters had come, before the bridge had been swept away by the river that had risen above its banks, and they staggered into the storm, coatless bodies (there hadn't been time to grab their coats) flailed by rain and tree branches, battered by great billows of wind that almost blew them off their feet. It was a torturous journey that had them clinging to each other, every footstep forced, their bodies bent almost double into the gale.
Magda would not allow them to take shelter, nor even rest a while, for she had a destination in mind and it was far away from Hollow Bay, so far away that she could never be linked with the dreadful things taking place in Crickley Hall that night. Maurice could only be led by her, for he had no one else and did not want to die. Occasionally, he looked up to see Magda's face in profile and it was a mask of misery and horror. Once, she returned his look, as if she had felt his scrutiny, and as lightning strobed, he saw the same madness in her eyes that had been in her brother's: her eyes were wide open, even against the bolts of rain that pelted them, the pupils black and large, and they seemed to have no focus, seemed to stare right through him. The lightning flashes ceased and she was just a dark silhouette. But he could not erase the sight of her derangement from his mind. And as they stumbled, trudged, staggered through the wind and rain, both of them so soaked that they imagined their bones were wet, Maurice came to realize that he had been wrong to think that he had held some power over the Cribbens, that he had some control because he beat and scrubbed Augustus and gave Magda pleasure when they were naked in her bed. He now understood that he had no domination over them at all, he was there to do their bidding, a slave to be rewarded with treats and favours. This was why he would not have been safe back in Crickley Hall with the other children, why he followed Magda so blindly now. Augustus was his master, Magda was his mistress. Without them he was just another parentless child.
They used smaller lanes mainly, where high hedges gave them some protection against the wind, and passed no other person, motorcar or cart as they struggled on. They had travelled several miles when Magda dropped to her knees, then threw herself to the ground.