"That makes sense," he said. "You'll hear from me."
Dora spent the afternoon scribbling in her notebook, happy that she wouldn't be making many more notes. The tangled skein was unraveling, and what she didn't know, she could guess. She even dragged out that nonsensical diagram she had drawn with the names of all the involved characters in boxes connected by straight or squiggly lines. But now the connections seemed clear to her, and infinitely sad. She wondered if all humans are born with an innate capacity to screw up their lives.
John called a little after five o'clock, said he was going to shove his job for an hour, and didn't care if the entire island of Manhattan slid into the Upper Bay while he was off duty. Dora brushed her hair and went down to the cocktail lounge. She took the table which she and Felicia Starrett had occupied during their first meeting.
But when Wenden entered, he went directly to the bar and asked for a shot of rye. He tossed it down, then ordered a bottle of beer and brought it over to Dora's table.
"You'd think I'd be used to seeing clunks, wouldn't you?" he said angrily. "I'm not. But at least I don't upchuck anymore. My God, Red, I can't tell you how bad it was. Not only the remains but also that madwoman. And the apartment-a shithouse!"
"John, you're wired," Dora said, putting a hand on his arm. "Sip your beer and try to settle down. I'll order club sandwiches. All right?"
"Whatever."
He seemed to be operating on pure adrenaline, and she wondered if he might collapse when the rush faded.
"You were right," he said, speaking rapidly and gulping his beer. "I checked with the concierge at Helene's apartment house. She left the place last night about eight o'clock and didn't return until two in the morning. The guy said she was soaked through and looked like she had been walking in the storm. I don't know what that means- do you?"
"That she was at Turner's apartment last night. Will you dust the knife handle for prints?"
"What good will that do? I told you we had to twist it out of Felicia's hand. If there were other prints on it, they'd be smeared to nothing."
"Then check cups and glasses," Dora urged. "I'm sure you'll find Helene's prints."
"So what? She'll claim they were made weeks ago during a visit."
"Then vacuum the place," Dora said desperately. "You may find some long hairs-just like the ones you found in the room where Sidney Loftus was killed."
Wenden glared at her. "Are you trying to tell me that Helene knifed Turner Pierce?"
"No," Dora said, "I don't believe that. But I do think she went there last night."
"What for?"
"To tell Felicia that she was the wife of the man Felicia hoped to marry. She knew what condition that poor woman was in and figured to push her over the edge. Helene may not have actually stabbed Turner, but she guided the knife. She wanted her husband dead."
John took a deep breath, blew it out, and slumped in his chair, suddenly slack and relaxed. "You may be right," he said quietly, "but it's not illegal for a wife to tell another woman that her lover is already hitched."
Then they were silent while their fat club sandwiches were served. John stared at his.
"I'm not sure I can handle that," he said. "My stomach is still churning."
"Try," Dora pleaded. "You need it. You look like death warmed over."
He took a small bite, chewed determinedly, and swallowed. He waited a moment, then smiled and nodded.
"I'm going to be okay," he said. "Tastes good. About those hairs found in the back room of the Church of the Holy Oneness-you're probably right about Helene being there on the murder night. I took the photographs over to that waiter at the Twenty-eighth Street restaurant, and he definitely identified Helene as being the woman Loftus was with the night he was blanked. But that's all circumstantial, Red. A waiter's ID and a couple of hairs-we'd never get a conviction out of that."
"You mean," Dora demanded hotly, "she's going to go free?"
Wenden nodded. "Unless we can come up with something more than we've got. Besides, I'm not so sure Helene did it. I still think the Lewis Starrett, Sol Guthrie, and Sid Loftus homicides were all related and connected somehow to the laundering of drug money."
Dora ignored her sandwich. "Detective Wenden," she said as calmly as she could, "you're full of you-know-what."
"All right," he said equably, "you tell me what you think went down."
"There were four homicides," Dora began. "Four deaths. Four different killers. And four different motives.
"One: Lewis Starrett was murdered by Sidney Loftus, then using the name of Father Brian Callaway. His motive? Eleanor Starrett told me in our first meeting. I put it in my report but didn't see the significance until my boss in Hartford caught it. Lewis had ordered his wife not to give another penny to Callaway's phony church, and Olivia was the good Father's heaviest contributor. No way was that swindler going to lose his richest sucker. So he offed Lewis with the chefs knife taken from the Starrett apartment on the night of the cocktail party. He knew Lewis's death would leave Olivia an even wealthier woman.
"Two: The murder of Solomon Guthrie. You're right about that one; Sol sensed something was fishy about Star-rett's gold trading, probably made a fuss about it to Clayton, and took his suspicions to Arthur Rushkin, the attorney. When Clayton, Turner Pierce, and Ramon Schnabl heard about that, they got rid of the threat to their operation by getting rid of Guthrie. I imagine Schnabl provided the hit men; it had all the marks of a professional contract kill.
"Three: Sidney Loftus. This is the iffiest one of the lot, and I admit my ideas are mostly guesswork. Sid Loftus and the Pierces were buddy-buddy in Kansas City, and he had to know they were married. But in New York he had his church scam going and they were clipping the Starretts, so all the sharks were making a nice buck and no one rocked the boat. But then Clayton announced he was going to get a divorce and marry Helene. Loftus saw the chance for a profitable shakedown and put the bite on the Pierces. They weren't about to sit still for blackmail and decided to eliminate their old pal Sidney. Helene made a date with him, maybe promising sex, and put him down in the back room of his fake tabernacle.
"Four: the stabbing of Turner Pierce. I've already told you how I think that went. Turner was going nuts trying to keep Felicia under control with drugs-probably supplied by Ramon Schnabl-and Helene figured who needs Turner? With her hubby out of the picture she really could marry Clayton Starrett with all the goodies that promised. So she egged on Felicia to do the dirty work for her. I think that's the way it happened. One of the reasons I'm sure Helene did it is that I just don't like the woman."
Dora finished, sat back, and waited for Wenden's critique.
"Are you going to eat your sandwich?" he asked.
"Half of it," she said. "You want the other half?"
He nodded, and she lifted it carefully to his plate. They both began chomping.
"I like your ideas," John said. "Everything you say makes sense. If you're right, the Lewis Starrett file is closed because the killer, Sid Loftus, is dead. As for nailing the guys who aced Guthrie, I don't think there's much chance of that unless someone rats on Schnabl, which I don't see happening. And as for Loftus's murder, I'm just as convinced as you are that Helene is the perp, but right now there's not enough evidence to charge her, let alone indict and convict. And maybe she did trigger the stabbing of Turner by Felicia but, as I told you, what she did might have been wicked and immoral but it wasn't illegal. Felicia will get treatment for her drug addiction, and I doubt if she'll do time for an act committed when she was, as her lawyer will claim, temporarily insane while under the influence of dope supplied by the man she killed after learning he had betrayed her. So, as far as I can see, there were four brutal killings, and no one is going to spend a day in jail for any one of them."