Victor’s will was locked up in a safe in Ray’s small office, where nothing was written on the door. “Nothing in the safe except my lunch,” Ray often remarked, but Nora once had seen it wide open and had been impressed by the great number of files and dossiers inside. When she asked what these were, her father had laughed and said, “Multiple-risk insurance policies,” and called her pie-face and sniffy-nose. She thought he must be proud to act as custodian to any part of Victor’s private affairs. Victor was associate in a firm of engineers, established since 1900 on St. James Street West. The name of the company was Macfarlane, Macfarlane & Macklehurst. It was understood that when Macfarlane Senior died or retired, “Cochefert” would figure on the letterhead — a bit lower and to the right, in smaller print. Three other people with French surnames were on staff: a switchboard operator, a file clerk, and a bilingual typist. During working hours they were expected to speak English, even to one another. The elder Macfarlane harbored the fear that anything said in an unknown language could be about him.
Nora’s father knew the exact reason why Uncle Victor had been hired: It had to do with Quebec provincial government contracts. Politicians liked to deal in French and in a manner they found pertinent and to the point. Victor used English when he had to, no more and no less, as he waited. He was waiting to see his name figure on the firm’s stationery, and he pondered the retreat and obscuration of the English. “The English” had names such as O’Keefe, Murphy, Llewellyn, Morgan-Jones, Ferguson, MacNab, Hoefer, Oberkirch, Aarmgaard, Van Roos, or Stavinsky. Language was the clue to native origin. He placed the Oberkirches and MacNabs by speech and according to the street where they chose to live. Nora’s father had escaped his close judgment, was the English exception, even though no one knew what Ray thought or felt about anything. The well-known Anglo reluctance to show deep emotion might be a shield for something or for nothing. Victor had told his wife this, and she had repeated it to Nora’s mother.
He had taken the last war to be an English contrivance and had said he would shoot his three sons rather than see them in uniform. The threat had caused Aunt Rosalie to burst into sobs, followed by the three sons, in turn, as though they were performing a round of weeping. The incident took place at a dinner given to celebrate the Cochefert grandparents’ golden wedding anniversary — close relatives only, twenty-six place settings, small children perched on cushions or volumes of the Littré dictionary. The time was six days after the German invasion of Poland and three after Ray had tried to enlist. Victor was in such a state of pacifist conviction that he trembled all over. His horn-rimmed glasses fell in his plate. He said to Nora’s father, “I don’t mean this for you.”
Ray said, “Well, in my family, if Canada goes to war, we go too,” and left it at that. He spoke a sort of French he had picked up casually, which not everyone understood. Across the table he winked at Nora and Geraldine, as if to say, “It’s all a lot of hot air.” His favorite tune was “Don’t Let It Bother You.” He could whistle it even if he lost money at Blue Bonnets.
Just before Victor’s terrible outburst, the whole table had applauded the arrival of the superb five-tier, pink-and-white anniversary cake, trimmed with little gold bells. Now, it sat at the center of the table and no one had the heart to cut it. The chance that one’s children could be shot seemed not contrary to reason but prophetic. It was an unlucky age. The only one of Victor’s progeny old enough to get into uniform and be gunned down by her father was his daughter, Ninon — Aunt Rosalie’s Ninette. For years Victor and Rosalie had been alone with Ninette; then they had started having the boys. She was eighteen that September, just out of her convent school, could read and speak English, understand every word of Latin in the Mass, play anything you felt like hearing on the piano; in short, was ready to become a superior kind of wife. Her historical essay, “Marie-Antoinette, Christian Queen and Royal Martyr,” had won a graduation medal. Aunt Rosalie had brought the medal to the dinner, where it was passed around and examined on both sides. As for “Marie-Antoinette,” Victor had had it printed on cream-colored paper and bound in royal blue, with three white fleurs-de-lys embossed on the cover, and had presented a copy to every person he was related to or wished to honor.
Nora was nine and had no idea what or where Poland might be. The shooting of her cousins by Uncle Victor lingered as a possibility but the wailing children were starting to seem a bit of a nuisance. Ninette stood up — not really a commanding presence, for she was small and slight — and said something about joining the armed forces and tramping around in boots. Since none of them could imagine a woman in uniform, it made them all more worried than ever; then they saw she had meant them to smile. Having restored the party to good humor, more or less, she moved around the table and made her little brothers stop making that noise, and cleaned their weepy, snotty faces. The three-year-old had crawled under the table, but Ninette pulled him out and sat him hard on his chair and tied his napkin around his neck, good and tight. She liked the boys to eat like grown-ups and remember every instructive thing she said: The Reverend Mother had told Victor she was a born teacher. If he would not allow her to take further training (he would not) he ought to let Ninette give private lessons, in French or music. Nothing was more conducive to moral disaster than a good female mind left to fester and rot. Keeping busy with lessons would prevent Ninette from dwelling on imponderables, such as where one’s duty to parents ends and what was liable to happen on her wedding night. The Reverend Mother did not care how she talked to men. She was more circumspect with women, having high regard for only a few. Uncle Victor thought that was the best stand for the director of an exceptional convent school.
Having thoroughly daunted her little brothers, Ninette gave each of her troubled parents a kiss. She picked up a big silver cake knife — an 1889 wedding present, like the dictionary — and sliced the whole five-tier edifice from top to bottom. She must have been taught how to do it as part of her studies, for the cake did not fall apart or collapse. “There!” she said, as if life held nothing more to be settled. Before she began to serve the guests, in order, by age, she undid the black velvet ribbon holding her hair at the nape of her neck and gave it to Geraldine. Nora watched Ninette closely during the cake operation. Her face in profile was self-contained, like a cat’s. Ray had remarked once that all the Cochefert women, his own wife being the single exception, grew a mustache by the age of eighteen. Ninette showed no trace of any, but Nora did perceive she had on mascara. Uncle Victor seemed not to have noticed. He wiped his glasses on his napkin and looked around humbly, as though all these people were too good for him, the way he always emerged from tantrums and tempers. He said nothing else about the war or the English, but as soon as he started to feel more like himself, remarked that it was no use educating women: It confused their outlook. He hoped Ray had no foolish and extravagant plans for Nora and Geraldine. Ray went on eating quietly and steadily, and was first to finish his cake.