Suez Canal in the face of British outrage.
"HaV he chuckled. "Different sides of the track. But things have
changed. I hope we don't have to be enemies?"
"Not at all," she agreed. "Duraid held you in the highest esteem."
"As I did him." He changed the subject again. "We ar very proud of our
collection of royal ushabd Examples from the tomb of every pharaoh from
the old Kingdom onwards, right up to the last of the Ptolemys. Please
let me show it to you." She followed him to the huge display case that
occupied one complete wall of the hall. It was lined with shelf after
shelf of the doll-like figures which had been placed in the tombs to act
as servants and slaves for the dead kings in the shadow world.
With his own key Nicholas opened the glazed doors of the case and
reached up to bring down the most interesting of the exhibits. "This is
the ushabd of Maya who served under three pharaohs, Tutankhamen, Ay and
Horemheb.
It is from the -tomb of Ay who died in 1343 Bc."
He handed the doll to her and she read aloud the three thousand-year-old
hieroglyphics as easily as though they had been the headlines of that
morning's newspaper.
"I am Maya, Treasurer of the two Kingdoms. I will answer for the divine
Pharaoh Ay. May he live for ever!" She spoke in Arabic to test him, and
his reply in the same language was fluent and colloquial, "It seems that
Percival Dixon told me the truth. You must have been an exceptional
student."
Engrossed now in their common interest, speaking alternately Arabic and
English, the initial sharp prickles.of antagonism between them were
dulled. They moved slowly round the hall, lingering before each display
case to handle and examine minutely each object that it contained.
It was as though they were transported back over the millennia. Hours
and days seemed of no consequence in the face of such antiquity, and so
it startled both of them when Mrs. Street returned to interrupt them, "I
am off now, Sir Nicholas. Can I leave it to you to lock up and set the
alarm? The security guards are on duty already."
"What time is it?"Nicholas answered his own question by glancing at the
stainless steel Rolex Submariner on his wrist. "Five-forty already, what
on earth happened to the day?" He sighed theatrically. "Off you go, Mrs.
Street. Sorry we kept you so long."
"Don't forget to set the alarm," she warned him, and then to Royan, "He
can be so absent-minded when he is off on one of his hobby-horses." Her
fondness towards her employer was obviously that of an indulgent aunt.
"You've given me enough orders for one day. Off you go," Nicholas
grinned, as he turned back to Royan. "Can't let you go without showing
you something that Duraid."was in on with me. Can you stay for a few
minutes longer?" She nodded and he reached out as if to take her arm,
and then dropped his hand. In the Arab world it is insulting to touch a
woman, even in such a casual manner. She was aware of the courtesy, and
she warmed to his good manners and easy style a little more.
He led her out of the exhibition halls through a door marked "Private.
Staff Only', and down a long corridor to the room at the end.
The inner sanctum." He ushered her in. "Excuse the mess'. I must really
get around to tidying up in here one of these years. My wife used to-'
He broke off abruptly, and he glanced at the silver-framed photograph of
a family group on his desk. Nicholas and a beautiful dark-haired woman
sat on a picnic rug under the spreading branches of an oak. There were
two little girls with them and the family resemblance to the mother was
strong in both of them. The youngest child sat on Nicholas's lap while
the elder girl stood behind them, holding the reins of her Shetland
pony. Royan glanced sideways at him and saw the devastating sorrow in
his eyes.
So as not to embarrass him she looked around the rest of the room, which
was obviously his study and workshop.
It was spacious and comfortable, a man's room, but it illustrated the
contradictions of his character - the bookish scholar set against the
man of action. Amongst the muddle of books and museum specimens lay
fishing reels and a Hardy split cane salmon rod. On a row of wall hooks
hung a Barbour jacket, a canvas shotgun slip and a leather cartridge bag
embossed with the initials ..-.
She recognized some of the framed pictures on the walls. They were
original nineteenth-century watercolours by the Scottish traveller David
Roberts, and others by Vivant Denon who had accompanied Napoleon's
L'armie de I'Orient to Egypt. They were fascinating views of the
monuments drawn before the excavations and restorations of more modern
times.
Nicholas went to the fireplace and threw a log on the fading coals. He
kicked it until it flared up brightly and then beckoned her to stand in
front of the floor-to-ceiling curtains that covered half of one wall.
With a conjuror's flourish he pulled the tasselled cord that opened the
curtains and exclaimed with satisfaction, "
"What do you make of that, then?"
She studied the magnificent has-relief frieze that was mounted on the
wall. The detail was beautiful and the rendition magnificent, but she
did not let her admiration show. Instead she gave her opinion in offhand
tones.
"Sixth King of the Amorite dynasty, Hammurabi, about 1780 Bc," she said,
pretending to study the finely chiselled features of the ancient monarch
before she went on, "Yes, probably from his palace site south-west of
the ziggurat at Ashur. There should have been a pair of these friezes.
They are worth in the region of five million US dollars each. My guess
is that they were stolen from the saintly ruler of modern Mesopotamia,
Saddam Hussein, by two unprincipled rogues. I hear that the other one of
the pair is at present in the collection of a certain Mr Peter Walsh in
Texas."
He stared at her in astonishment, and then burst out laughing. "Damn it!
I swore'Duraid to secrecy but he must have told you about our naughty
little escapade." It was the first time she had heard him laugh. It
seemed to come naturally to his lips and she -liked the sound of it,
hearty and unaffected.
"You are right about the present owner of the second frieze," he told
her, still laughing. "But the price was six million, not five."
"Duraid also told me about your visit to the Tibesti Massif in Chad and
southern Libya," she remarked, and he shook his head in mock contrition.
'it seems I have no secrets from you." He went to a tall armoire against
the opposite wall. It was a magnificent piece of marquetry furniture,
probably seventeenth-century French. He opened the double doors and
said, "This is what Duraid and I brought back from Libya, without the
consent of Colonel Muammar al Gadaffi."He took down one of the exquisite
little bronzes and handed it to her. It was the figure of a mother
nursing her infant, and it had a green patina of age.
"Hannibal, son of Hamilcar Barca," he said, "about 203 BC. These were
found by a band of Tuareg at one of his old camps on the Bagradas river
in North Africa.
Hannibal must have cached them there before his defeat by the Roman
general Scipio. There were over two hundred bronzes in the hoard, and I
still have fifty of the best of them."
"You sold the rest of them?" she asked, as she admired the statuette.
There was disapproval in her tone as she went on, "How could you bear to
part with something so beautiful?"
He sighed unhappily, "Had to, I am afraid. Very sad, but the expedition