“I have often wondered if any demoiselle ‘pined in a green and yellow melancholy for his sake,’ she added, rising from the table.
“Reason enough, if he knew of it, for going to Virginia,” said Craven, with a hard laugh. “The family traditions have never tended to undue consideration of the weaker sex.”
“Barry, you are horrible!”
“Possibly, my dear aunt, but correct,” he replied coolly, crossing the room to open the door. “Even Peter, who has the family history at his fingers’ ends, cannot deny it.” His voice was provocative but Peters, beyond a mildly sarcastic “—thank you for the ‘even,’ Barry—” refused to be drawn.
Her nephew’s words would formerly have aroused a storm of indignant protest from Miss Craven, touched in a tender spot. But now some intuition warned her to silence. She put her arm through Gillian’s and left the room without attempting to expostulate.
In the drawing room she sat down to a patience table, lit a cigarette, rumpled her hair, and laid out the cards frowningly. More than ever was she convinced that in the two years he had been away some serious disaster had occurred. His whole character appeared to have undergone a change. He was totally different. The old Barry had been neither hard nor cynical, the new Barry was both. In the last few weeks she had had ample opportunity for judging. She perceived that a heavy shadow lay upon him darkening his home-coming—she had pictured it so very differently, and she sighed over the futility of anticipation. His happiness meant to her so much that she raged at her inability to help him. Until he spoke she could do nothing. And she knew that he would never speak. The nightly occupation lost its usual zest, so she shuffled the cards absently and began a fresh game.
Gillian was on the hearthrug, Houston’s head in her lap. She leant against Miss Craven’s chair, dreaming as she had dreamt in the old convent until the sudden lifting of the dog’s head under her hands made her aware of Peters standing beside her. He looked down silently on the card table for a few moments, pointed with a nicotine-stained finger to a move Miss Craven had missed and then wandered across the room and sat down at the piano. For a while his hands moved silently over the keys, then he began to play, and his playing was exquisite. Gillian sat and marvelled. Peters and music had seemed widely apart. He had appeared so essentially a sportsman; in spite of the literary tendency that his sympathetic account of the Elizabethan Barry Craven had suggested she had associated him with rougher, more physical pursuits. He was obviously an out-door man; a gun seemed a more natural complement to his hands than the sensitive keys of a piano, his thick rather clumsy fingers manifestly incompatible with the delicate touch that was filling the room with wonderful harmony. It was a check to her cherished theory which she acknowledged reluctantly. But she forgot to theorise in the sheer joy of listening.
“Why did he not make music a career?” she whispered, under cover of some crashing chords. Miss Craven smiled at her eager face.
“Can you see Peter kow-towing to concert directors, and grimacing at an audience?” she replied, rescuing a king from her rubbish heap.
With an answering smile Gillian subsided into her former position. Music moved her deeply and her highly strung artistic temperament was responding to the beauty of Peters’ playing. It was a Russian folk song, plaintive and simple, with a curious minor refrain like the sigh of an aching heart—wild sad harmony with pain in it that gripped the throat. Swayed by the sorrow-haunted music a wave of foreboding came over her, a strange indefinite fear that was formless but that weighed on her like a crushing burden. The happiness of the last few weeks seemed suddenly swamped in the recollection of the misery rampant in the world. Who, if their inmost hearts were known, were truly happy? And her thoughts, becoming more personal, flitted back over the desolate days of her own sad girlhood and then drifted to the tragedy of her father. Then, with a forward leap that brought her suddenly to the present, she thought of the sorrow she had seen on Craven’s face in that breathless moment at dinner time. Was there only sadness in the world? The brooding brown eyes grew misty. A passionate prayer welled up in her heart that complete happiness might touch her once, if only for a moment.
Then the music changed and with it the girl’s mood. She gave her head a little backward jerk and blinked the moisture from her eyes angrily. What was the matter with her? Surely she was the most ungrateful girl in the universe. If there was sorrow in the world for her then it must be of her own making. She had been shown almost unbelievable kindness, nothing had been omitted to make her happy. The contrast of her life only a few weeks ago and now was immeasurable. What more did she want? Was she so selfish that she could even think of the unhappiness that was over? Shame filled her, and she raised her eyes to the woman beside her with a sudden rush of gratitude and love. But Miss Craven, interested at last in her game, was blind to her surroundings, and with a little smile Gillian turned her attention to the silent occupant of the chair near her. Craven had come into the room a few minutes before. He was leaning back listlessly, one hand shading his face, a neglected cigarette dangling from the other. She looked at him long and earnestly, wondering, as she always wondered, what association there had been between him and such a man as her father—what had induced him to take upon himself the burden that had been laid upon him. And her cheeks grew hot again at the thought of the encumbrance she was to him. It was preposterous that he should be so saddled!
She stifled a sigh and her eyes grew dreamy as she fell to thinking of the future that lay before her. And as she planned with eager confidence her hand moved soothingly over the dog’s head in measure to the languorous waltz that Peters was playing.
After a sudden unexpected chord the player rose from the piano and joined the circle at the other end of the room. Miss Craven was shuffling vigorously. “Thank you, Peter,” she said, with a smiling nod, “it’s like old times to hear you play again. Gillian thinks you have missed your vocation, she would like to see you at the Queen’s Hall.”
Peters laughed at the girl’s blushing protest and sat down near the card table. Miss Craven paused in a deal to light a fresh cigarette.
“What’s the news in the county?” she asked, adding for Gillian’s benefit: “He’s a walking chronicle, my dear.”
Peters laughed. “Nothing startling, dear lady. We have been a singularly well-behaved community of late. Old Lacy of Holmwood is dead, Bill Lacy reigns in his stead and is busy cutting down oaks to pay for youthful indiscretions—none of ‘em very fierce when all’s said and done. The Hamer-Banisters have gone under at last—more’s the pity—and Hamer is let to some wealthy Australians who are possessed apparently of unlimited cash, a most curious phraseology, and an assurance which is beautiful to behold. They had good introductions and Alex has taken them up enthusiastically—there are kindred tastes.”
“Horses, I presume. How are the Horringfords?”
“Much as usual,” replied Peters. “Horringford is absorbed in things Egyptian, and Alex is on the warpath again,” he added darkly.
Miss Craven grinned.
“What is it this time?”
Peters’ eyebrows twitched quaintly.
“Socialism!” he chuckled, “a brand new, highly original conception of that very elastic term. I asked Alex to explain the principles of this particular organization and she was very voluble and rather cryptic. It appears to embrace the rights of man, the elevation of the masses, the relations between landlord and tenant, the psychological deterioration of the idle rich—”
“Alex and psychology—good heavens!” interposed Miss Craven, her hands at her hair, “and the amelioration of the downtrodden poor,” continued Peters. “It doesn’t sound very original, but I’m told that the propaganda is novel in the extreme. Alex is hard at work among their own people,” he concluded, leaning back in his chair with a laugh.