And then she was thinking of herself, the fourth and last victim. Fate seemed to be leading her towards that catastrophe as a person condemned to death is pushed on to the scaffold. How could she do other than tremble with fear? How could she fail to read a warning in the choice of the hill of the Great Oak for the torture of the three sisters Archignat?
She tried to find comfort in words:
"Everything will be explained. At the bottom of these hideous mysteries are quite simple causes, actions apparently fantastic but in reality performed by beings of the same species as myself, who behave as they do from criminal motives and in accordance with a determined plan. No doubt all this is only possible because of the war; the war brings about a peculiar state of affairs in which events of this kind are able to take place. But, all the same, there is nothing miraculous about it nor anything inconsistent with the rules of ordinary life."
Useless phrases! Vain attempts at argument which her brain found difficulty in following! In reality, upset as she was by violent nervous shocks, she came to think and feel like all those people of Sarek whose death she had witnessed. She shared their weakness, she was shaken by the same terrors, besieged by the same nightmares, unbalanced by the persistence within her of the instincts of bygone ages and lingering superstitions ever ready to rise to the surface.
Who were these invisible beings who persecuted her? Whose mission was it to fill the thirty coffins of Sarek? Who was it that was wiping out all the inhabitants of the luckless island? Who was it that lived in caverns, gathering at the fateful hours the sacred mistletoe and the herbs of St. John, using axes and arrows and crucifying women? And in view of what horrible task, of what monstrous duty? In accordance with what inconceivable plans? Were they spirits of darkness, malevolent genii, priests of a dead religion, sacrificing men, women and children to their blood-thirsty gods?
"Enough, enough, or I shall go mad!" she said, aloud. "I must go! That must be my only thought: to get away from this hell!"
But it was as though destiny were taking special pains to torture her! On beginning her search for a little food, she suddenly noticed, in her father's study, at the back of a cupboard, a drawing pinned to the wall, representing the same scene as the roll of paper which she had found near Maguennoc's body in the deserted cabin.
A portfolio full of drawings lay on one of the shelves in the cupboard. She opened it. It contained a number of sketches of the same scene, likewise in red chalk. Each of them bore above the head of the first woman the inscription, "V. d'H." One of them was signed, "Antoine d'Hergemont."
So it was her father who had made the drawing on Maguennoc's paper! It was her father who had tried in all these sketches to give the tortured woman a closer and closer resemblance to his own daughter!
"Enough, enough!" repeated Veronique. "I won't think, I won't reflect!"
Feeling very faint, she pursued her search but found nothing with which to stay her hunger.
Nor did she find anything that would allow her to light a fire at the point of the island, though the fog had lifted and the signals would certainly have been observed.
She tried rubbing two flints against each other, but she did not understand how to go to work and she did not succeed.
For three days she kept herself alive with water and wild grapes gathered among the ruins. Feverish and utterly exhausted, she had fits of weeping which nearly every time produced the sudden appearance of All's Well; and her physical suffering was such that she felt angry with the poor dog for having that ridiculous name and drove him away. All's Well, greatly surprised, squatted on his haunches farther off and began to sit up again. She felt exasperated with him, as though he could help being Francois' dog!
The least sound made her shake from head to foot and covered her with perspiration. What were the creatures in the Great Oak doing? From which side were they preparing to attack her? She hugged herself nervously, shuddering at the thought of falling into those monsters' hands, and could not keep herself from remembering that she was a beautiful woman and that they might be tempted by her good looks and her youth.
But, on the fourth day, a great hope uplifted her. She had found in a drawer a powerful reading-glass. Taking advantage of the bright sunshine, she focussed the rays upon a piece of paper which ended by catching fire and enabling her to light a candle.
She believed that she was saved. She had discovered quite a stock of candles, which allowed her, to begin with, to keep the precious flame alive until the evening. At eleven o'clock, she took a lantern and went towards the summer-house, intending to set fire to it. It was a fine night and the signal would be perceived from the coast.
Fearing to be seen with her light, fearing above all the tragic vision of the sisters Archignat, whose tragic Calvary was flooded by the moonlight, she took, on leaving the Priory, another road, more to the left and bordered with thickets. She walked anxiously, taking care not to rustle the leaves or stumble over the roots. When she reached open country, not far from the summer-house, she felt so[Pg 117] tired that she had to sit down. Her head was buzzing. Her heart almost refused to beat.
She could not see the place of execution from here either. But, on turning her eyes, despite herself, in the direction of the hill, she received the impression that something resembling a white figure had moved. It was in the very heart of the wood, at the end of an avenue which intersected the thick mass of trees on that side.
The figure appeared again, in the full moonlight; and Veronique saw, notwithstanding the considerable distance, that it was the figure of a person clad in a robe and perched amid the branches of a tree which stood alone and higher than the others.
She remembered what the sisters Archignat had said:
"The sixth day of the moon is near at hand. They will climb the Great Oak and gather the sacred mistletoe."
And she now remembered certain descriptions which she had read in books and different stories which her father had told her; and she felt as if she were present at one of those Druid ceremonies which had appealed to her imagination as a child. But at the same time she felt so weak that she was not convinced that she was awake or that the strange sight before her eyes was real. Four other figures formed a group at the foot of the tree and raised their arms as though to catch the bough ready to fall. A light flashed above. The high-priest's golden sickle had cut off the bunch of mistletoe.
Then the high-priest climbed down from the oak; and all five figures glided along the avenue, skirted the wood and reached the top of the knoll.
[Pg 118]Veronique, who was unable to take her haggard eyes from those creatures, bent forward and saw the three corpses hanging each from its tree of torment. At the distance where she stood, the black bows of the caps looked like crows. The figures stopped opposite the victims as though to perform some incomprehensible rite. At last the high-priest separated himself from the group and, holding the bunch of mistletoe in his hand, came down the hill and went towards the spot where the first arch of the bridge was anchored.
Veronique was almost fainting. Her wavering eyes, before which everything seemed to dance, fastened on to the glittering sickle which swung from side to side on the priest's chest, below his long white beard. What was he going to do? Though the bridge no longer existed, Veronique was convulsed with anguish. Her legs refused to carry her. She lay down on the ground, keeping her eyes fixed upon the terrifying sight.