As it happened, I went ahead to the town.
Just past noon, on December 18, I started driving toward Mirocaw. A blur of dull, earthen-colored scenery extended in every direction. The snowfalls of late autumn had been sparse, and only a few white patches appeared in the harvested fields along the highway. The clouds were gray and abundant. Passing by a stretch of forest, I noticed the black, ragged clumps of abandoned nests clinging to the twisted mesh of bare branches. I thought I saw black birds skittering over the road ahead, but they were only dead leaves and they flew into the air as I drove by.
I approached Mirocaw from the south, entering the town from the direction I had left it on my visit the previous summer. This took me once again through that part of town which seemed to exist on the wrong side of some great invisible barrier dividing the desirable sections of Mirocaw from the undesirable. As lurid as this district had appeared to me under the summer sun, in the thin light of that winter afternoon it degenerated into a pale phantom of itself. The frail stores and starved-looking houses suggested a borderline region between the material and nonmaterial worlds, with one sardonically wearing the mask of the other. I saw a few gaunt pedestrians who turned as I passed by, though seemingly not because I passed by, making my way up to the main street of Mirocaw.
Driving up the steep rise of Townshend Street, I found the sights there comparatively welcoming. The rolling avenues of the town were in readiness for the festival. Streetlights had their poles raveled with evergreen, the fresh boughs proudly conspicuous in a barren season. On the doors of many of the businesses on Townshend were holly wreaths, equally green but observably plastic. However, although there was nothing unusual in this traditional greenery of the season, it soon became apparent to me that Mirocaw had quite abandoned itself to this particular symbol of Yuletide. It was garishly in evidence everywhere. The windows of stores and houses were framed in green lights, green streamers hung down from storefront awnings, and the beacons of the Red Rooster Bar were peacock green floodlights. I supposed the residents of Mirocaw desired these decorations, but the effect was one of excess. An eerie emerald haze permeated the town, and faces looked slightly reptilian.
At the time I assumed that the prodigious evergreen, holly wreaths, and colored lights (if only of a single color) demonstrated an emphasis on the vegetable symbols of the Nordic Yuletide, which would inevitably be muddled into the winter festival of any northern country just as they had been adopted for the Christmas season. In his “Harlequin” article Thoss wrote of the pagan aspect of Mirocaw’s festival, likening it to the ritual of a fertility cult, with probable connections to chthonic divinities at some time in the past. But Thoss had mistaken, as I had, what was only part of the festival’s significance for the whole.
The hotel at which I had made reservations was located on Townshend. It was an old building of brown brick, with an arched doorway and a pathetic coping intended to convey an impression of neoclassicism. I found a parking space in front and left my suitcases in the car.
When I first entered the hotel lobby it was empty. I thought perhaps the Mirocaw festival would have attracted enough visitors to at least bolster the business of its only hotel, but it seemed I was mistaken. Tapping a little bell, I leaned on the desk and turned to look at a small, traditionally decorated Christmas tree on a table near the entranceway. It was complete with shiny, egg-fragile bulbs; miniature candy canes; flat, laughing Santas with arms wide; a star on top nodding awkwardly against the delicate shoulder of an upper branch; and colored lights that bloomed out of flower-shaped sockets. For some reason this seemed to me a sorry little piece.
“May I help you?” said a young woman arriving from a room adjacent to the lobby.
I must have been staring rather intently at her, for she looked away and seemed quite uneasy. I could hardly imagine what to say to her or how to explain what I was thinking. In person she immediately radiated a chilling brilliance of manner and expression. But if this woman had not committed suicide twenty years before, as the newspaper article had suggested, neither had she aged in that time.
“Sarah,” called a masculine voice from the invisible heights of a stairway. A tall, middle-aged man came down the steps. “I thought you were in your room,” said the man, whom I took to be Samuel Beadle. Sarah, not Elizabeth, Beadle glanced sideways in my direction to indicate to her father that she was conducting the business of the hotel. Beadle apologized to me, and then excused the two of them for a moment while they went off to one side to continue their exchange.
I smiled and pretended everything was normal, while trying to remain within earshot of their conversation. They spoke in tones that suggested their conflict was a familiar one: Beadle’s overprotective concern with his daughter’s whereabouts and Sarah’s frustrated undemanding of certain restrictions placed upon her. The conversation ended, and Sarah ascended the stairs, turning for a moment to give me a facial pantomime of apology for the unprofessional scene that had just taken place.
“Now, sir, what can I do for you?” Beadle asked, almost demanded.
“Yes, I have a reservation. Actually, I’m a day early, if that doesn’t present a problem.” I gave the hotel the benefit of the doubt that its business might have been secretly flourishing.
“No problem at all, sir,” he said, presenting me with the registration form, and then a brass-colored key dangling from a plastic disc bearing the number 44.
“Luggage?”
“Yes, it’s in my car.”
“I’ll give you a hand with that.”
While Beadle was settling me in my fourth-floor room it seemed an opportune moment to broach the subject of the festival, the holiday suicides, and perhaps, depending upon his reaction, the fate of his wife. I needed a respondent who had lived in the town for a good many years and who could enlighten me about the attitude of Mirocavians toward their season of sea-green lights.
“This is just fine,” I said about the clean but somber room. “Nice view. I can see the bright green lights of Mirocaw just fine from up here. Is the town usually all decked out like this? For the festival, I mean.”
“Yes, sir, for the festival,” he replied mechanically.
“I imagine you’ll probably be getting quite a few of us out-of-towners in the next couple days.”
“Could be. Is there anything else?”
“Yes, there is. I wonder if you could tell me something about the festivities.”
“Such as …”
“Well, you know, the clowns and so forth.”
“Only clowns here are the ones that’re … well, picked out, I suppose you would say.”
“I don’t understand.”
“Excuse me, sir. I’m very busy right now. Is there anything else?”
I could think of nothing at the moment to perpetuate our conversation. Beadle wished me a good stay and left.
I unpacked my suitcases. In addition to regular clothing I had also brought along some of the items from my clown’s wardrobe. Beadle’s comment that the clowns of Mirocaw were “picked out” left me wondering exactly what purpose these street masqueraders served in the festival. The clown figure has had so many meanings in different times and cultures. The jolly, well-loved joker familiar to most people is actually but one aspect of this protean creature. Madmen, hunchbacks, amputees, and other abnormals were once considered natural clowns; they were elected to fulfil a comic role which could allow others to see them as ludicrous rather than as terrible reminders of the forces of disorder in the world. But sometimes a cheerless jester was required to draw attention to this same disorder, as in the case of King Lear’s morbid and honest fool, who of course was eventually hanged, and so much for his clownish wisdom. Clowns have often had ambiguous and sometimes contradictory roles to play. Thus, I knew enough not to brashly jump into costume and cry out, “Here I am again!”