“So, drink up. Fast and furious.”
“Don’t you worry about me,” she laughed. “I don’t need any exhortations.” She felt absurdly happymuch too happy for the occasion, she reminded herself. But it was always a pendulum; in another hour she would be back where she had been a minute ago.
The train came slowly to a stop. Beyond the window it was black night; there was not a light to be seen. Somewhere outside, a voice was singing a strange, repetitious melody. Always beginning high and wandering downward until the breath gave out, only to recommence again at the top of the scale, the song had the pattern of a child’s weeping.
“Is that a man?” said Kit incredulously.
“Where?” said Tunner, looking around.
“Singing.”
He listened a moment. “Hard to tell. Drink up.”
She drank, and smiled. Soon she was staring out the window at the black night. “I think I was never meant to live,” she said ruefully.
He looked worried. “Now see here, Kit. I know you’re nervous. That’s why I brought the fizz-water along. But you’ve just got to calm down. Take it easy. Relax. Nothing’s that important, you know. Who was it said—”
“No. That’s something I don’t want,” she interrupted. “Champagne, yes. Philosophy, no. And I think you were incredibly sweet to have thought of it, especially now that I see why you brought it along.”
He stopped chewing. His face changed expression; his eyes grew a little bit hard. “What do you mean?”
“Because you realized I was a nervous fool on trains. And you couldn’t possibly have done anything I’d have appreciated more.”
He chewed again, and grinned. “Oh, forget it. I’m doing all right by it, too, you may have noticed. So here’s to good old Mumm!” He uncorked the second bottle. Painfully the train started up again.
The fact that they were moving once more exhilarated her. “Dime ingrato, porqui me abandonaste, y sola me dejaste . . .” she sang.
“More?” He held the bottle.
“Claro que si,” she said, downing it at one gulp, and stretching forth her cup again, immediately.
The train jolted along, stopping every little while, each time in what looked like empty countryside. But always there were voices out beyond in the darkness, shouting in the guttural mountain tongue. They completed their supper; as Kit was eating her last fig, Tunner bent over to pull out another bottle from the valise. Without quite knowing what she was doing, she reached into the space where she had hidden her sandwich, drew it out and stuffed it into her handbag on top of her compact. He poured her some champagne.
“The champagne’s not as cool as it was,” she said, sipping it.
“Can’t have everything.”
“Oh, but I love it! I don’t mind it warm. You know, I think I’m getting quite high.”
“Bah! Not on the little bit you’ve had.” He laughed.
“Oh, you don’t know me! When I’m nervous or upset, right off I’m high.”
He looked at his watch. “Well, we’ve got another eight hours at least. We might as well dig in. Is it all right with you if I change seats and sit with you?”
“Of course. I asked you to when we first got on, so you wouldn’t have to ride backwards.”
“Fine.” He rose, stretched, yawned, and sat down beside her very hard, bumping against her. “I’m sorry,” he said. “I miscalculated the beast’s gyrations. God, what a train.” His right arm went around her, and he pulled her toward him a little. “Lean against me. You’ll be more comfortable. Relax! You’re all tense and tight.”
“Tight, yes! I’m afraid so.” She laughed; to her it sounded like a titter. She reclined partially against him, her head on his shoulder. “This should make me feel comfortable,” she was thinking, “but it only makes everything worse. I’m going to jump out of my skin.”
For a few minutes she made herself sit there without moving. It was difficult not to be tense, because it seemed to her that the motion of the train kept pushing her toward him. Slowly she felt the muscles of his arm tightening around her waist. The train came to a halt. She bounded up, crying: “I want to go to the door and see what it looks like outside.”
He rose, put his arm around her again, held it there with insistence, and said: “You know what it looks like. just dark mountains.”
She looked up into his face. “I know. Please, Tunner.” She wriggled slightly, and felt him let go. At that moment the door into the corridor opened, and the ravaged-looking woman in black made as if to enter the compartment.
