14.
There was a wrenching within me, a twisting, a painful yanking sensation, as of some heavy barrier forcibly being pulled aside. And then the glorious radiant scarlet sky of Kansas Four blossomed on the screen of my mind.
She didn’t simply show it to me. She took me there. I felt the soft moist wind on my face, I breathed the sweet, faintly pungent air, I heard the sly rustling of glossy leathery fronds that dangled from bright yellow trees. Beneath my bare feet the black soil was warm and spongy.
I was Leeleaine, who liked to call herself Vox. I was seventeen years old and swept by forces and compulsions as powerful as hurricanes.
I was her from within and also I saw her from outside.
My hair was long and thick and dark, tumbling down past my shoulders in an avalanche of untended curls and loops and snags. My hips were broad, my breasts were full and heavy: I could feel the pull of them, the pain of them. It was almost as if they were stiff with milk, though they were not. My face was tense, alert, sullen, aglow with angry intelligence. It was not an unappealing face. Vox was not an unappealing girl.
From her earlier reluctance to show herself to me I had expected her to be ugly, or perhaps deformed in some way, dragging herself about in a coarse, heavy, burdensome husk of flesh that was a constant reproach to her. She had spoken of her life on Kansas Four as being so dreary, so sad, so miserable, that she saw no hope in staying there. And had given up her body to be turned into mere electricity, on the promise that she could have a new body—any body—when she reached Cul-de-Sac. I hated my body, she had told me. I couldn’t wait to be rid of it. She had refused even to give me a glimpse of it, retreating instead for hours into a desperate silence so total that I thought she had fled.
All that was a mystery to me now. The Leeleaine that I saw, that I was, was a fine sturdy-looking girl. Not beautiful, no, too strong and strapping for that, I suppose, but far from ugly: her eyes were warm and intelligent, her lips full, her nose finely modeled. And it was a healthy body, too, robust, vital. Of course she had no deformities; and why had I thought she had, when it would have been a simple matter of retrogenetic surgery to amend any bothersome defect? No, there was nothing wrong with the body that Vox had abandoned and for which she professed such loathing, for which she felt such shame.
Then I realized that I was seeing her from outside. I was seeing her as if by relay, filtering and interpreting the information she was offering me by passing it through the mind of an objective observer: myself. Who understood nothing, really, of what it was like to be anyone but himself.
Somehow—it was one of those automatic, unconscious adjustments—I altered the focus of my perceptions. All old frames of reference fell away and I let myself lose any sense of the separateness of our identities.
I was her. Fully, unconditionally, inextricably.
And I understood.
Figures flitted about her, shadowy, baffling, maddening. Brothers, sisters, parents, friends: they were all strangers to her. Everyone on Kansas Four was a stranger to her. And always would be.
She hated her body not because it was weak or unsightly but because it was her prison. She was enclosed within it as though within narrow stone walls. It hung about her, a cage of flesh, holding her down, pinning her to this lovely world called Kansas Four where she knew only pain and isolation and estrangement. Her body—her perfectly acceptable, healthy body—had become hateful to her because it was the emblem and symbol of her soul’s imprisonment. Wild and incurably restless by temperament, she had failed to find a way to live within the smothering predictability of Kansas Four, a planet where she would never be anything but an internal outlaw. The only way she could leave Kansas Four was to surrender the body that tied her to it; and so she had turned against it with fury and loathing, rejecting it, abandoning it, despising it, detesting it. No one could ever understand that who beheld her from the outside.
But I understood.
I understood much more than that, in that one flashing moment of communion that she and I had. I came to see what she meant when she said that I was her twin, her double, her other self. Of course we were wholly different, I the sober, staid, plodding, diligent man, and she the reckless, volatile, impulsive, tempestuous girl. But beneath all that we were the same: misfits, outsiders, troubled wanderers through worlds we had never made. We had found vastly differing ways to cope with our pain. Yet we were one and the same, two halves of a single entity.
We will remain together always now, I told myself.
And in that moment our communion broke. She broke it—it must have been she, fearful of letting this new intimacy grow too deep—and I found myself apart from her once again, still playing host to her in my brain but separated from her by the boundaries of my own individuality, my own selfhood. I felt her nearby, within me, a warm but discrete presence. Still within me, yes. But separate again.
15.
There was shipwork to do. For days, now, Vox’s invasion of me had been a startling distraction. But I dared not let myself forget that we were in the midst of a traversal of heaven. The lives of us all, and of our passengers, depended on the proper execution of our duties: even mine. And worlds awaited the bounty that we bore. My task of the moment was to oversee spinaround acquisition.
I told Vox to leave me temporarily while I went through the routines of acquisition. I would be jacked to other crewmen for a time; they might very well be able to detect her within me; there was no telling what might happen. But she refused. “No,” she said. “I won’t leave you. I don’t want to go out there. But I’ll hide, deep down, the way I did when I was upset with you.”
“Vox—”I began.
“No. Please. I don’t want to talk about it.”
There was no time to argue the point. I could feel the depth and intensity of her stubborn determination.
“Hide, then,” I said. “If that’s what you want to do.”
I made my way down out of the Eye to Engine Deck.
The rest of the acquisition team was already assembled in the Great Navigation Halclass="underline" Fresco, Raebuck, Roacher. Raebuck’s role was to see to it that communications channels were kept open, Fresco’s to set up the navigation coordinates, and Roacher, as power engineer, would monitor fluctuations in drain and input-output cycling. My function was to give the cues at each stage of acquisition. In truth I was pretty much redundant, since Raebuck and Fresco and Roacher had been doing this sort of thing a dozen times a voyage for scores of voyages and they had little need of my guidance. The deeper truth was that they were redundant too, for 49 Henry Henry would oversee us all, and the intelligence was quite capable of setting up the entire process without any human help. Nevertheless there were formalities to observe, and not inane ones. Intelligences are far superior to humans in mental capacity, interfacing capability, and reaction time, but even so they are nothing but servants, and artificial servants at that, lacking in any real awareness of human fragility or human ethical complexity. They must only be used as tools, not decision-makers. A society which delegates responsibilities of life and death to its servants will eventually find the servants’ hands at its throat. As for me, novice that I was, my role was valid as welclass="underline" the focal point of the enterprise, the prime initiator, the conductor and observer of the process. Perhaps anyone could perform those functions, but the fact remained that someone had to, and by tradition that someone was the captain. Call it a ritual, call it a highly stylized dance, if you will. But there is no getting away from the human need for ritual and stylization. Such aspects of a process may not seem essential, but they are valuable and significant, and ultimately they can be seen to be essential as well.