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“You’re right,” I said. “We’ll figure out something.”

“I’ll be back at the First Nome tonight. Call me then, okay? We should talk about—”

Something rumbled behind her, like a stone slab grinding across the floor.

“Sobek’s here,” she whispered. “I hate that guy. Talk later.”

“Wait, Zia,” I said. “Talk about what?”

But the oil turned dark, and Zia was gone.

I needed to sleep. Instead, I paced my room.

The dorm rooms at Brooklyn House were amazing—comfortable beds, HD TVs, high-speed wireless Internet, and magically restocking mini-fridges. An army of enchanted brooms, mops, and dusters kept everything tidy. The closets were always full of clean, perfectly fitting clothes.

Still, my room felt like a cage. Maybe that’s because I had a baboon for a roommate. Khufu wasn’t here much (usually downstairs with Cleo or letting the ankle-biters groom his fur), but there was a baboon-shaped depression on his bed, a box of Cheerios on the nightstand, and a tire swing installed in the corner of the room. Sadie had done that last part as a joke, but Khufu loved it so much, I couldn’t take it down. The thing was, I’d gotten used to his being around. Now that he spent most of his time with the kindergartners, I missed him. He’d grown on me in an endearing, annoying way, kind of like my sister.

[Yeah, Sadie. You saw that one coming.]

Screensaver pictures floated across my laptop monitor. There was my dad at a dig site in Egypt, looking relaxed and in charge in his khaki fatigues, his sleeves rolled up on his dark muscular arms as he showed off the broken stone head of some pharaoh’s statue. Dad’s bald scalp and goatee made him look slightly devilish when he smiled.

Another picture showed Uncle Amos onstage at a jazz club, playing his saxophone. He wore round dark glasses, a blue porkpie hat, and a matching silk suit, impeccably tailored as always. His cornrows were braided with sapphires. I’d never actually seen Amos play onstage, but I liked this photo because he looked so energetic and happy—not like he did these days, with the weight of leadership on his shoulders. Unfortunately the photo also reminded me of Anne Grissom, the Texas magician with her fiddle, having so much fun earlier this evening just before she died.

The screensaver changed. I saw my mom bouncing me on her knee when I was a baby. I had this ridiculous ’fro back then, which Sadie always teases me about. In the photo, I’m wearing a blue Onesie stained with pureed yams. I’m holding my mom’s thumbs, looking startled as she bounces me up and down, like I’m thinking, Get me off of this ride! My mom is as beautiful as always, even in an old T-shirt and jeans, her hair tied back in a bandana. She smiles down at me like I’m the most wonderful thing in her life.

That photo hurt to look at, but I kept looking at it.

I remembered what Sadie had told me—that something was affecting the spirits of the dead, and we might not see our mom again unless we figured it out.

I took a deep breath. My dad, my uncle, my mom—all of them powerful magicians. All had sacrificed so much to restore the House of Life.

They were older, wiser, and stronger than me. They’d had decades to practice magic. Sadie and I had had nine months. Yet we needed to do something no magician had ever managed—defeat Apophis himself.

I went to my closet and took down my old traveling case. It was just a black leather carry-on bag, like a million others you might see in an airport. For years I’d lugged it around the world as I traveled with my dad. He’d trained me to live with only the possessions I could carry.

I opened the suitcase. It was empty now except for one thing: a statuette of a coiled serpent carved in red granite, engraved with hieroglyphs. The name—Apophis—was crossed out and overwritten with powerful binding spells, but still this statuette was the most dangerous object in the whole house—a representation of the enemy.

Sadie, Walt, and I had made this thing in secret (over Bast’s strong objections). We’d only trusted Walt because we needed his charm-making skills. Not even Amos would have approved such a dangerous experiment. One mistake, one miscast spell, and this statue could turn from a weapon against Apophis into a gateway allowing him free access to Brooklyn House. But we’d had to take the risk. Unless we found some other means of defeating the serpent, Sadie and I would have to use this statue for Plan B.

“Foolish idea,” said a voice from the balcony.

A pigeon was perched on the railing. There was something very un-pigeonlike about its stare. It looked fearless, almost dangerous; and I recognized that voice, which was more manly and warlike than you’d normally expect from a member of the dove family.

“Horus?” I asked.

The pigeon bobbed its head. “May I come in?”

I knew he wasn’t just asking out of courtesy. The house was heavily enchanted to keep out unwanted pests like rodents, termites, and Egyptian gods.

“I give you permission to enter,” I said formally. “Horus, in the form of a…uh…pigeon.”

“Thank you.” The pigeon hopped off the railing and waddled inside.

“Why?” I asked.

Horus ruffled his feathers. “Well, I looked for a falcon, but they’re a little scarce in New York. I wanted something with wings, so a pigeon seemed the best choice. They’ve adapted well to cities, aren’t scared of people. They’re noble birds, don’t you think?”

“Noble,” I agreed. “That’s the first word that comes to mind when I think of pigeons.”

“Indeed,” Horus said.

Apparently sarcasm didn’t exist in Ancient Egypt, because Horus never seemed to get it. He fluttered onto my bed and pecked at a few Cheerios left over from Khufu’s lunch.

“Hey,” I warned, “if you poop on my blankets—”

“Please. War gods do not poop on blankets. Well, except for that one time—”

“Forget I said anything.”

Horus hopped to the edge of my suitcase. He peered down at the statuette of Apophis. “Dangerous,” he said. “Much too dangerous, Carter.”

I hadn’t told him about Plan B, but I wasn’t surprised that he knew. Horus and I had shared minds too many times. The better I got at channeling his powers, the better we understood each other. The downside of godly magic was that I couldn’t always shut off that connection.

“It’s our emergency backup,” I said. “We’re trying to find another way.”

“By looking for that scroll,” he recalled. “The last copy of which burned up tonight in Dallas.”

I resisted the urge to spike the pigeon. “Yes. But Sadie found this shadow box. She thinks it’s some sort of clue. You wouldn’t know anything about using shadows against Apophis, would you?”

The pigeon turned its head sideways. “Not really. My understanding of magic is fairly straightforward. Hit enemies with a sword until they’re dead. If they rise again, hit them again. Repeat as necessary. It worked against Set.”

“After how many years of fighting?”

The pigeon glared at me. “What’s your point?”

I decided to avoid an argument. Horus was a war god. He loved to fight, but it had taken him years to defeat Set, the god of evil. And Set was small stuff next to Apophis—the primordial force of Chaos. Whacking Apophis with a sword wasn’t going to work.

I thought about something Bast had said earlier, in the library.

“Would Thoth know more about shadows?” I asked.

“Probably,” Horus grumbled. “Thoth isn’t good for much except studying his musty old scrolls.” He regarded the serpent figurine. “Funny…I just remembered something. Back in the old days, the Egyptians used the same word for statue and shadow, because they’re both smaller copies of an object. They were both called a sheut.”

“What are you trying to tell me?”

The pigeon ruffled its feathers. “Nothing. It just occurred to me, looking at that statue while you were talking about shadows.”