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"Oh, not much." Don Ibrahim shot a glance at his companions and hazarded a sum. "Half a million each for accommodation and food."

Four and a half million was nothing at this point, so Peregil agreed. His financial situation was dire, but if this worked, Gavira wouldn't quibble at the extra sum.

"What have you got in mind?" asked Peregil.

Don Ibrahim looked out of the window at the narrow white arch of the Callejon de la Inquisicion, reluctant to give details. Feeling very hot despite the chilled wine, he picked up La Nina's fan and fanned himself. "There's a place on the river," he said. "The boat where El Potro lives. We could keep the priest there till Friday, if you like."

Peregil glanced at El Potro's vacant face and arched his eyebrows. "Will it work?"

Don Ibrahim nodded, gravely. "It'll work."

Like all men desperate to be reassured, Peregil calmed down. He took out a packet of American cigarettes and lit one. "Sure you won't harm the priest?" he asked. "What if he puts up a fight?"

"Please." Don Ibrahim glanced anxiously at La Nina and placed his hand on El Potro's shoulder. "An elderly priest. A man of God."

Peregil nodded. They had to make sure to keep an eye on the priest from Rome, and, er, the lady, he reminded them. And photographs. Above all, they mustn't forget the photographs. "It's not a bad plan," added Peregil. "How did you get the idea?"

Stroking what was left of his moustache, Don Ibrahim smiled, looking both gratified and modest. "From a film they showed on TV last night: The Prisoner of Zenda."

"I think I've seen it," said Peregil, readjusting his hair to hide his bald patch. He signalled for the waiter to bring a second bottle. "Is that the one where the guy is put in prison by his friends, then he finds treasure and gets his revenge?"

Don Ibrahim shook his head as the waiter poured the fino. "No," he said. "That's The Count of Monte Cristo. The one I mean is where the evil brother kidnaps the king, so he can be king himself. But then Stewart Granger comes along and saves him."

"Well, isn't that something." Peregil nodded, pleased. "It's a real education watching TV."

It wasn't only in his personality that Honorato Bonafe possessed certain pig-like qualities. By the time he reached the portico, sweat poured down his pink double chin, soaking his collar. He mopped his face with his handkerchief as he took in the ex-votos hanging on the wall, the pews piled up to one side of the nave, and the scaffolding.

It was late afternoon in Santa Cruz. The light filtering through the damaged windows was gold and red, bathing the chipped and dusty carvings in a strange haze. Two angels stared into space, and the shadowy figures of the dukes of El Nuevo Extremo, kneeling in prayer, seemed alive.

Bonafe walked forward uncertainly, looking round at the vault, the pulpit and the confessional, whose door was open. There was no one there or in the vestry. He went up to the gate of the crypt and looked down the steps into the darkness. He turned to the altar. The figure of the Virgin was there in her niche, surrounded by scaffolding. Bonafe stood looking at her for a moment and then, with the determined air of one who has planned his move, he climbed the ladder to the figure, some five metres above the ground. The reddish light from the windows illuminated the foreshortened baroque carving, the heart pierced with daggers, the eyes of our Lady of Sorrows raised to heaven. And on her cheeks, blue mantle and crown of stars gleamed Captain Xaloc's pearls.

Bonafe took out his handkerchief, again mopped the sweat on his brow and neck, and dusted the pearls. He peered at them closely. He took a small penknife from his pocket. He gently scraped one of the pearls set into the mantle and stared at it thoughtfully. Then he carefully prised it out. It was about the size of a chickpea. He held it in his palm for a moment, then put it in his jacket pocket with a satisfied smile.

In the deserted nave, the evening light filtered in past the torsoless Christ on the damaged window, reddening the drops of sweat on Bonafe's flabby face. He mopped it yet again with his handkerchief. At that moment he heard a gentle rustle behind him and felt the scaffolding move very slightly.

XI

Carlota Bruner's Trunk

All the wisdom in the world is in the eyes of those wax dolls.

Valery Larbaud, Poems

The English clock struck ten as they were finishing dessert, and Cruz Bruner suggested they take their coffee out into the cool courtyard. Quart gave the duchess his arm and they left the summer dining room, where they had dined among marble busts brought, together with the mosaic laid in the main courtyard, four centuries ago from the ruins of Italica. In the surrounding gallery with its coffered mudejar ceiling, ancestors in white ruffs and dark clothes stared gravely from their frames as Quart and the duchess passed. Leaning on his arm, the old lady, in a black silk dress with small white flowers at her neck and wrists, pointed them out: an admiral, a general, a governor of the Low Countries, a viceroy of the West Indies. As they passed the lamps from Cordoba, the slim shadow of the priest was visible beside the small, stooping shadow of the duchess, between the arches of the gallery. And behind them, in a black ankle-length dress and sandals and carrying a cushion for her mother, walked Macarena Bruner, smiling.

Quart sat between the two women, beside the tiled fountain. The courtyard, full of flowers, smelled of jasmine. Macarena dismissed the maid, after the maid put down the tray, and she served the coffee herself on the marquetry table. Black for Quart, with milk for her. Coca-Cola – not too cold – for her mother.

"It's my drug, as you know," said the old lady. "My doctors don't allow me coffee."

"My mother sleeps very little," Macarena told Quart, "if she goes to bed early, she wakes up at three or four in the morning. This keeps her awake. We all tell her it can't be good for her, but she takes no notice."

"Why should I?" asked Cruz Bruner. "This drink is the only thing from the USA I like." "You like Gris, mother."

"That's true," conceded the old lady between sips. "But she's from California: she's almost Spanish."

Macarena aimed to Quart. "The duchess thinks that in California the landowners still wear charro outfits covered with silver buttons, Brother Junipero's still preaching, and Zorro's still riding around fighting for the poor."

"You mean they aren't?" asked Quart, amused. Cruz Bruner nodded energetically. "That's how it should be," she said. "After all, Macarena, your great-great-great-grandfather Fernando was governor of California before they took it from us."

She spoke with all the assurance of her lineage – as if California had been snatched directly from her or her family. There was something singular in the mixture of familiarity and courteous if somewhat haughty tolerance with which the duchess addressed people. Quart looked at her wrinkled hands and face covered with liver spots, at her withered skin and the pale line of lipstick on her lips, at her white hair, pearl necklace and fan decorated by Romero de Torres. There were few women like her left. He had met some – lonely old ladies dragging their lost youth and nostalgia around the C6te d'Azur, matrons of the ancient Italian nobility, shrivelled central-European relics with Austro-Hungarian surnames, devout Spanish ladies. Cruz Bruner was one of the last. Their sons and daughters were either penniless layabouts, fodder for the tabloids, or else they worked from nine to five in offices and banks, or ran wineries, shops, and fashionable nightclubs, dealing with the financiers and politicians on whom their livelihoods depended. They studied in America, visited New York rather than Paris or Venice, couldn't speak French, and married divorces, or models, or parvenus. Cruz Bruner had spoken of this with a mocking smile during dinner. Like a whale or a seal, she said, I belong to an endangered species – the aristocracy.

"Some worlds don't end with an earthquake or a great crash," the old lady now said, looking doubtfully at Quart, wondering if he understood. "They expire quietly, with a discreet sigh." She adjusted the cushion behind her back and for a few moments listened to the crickets in the garden. A soft glow in the sky announced the moon's arrival. "Quietly," she repeated.