'Bet?' I said.
Now I was all unhappiness. Whatever chemical is allied to fear
– adrenalin and its sisters – was drenching my brain. My knees were literally weak, and I felt the contents of my bowels turn to water. I wanted to vomit. Years ago as a boy in the slaughter house in Padstow I had seen cows going in a queue towards the gun, and watched them pissing and shitting in terror. Now I was just the same. Part of me longed for her to be inside the room, but a far greater part dreaded that same thing, dreaded it like the living are obliged to dread the dead. It is so deep a law of life. We bury or burn the dead because we want to separate their corporeality from our love and remembrance. We do not want them after death to be still in their bedrooms, we want to hold an image of them living, in the full of life in our minds.
And yet, suddenly, equally, like the first breeze of an enormous storm, I wanted her to be there, I wanted it. I pushed open the door and stepped in, wanting Bet to be there, wanting to take her in my arms gently in a way I had not done for so many, many years, and laugh and explain to her, explain the folly of my mind, and how I thought she had been dead, and please, please now could she forgive me the stupidity of Bundoran, and could we start again, let's go on a holiday somewhere, why, to Padstow itself, to see the old house, and eat at the posh new restaurants we heard about, and have a lovely time -
Emptiness. Of course emptiness.
I think for someone to have seen me then would have been as if they were seeing a ghost – as if I were the ghost. A wild-eyed, foolish sixty-five-year-old man in his dead wife's bedroom, gone daft from grief, looking as usual for forgiveness and redemption the way normal people look for the time. The default mechanism of most every thought of her. Bet -redemption, redeem me, forgive me. When the foul truth is she should have thrown me out.
I was sitting in Roseanne's room thinking all this.
There was nothing of it I could say to her. I was in a patient's room, supposedly to assess her for release, 'back into the community'. One of the inspirations of Mrs Thatcher's regime in England, a Thatcherite fashion one might say that hasn't gone away. Roseanne was sitting up in her bed, with that white mantle thing she wears, that in the half light looks like crumpled wings, the new wings of a butterfly before the blood is pumped into them and, much to the astonishment no doubt of the creature, it can suddenly take wing and fly.
Assess her. It suddenly seemed so absurd I laughed out loud. The only person's sanity in doubt in that room was my own.
Roseanne's Testimony of Herself
We were married in Dublin, in the church at Sutton, it was the easiest thing to do. The priest there was a friend of Tom's, they had gone to college at the same time in Dublin, even if different colleges. Tom had only lasted a few months studying law at Trinity College, but long enough to make friends in the city. Tom could fashion a bosom pal out of an afternoon at the races. Whatever needed to be done, licence, banns, whatever you need to do to marry a Presbyterian woman, was done. I suppose the good people of Sutton weren't too impressed by that particular wedding, but even if it lacked tuck and thunder, there were a few of his other Dublin buddies there, and afterwards we went to Barry's Hotel for two nights, and on the second night we went to a dance at the Metropole, because Tom knew the bandleader there, and we danced together nearly for the first time. For some strange reason, we had rarely danced together in his own dancehall. I suppose that was odd, I don't know. Tom seemed quite content in every way and didn't say a word about not having any of his family there. Jack would have been there only he was in Africa, but he paid for the wedding lunch as a gift to his brother. Tom drank so much whiskey at the lunch he wasn't up to much in the hotel that night, but he made up for it the night of the dancing. He was the nicest lover. That is the truth.
We lay in the dark of the hotel room. Tom had bought a packet of these Russian oval cigarettes at College Green, just beside his old college, and he was smoking one of them. I think I was twenty-five, he was just a little older.
'Do you know,' he said. 'It's very nice up here. I wonder could I ever make a go of it in Dublin?'
'You wouldn't miss the west?'
'I suppose I would,' he said, making a swirl of Russian smoke in the gloomy room. 'Tom?' I said.
'Yes?'
'Do you love me?' 'I do, surely. Certainly I do.' 'That's good,' I said, 'because I love you.' 'Do you?' he said. 'You show very good taste. That's very wise of you, I must say. Yes.' And then he laughed. 'Do you know,' he said. 'I really do.'
'What?' I said.
'I mean, not just talking. But I do. Love you.' And I really think he did.
He was the decentest man, I think it is important to say that.
You could judge a lot of the effects of Mr de Valera's famous economic war that time from the window of a train. We had been married in the springtime and because there was no market for lambs now, the farmers had to kill the lambs in the fields. So as the train went through the country every now and then we saw these perishing corpses. Tom was very upset about all this. De Valera's men were in power and to him that was just the same as gunmen and murderers taking over the country, the very selfsame country they had tried to scupper after the Treaty. It all set the teeth of fellas like Tom on edge. Tom was young and coming into his own and he wanted to inherit the country I suppose, make something of it. There was a great feeling in him that de Valera, having tried to strangle the new country at birth, would now make a hames and shambles of its childhood, as it were, and ruin the place in the greater world. Anyway it broke the heart of strong farmers to have to be killing lambs, and have nowhere to send the sheep themselves, it was all a strangulation of their dreams.
'Like a fucking madhouse,' said Tom beside me, looking out on the desolation of the farms. And he knew, because of course his father and mother both worked in a madhouse. 'The whole of Ireland is just a madhouse now.'
So Tom's father was asked to cut and sew a blue shirt for Tom, and he started having little meetings and marches in Sligo, to see if they could get things going the other way. There was a man called O'Duffy had set them up, he had been in charge of the police but lost that job somehow, and now he was like one of those lads like Mussolini or Franco. Tom admired him because when he had been a minister he had tried to bring in laws to protect children in Ireland. He had failed in that, but nevertheless. Also he was a passionate man in his speeches, and Tom thought that all the great men had been killed during the troubles, Collins of course in chief. And O'Duffy had been a great ally of Collins. So it all made sense really, to Tom at any rate. I never knew a man to sweat like Tom and after a march his blue shirt would be drenched. I had to dye it a few times because it would go pale under the armpits and that didn't look right. I never saw him march but I wanted him to look smart, like a wife would naturally.
In the meantime we set up house in a small corrugated place out in Strandhill. It was a shack really, but it was close to the dancehall and kept me out of Sligo. At the same time it was an easy jaunt for him back into the town. Our bedroom looked out on Knocknarea, we could actually see the tip of Maeve's Cairn at the top, it was funny lying there, a young married couple in the thirties, in modern times, and her up there lying in her own bed, her own leaba as they say, and tucked in there all of four thousand years ago. We had a nice view of Coney island from the rickety porch at the front, and although the heap of the island hid him, I knew the Metal Man was there, solid and eternal, I could imagine him in my mind's eye, faithfully and stoically pointing down into the deep water.