He looked at the smeared window and wondered if this day could end without disaster. In his mind he saw her falling in the snow wearing a tramp’s costume, and he saw her coming to him in the orphanage dressing gown. He saw her drowning face at the party. He was afraid for himself. The story was still unfinished. It had to come to a climax, something threatening to him. But there was no climax. They talked that day, and afterward nothing else was said. They went on in the same office for a short time, until Peter left for Ceylon; until somebody read the right letter, passed it on for the right initials, and the Fraziers began the Oriental tour that should have made their fortune. Agnes and Peter were too tired to speak after that morning. They were like a married couple in danger, taking care.
But what were they talking about that day, so quietly, such old friends? They talked about dying, about being ambitious, about being religious, about different kinds of love. What did she see when she looked at him — taking her knuckle slowly away from her mouth, bringing her hand down to the desk, letting it rest there? They were both Canadians, so they had this much together — the knowledge of the little you dare admit. Death, near death, the best thing, the wrong thing — God knows what they were telling each other. Anyway, nothing happened.
When, on Sunday mornings, Sheilah and Peter talk about those times, they take on the glamour of something still to come. It is then he remembers Agnes Brusen. He never says her name. Sheilah wouldn’t remember Agnes. Agnes is the only secret Peter has from his wife, the only puzzle he pieces together without her help. He thinks about families in the West as they were fifteen, twenty years ago — the iron-cold ambition, and every member pushing the next one on. He thinks of his father’s parties. When he thinks of his father he imagines him with Sheilah, in a crowd. Actually, Sheilah and Peter’s father never met, but they might have liked each other. His father admired good-looking women. Peter wonders what they were doing over there in Geneva — not Sheilah and Peter, Agnes and Peter. It is almost as if they had once run away together, silly as children, irresponsible as lovers. Peter and Sheilah are back where they started. While they were out in world affairs picking up microbes and debts, always on the fringe of disaster, the fringe of a fortune, Agnes went on and did — what? They lost each other. He thinks of the ice wagon going down the street. He sees something he has never seen in his life — a Western town that belongs to Agnes. Here is Agnes — small, mole-faced, round-shouldered because she has always carried a younger child. She watches the ice wagon and the trail of ice water in a morning invented for her: hers. He sees the weak prairie trees and the shadows on the sidewalk. Nothing moves except the shadows and the ice wagon and the changing amber of the child’s eyes. The child is Peter. He has seen the grain of the cement sidewalk and the grass in the cracks, and the dust, and the dandelions at the edge of the road. He is there. He has taken the morning that belongs to Agnes, he is up before the others, and he knows everything. There is nothing he doesn’t know. He could keep the morning, if he wanted to, but what can Peter do with the start of a summer day? Sheilah is here, it is a true Sunday morning, with its dimness and headache and remorse and regrets, and this is life. He says, “We have the Balenciaga.” He touches Sheikh’s hand. The children have their aunt now, and he and Sheilah have each other. Everything works out, somehow or other. Let Agnes have the start of the day. Let Agnes think it was invented for her. Who wants to be alone in the universe? No, begin at the beginning: Peter lost Agnes. Agnes says to herself somewhere, Peter is lost.
THE REMISSION
When it became clear that Alec Webb was far more ill than anyone had cared to tell him, he tore up his English life and came down to die on the Riviera. The time was early in the reign of the new Elizabeth, and people were still doing this — migrating with no other purpose than the hope of a merciful sky. The alternative (Alec said to his only sister) meant queueing for death on the National Health Service, lying on a regulation mattress and rubber sheet, hearing the breath of other men dying.
Alec — as obituaries would have it later — was husband to Barbara, father to Will, Molly, and James. It did not occur to him or to anyone else that the removal from England was an act of unusual force that could rend and lacerate his children’s lives as well as his own. The difference was that their lives were barely above ground and not yet in flower.
The five Webbs arrived at a property called Lou Mas in the course of a particularly hot September. Mysterious Lou Mas, until now a name on a deed of sale, materialized as a pink house wedged in the side of a hill between a motor road and the sea. Alec identified its style as Edwardian-Riviera. Barbara supposed he must mean the profusion of balconies and parapets, and the slender pillars in the garden holding up nothing. In the new southern light everything looked to her brilliant and moist, like color straight from a paintbox. One of Alec’s first gestures was to raise his arm and shield his eyes against this brightness. The journey had exhausted him, she thought. She had received notice in dreams that their change of climates was irreversible; not just Alec but none of them could go back. She did not tell him so, though in better times it might have interested that part of his mind he kept fallow: Being entirely rational, he had a prudent respect for second sight.
The children had never been in a house this size. They chased each other and slid along the floors until Alec asked, politely, if they wouldn’t mind playing outside, though one of the reasons he had wanted to come here was to be with them for the time remaining. Dispatched to a flagged patio in front of the house, the children looked down on terraces bearing olive trees, then a railway line, then the sea. Among the trees was a cottage standing empty which Barbara had forbidden them to explore. The children were ten, eleven, and twelve, with the girl in the middle. Since they had no school to attend, and did not know any of the people living around them, and as their mother was too busy to invent something interesting for them to do, they hung over a stone balustrade waving and calling to trains, hoping to see an answering wave and perhaps a decapitation. They had often been warned about foolish passengers and the worst that could happen. Their mother came out and put her arms around Will, the eldest. She kissed the top of his head. “Do look at that sea,” she said. “Aren’t we lucky?” They looked, but the vast, flat sea was a line any of them could have drawn on a sheet of paper. It was there, but no more than there; trains were better — so was the ruined cottage. Within a week James had cut his hand on glass breaking into it, but by then Barbara had forgotten her injunction.
The sun Alec had wanted turned out to be without compassion, and he spent most of the day indoors, moving from room to room, searching for some gray, dim English cave in which to take cover. Often he sat without reading, doing nothing, in a room whose one window, none too clean, looked straight into the blank hill behind the house. Seepage and a residue of winter rainstorms had traced calm yellowed patterns on its walls. He guessed it had once been assigned to someone’s hapless, helpless paid companion, who would have marveled at the thought of its lending shelter to a dying man. In the late afternoon he would return to his bedroom, where, out on the balcony, an angular roof shadow slowly replaced the sun. Barbara unfolded his deck chair on the still burning tiles. He stretched out, opened a book, found the page he wanted, at once closed his eyes. Barbara knelt in a corner, in a triangle of light. She had taken her clothes off, all but a sun hat; bougainvillea grew so thick no one could see. She said, “Would you like me to read to you?” No; he did everything alone, or nearly. He was — always — bathed, shaved, combed, and dressed. His children would not remember him unkempt or disheveled, though it might not have mattered to them. He did not smell of sweat or sickness or medicine or fear.