“The day came,” she said, “when I knew I couldn’t stand it any more. I was so miserable, so empty: I thought about having to live this way for another two hundred years or even more, and I wanted to pick up the hills and throw them at each other. Or get into my mother’s plummeter and take it straight to the bottom of the sea. I made a list of ways I could kill myself. But I knew I couldn’t do it, not this way or that way or any way. I wanted to live. But I didn’t want to live like that.”
On that same day, she said, the soul-call from Cul-de-Sac reached Kansas Four. A thousand vacant bodies were available there and they wanted soul-matrixes to fill them. Without a moment’s hesitation Vox put her name on the list.
There is a constant migration of souls between the worlds. On each of my voyages I have carried thousands of them, setting forth hopefully toward new bodies on strange planets.
Every world has a stock of bodies awaiting replacement souls. Most were the victims of sudden violence. Life is risky on shore, and death lurks everywhere. Salvaging and repairing a body is no troublesome matter, but once a soul has fled it can never be recovered. So the empty bodies of those who drown and those who are stung by lethal insects and those who are thrown from vehicles and those who are struck by falling branches as they work are collected and examined. If they are beyond repair they are disassembled and their usable parts set aside to be installed in others. But if their bodies can be made whole again, they are, and they are placed in holding chambers until new souls become available for them.
And then there are those who vacate their bodies voluntarily, perhaps because they are weary of them, or weary of their worlds, and wish to move along. They are the ones who sign up to fill the waiting bodies on far worlds, while others come behind them to fill the bodies they have abandoned. The least costly way to travel between the worlds is to surrender your body and go in matrix form, thus exchanging a discouraging life for an unfamiliar one. That was what Vox had done. In pain and despair she had agreed to allow the essence of herself, everything she had ever seen or felt or thought or dreamed, to be converted into a lattice of electrical impulses that the Sword of Orion would carry on its voyage from Kansas Four to Cul-de-Sac. A new body lay reserved for her there.
Her own discarded body would remain in suspension on Kansas Four. Some day it might become the home of some wandering soul from another world; or, if there were no bids for it, it might eventually be disassembled by the body-salvagers, and its parts put to some worthy use. Vox would never know; Vox would never care.
“I can understand trading an unhappy life for a chance at a happy one,” I said. “But why break loose on ship? What purpose could that serve? Why not wait until you got to Cul-de-Sac?”
“Because it was torture,” she said.
“Torture? What was?”
“Living as a matrix.” She laughed bitterly. “Living? It’s worse than death could ever be!”
“Tell me.”
“You’ve never done matrix, have you?”
“No,” I said. “I chose another way to escape.”
“Then you don’t know. You can’t know. You’ve got a ship full of matrixes in storage circuits but you don’t understand a thing about them. Imagine that the back of your neck itches, captain. But you have no arms to scratch with. Your thigh starts to itch. Your chest. You lie there itching everywhere. And you can’t scratch. Do you understand me?”
“How can a matrix feel an itch? A matrix is simply a pattern of electrical—”
“Oh, you’re impossible! You’re stupid! I’m not talking about actual literal itching. I’m giving you a suppose, a for-instance. Because you’d never be able to understand the real situation. Look: you’re in the storage circuit. All you are is electricity. That’s all a mind really is, anyway: electricity. But you used to have a body. The body had sensation. The body had feelings. You remember them. You’re a prisoner. A prisoner remembers all sorts of things that used to be taken for granted. You’d give anything to feel the wind in your hair again, or the taste of cool milk, or the scent of flowers. Or even the pain of a cut finger. The saltiness of your blood when you lick the cut. Anything. I hated my body, don’t you see? I couldn’t wait to be rid of it. But once it was gone I missed the feelings it had. I missed the sense of flesh pulling at me, holding me to the ground, flesh full of nerves, flesh that could feel pleasure. Or pain.”
“I understand,” I said, and I think that I truly did. “But the voyage to Cul-de-Sac is short. A few virtual weeks and you’d be there, and out of storage and into your new body, and—”
“Weeks? Think of that itch on the back of your neck, Captain. The itch that you can’t scratch. How long do you think you could stand it, lying there feeling that itch? Five minutes? An hour? Weeks?”
It seemed to me that an itch left unscratched would die of its own, perhaps in minutes. But that was only how it seemed to me. I was not Vox; I had not been a matrix in a storage circuit.
I said, “So you let yourself out? How?”
“It wasn’t that hard to figure. I had nothing else to do but think about it. You align yourself with the polarity of the circuit. That’s a matrix too, an electrical pattern holding you in crosswise bands. You change the alignment. It’s like being tied up, and slipping the ropes around until you can slide free. And then you can go anywhere you like. You key into any bioprocessor aboard the ship and you draw your energy from that instead of from the storage circuit, and it sustains you. I can move anywhere around this ship at the speed of light. Anywhere. In just the time you blinked your eye, I’ve been everywhere. I’ve been to the far tip and out on the mast, and I’ve been down through the lower decks, and I’ve been in the crew quarters and the cargo places and I’ve even been a little way off into something that’s right outside the ship but isn’t quite real, if you know what I mean. Something that just seems to be a cradle of probability waves surrounding us. It’s like being a ghost. But it doesn’t solve anything. Do you see? The torture still goes on. You want to feel, but you can’t. You want to be connected again, your senses, your inputs. That’s why I tried to get into the passenger, do you see? But he wouldn’t let me.”
I began to understand at last.
Not everyone who goes to the worlds of heaven as a colonist travels in matrix form. Ordinarily anyone who can afford to take his body with him will do so; but relatively few can afford it. Those who do travel in suspension, the deepest of sleeps. We carry no waking passengers in the Service, not at any price. They would be trouble for us, poking here, poking there, asking questions, demanding to be served and pampered. They would shatter the peace of the voyage. And so they go down into their coffins, their housings, and there they sleep the voyage away, all life-processes halted, a death-in-life that will not be reversed until we bring them to their destinations.
And poor Vox, freed of her prisoning circuit and hungry for sensory data, had tried to slip herself into a passenger’s body.