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"The first to fall is the cook, Marie Le Goff, whom Vorski takes by the throat and stabs with a[Pg 331] knife. But it so happens that the ruffian's face gets covered with blood; and, seized with one of those fits of cowardice to which he is subject, he runs away, after loosing Raynold upon M. d'Hergemont.

"The fight between the boy and the old man is a long one. It is continued through the house and, by a tragic chance, ends before Veronique d'Hergemont's eyes. M. d'Hergemont is killed. Honorine arrives at the same moment. She drops, making the fourth victim.

"Matters now begin to go quickly. Panic sets in during the night. The people of Sarek, frightened out of their wits, seeing that Maguennoc's predictions are being fulfilled and that the hour of the disaster which has so long threatened their island is about to strike, make up their minds to go. This is what Vorski and his son are waiting for. Taking up their position in the motor-boat which they have stolen, they rush after the runaways and the abominable hunt begins, the great disaster foretold by Brother Thomas:

"'There will be shipwrecks, terrors, grief and crimes.' "Honorine, who witnesses the scene and whose brain is already greatly upset, goes mad and throws herself from the cliff.

"Thereupon we have a lull of a few days, during which Veronique d'Hergemont explores the Priory and the island without being disturbed. As a matter of fact, after their successful hunt, leaving only Otto, who spends his time drinking in the cells, the father and son have gone off in the boat to fetch Elfride and Conrad and to bring back Maguennoc's body and fling it in the water within[Pg 332] sight of Sarek, since Maguennoc of necessity has one of the thirty coffins earmarked for his reception.

"At that moment, that is when he returns to Sarek, Vorski's bag numbers twenty-four victims. Stephane and Francois are prisoners, guarded by Otto. The rest consists of four women reserved for crucifixion, including the three sisters Archignat, all locked up in their wash-house. It is their turn next. Veronique d'Hergemont tries to release them, but it is too late. Waylaid by the band, shot at by Raynold, who is an expert archer, the sisters Archignat are wounded by arrows (for arrows, see the prophecy) and fall into the enemy's hands. That same evening they are strung up on the three oaks, after Vorski has first relieved them of the fifty thousand-franc notes which they carried concealed on their persons. Totaclass="underline" twenty-nine victims. Who will be the thirtieth? Who will be the fourth woman?"

Don Luis paused and continued:

"As to this, the prophecy speaks very plainly in two places, each of which complements the other:

"'Before his mother's eyes, Abel kills Cain.' "And, a few lines lower down:

"'His wedded wife one night in June hath slain.' "Vorski, from the moment when he became aware of this document, had interpreted the two lines in his own fashion. Being, in fact, unable at that time to dispose of Veronique, for whom he has vainly been hunting all over France, he temporizes with the decrees of destiny. The fourth woman to be tortured shall be a wife, but she shall be his first wife, Elfride. And this will not be absolutely contrary to the prophecy, which, if need be, can apply[Pg 333] to the mother of Cain just as well as to the mother of Abel. And observe that the other prophecy, that which was communicated to him by word of mouth in the old days, also failed to specify the woman who was to die:

"'Vorski's wife shall perish on the cross.' "Which wife? Elfride.

"So his dear, devoted accomplice is to perish. It's terrible for Vorski; it breaks his heart. But the god Moloch must be obeyed; and, considering that Vorski, to accomplish his task, decided to sacrifice his son Raynold, it would be inexcusable if he refused to sacrifice his wife Elfride. So all will be well.

"But, suddenly, a dramatic incident occurs. While pursuing the sisters Archignat, he sees and recognizes Veronique d'Hergemont!

"A man like Vorski could not fail to behold in this yet another favour vouchsafed by the powers above. The woman whom he has never forgotten is sent to him at the very moment when she is to take her place in the great adventure. She is given to him as a miraculous victim which he can destroy… or conquer. What a prospect! And how the heavens brighten with unexpected light! Vorski loses his head. He becomes more and more convinced that he is the Messiah, the chosen one, the apostle, missionary, the man who is 'obeying destiny.' He is linked up with the line of the high-priests, the guardians of the God-Stone. He is a Druid, an arch-druid; and, as such, on the night when Veronique d'Hergemont burns the bridge, on the sixth night after the moon, he goes and cuts the sacred mistletoe with a golden sickle!

[Pg 334]"And the siege of the Priory begins. I will not linger over this. Veronique d'Hergemont has told you the whole story, Stephane, and we know her sufferings, the part played by the delightful All's Well, the discovery of the underground passage and the cells, the fight for Francois, the fight for you, Stephane, whom Vorski imprisoned in one of the torture-cells called 'death-chambers' in the prophecy. Here you are surprised with Madame d'Hergemont. The young monster, Raynold, hurls you into the sea. Francois and his mother escape. Unfortunately, Vorski and his band succeed in reaching the Priory. Francois is captured. His mother joins him. And then… and then the most tragic scenes ensue, scenes upon which I will not enlarge: the interview between Vorski and Veronique d'Hergemont, the duel between the two brothers, between Cain and Abel, before Veronique d'Hergemont's very eyes. For the prophecy insists upon it:

"'Before his mother's eyes, Abel kills Cain.' "And the prophecy likewise demands that she shall suffer beyond expression and that Vorski shall be subtle in doing evil. 'A cruel prince,' he puts marks on the two combatants; and, when Abel is on the point of being defeated, he himself wounds Cain so that Cain may be killed.

"The monster is mad. He's mad and drunk. The climax is close at hand. He drinks and drinks; for Veronique d'Hergemont's martyrdom is to take place that evening:

"'By thousand deaths and lingering agony, His wedded wife one night of June hath slain.'

[Pg 335]"The thousand deaths Veronique has already undergone; and the agony will be lingering. The hour comes. Supper, funeral procession, preparations, the setting up of the ladder, the binding of the victim and then… and then the ancient Druid!"

Don Luis gave a hearty laugh as he uttered the last words:

"Here, upon my word, things begin to get amusing! From this moment onward, tragedy goes hand in hand with comedy, the gruesome with the burlesque. Oh, that ancient Druid, what a caution! To you, Stephane, and you, Patrice, who were behind the scenes, the story is devoid of interest. But to you, Vorski, what exciting revelations!… I say, Otto, just put the ladder against the trunk of the tree, so that your employer can rest his feet on the top rung. Is that easier for you, Vorski? Mark you, my little attention does not come from any ridiculous feeling of pity. Oh, dear, no! But I'm afraid that you might go phut; and besides I want you to be in a comfortable position to listen to the ancient Druid's confession."

He had another burst of laughter. There was no doubt about it: the ancient Druid was a great source of entertainment to Don Luis.

"The ancient Druid's arrival," he said, "introduces order and reason into the adventure. What was loose and vague becomes more compact. Incoherent crime turns into logical punishment. We have no longer blind obedience to Brother Thomas' doggerel, but the submission to common sense, the rigorous method of a man who knows what he wants and who has no time to lose. Really, the ancient Druid deserves all our admiration.

[Pg 336]"The ancient Druid, whom we may call either Don Luis Perenna or Arsene Lupin-you suspect that, don't you?-knew very little of the story when the periscope of his submarine, the Crystal Stopper, emerged in sight of the coast of Sarek at mid-day yesterday."