“Ah, pardon. Je me suis trompee,” she said, scowling balefully, and going on without shutting the door behind her.
“What does that old harpy want?” said Tunner.
Kit walked to the doorway, stood in it, and said loudly: “She’s just a voyeuse.” The woman, already halfway down the corridor, turned furiously and glared at her. Kit was delighted. The satisfaction she derived from knowing that the woman had heard the word struck her as absurd. Yet there it was, a strong, exultant force inside her. “A little more and I’ll be hysterical. And then Tunner will be helpless!”
In normal situations she felt that Port was inclined to lack understanding, but in extremities no one else could take his place; in really bad moments she relied on him utterly, not because he was an infallible guide under such circumstances, but because a section of her consciousness annexed him as a buttress, so that in part she identified herself with him. “And Port’s not here. So no hysteria,please.” Aloud she said: “I’ll be right back. Don’t let the witch in.”
“I’ll come with you,” he said.
“Really, Tunner,” she laughed. “I’m afraid where I’m going you’d be just a little in the way.”
He strove not to show his embarrassment. “Oh! Okay. Sorry.”
The corridor was empty. She tried to see out the windows, but they were coated with dust and fingermarks. Up ahead she could hear the noise of voices. The doors onto the quai were closed. She went into the next coach; it was marked “ll,” and it was more brightly lighted, more populous, much shabbier. At the other end she met people coming into the car from outside. She crowded past them, got off and walked along the ground toward the front of the train. The fourth-class passengers, all native Berbers and Arabs, were milling about in the midst of a confusion of bundles and boxes, piled on the dirt platform under the faint light of a bare electric bulb. A sharp wind swept down from the nearby mountains. Quickly she slipped in among the people and climbed aboard.
As she entered the car, her first impression was that she was not on the train at all. It was merely an oblong area, crowded to bursting with men in dun-colored burnouses, squatting, sleeping, reclining, standing, and moving about through a welter of amorphous bundles. She stood still an instant taking in the sight; for the first time she felt she was in a strange land. Someone was pushing her from behind, obliging her to go on into the car. She resisted, seeing no place to move to, and fell against a man with a white beard, who stared at her sternly. Under his gaze she felt like a badly behaved child. “Pardon, monsieur,” she said, trying to bend out of the way in order to avoid the growing pressure from behind. It was useless; she was impelled forward in spite of all her efforts, and staggering over the prostrate forms and the piles of objects, she moved into the middle of the car. The train lurched into motion. She glanced around a little fearfully. The idea occurred to her that these were Moslems, and that the odor of alcohol on her breath would scandalize them almost as much as if she were suddenly to remove all her clothing. Stumbling over the crouched figures, she worked her way to one side of the windowless wall and leaned against it while she took out a small bottle of perfume from her bag and rubbed it over her face and neck, hoping it would counteract, or at least blend with, whatever alcoholic odor there might be about her. As she rubbed, her fingers struck a small, soft object on the nape of her neck. She looked: it was a yellow louse. She had partly crushed it. With disgust she wiped her finger against the wall. Men were looking at her, but with neither sympathy nor antipathy. Nor even with curiosity, she thought. They had the absorbed and vacant expression of the man who looks into the handkerchief after blowing his nose. She shut her eyes for a moment. To her surprise she felt hungry. She took the sandwich out and ate it, breaking off the bread in small pieces and chewing them violently. The man leaning against the wall beside her was also eating—small dark objects which he kept taking out of the hood of his garment and crunching noisily. With a faint shudder she saw that they were red locusts with the legs and heads removed. The babble of voices which had been constant suddenly ceased; people appeared to be listening. Above the rumbling of the train and the rhythmical clacking of the wheels over the rails she could hear the sharp, steady sound of rain on the tin roof of the car. The men were nodding their heads; conversation started up again. She determined to fight her way back to the door in order to be able to get down at the next stop. Holding her head slightly lowered in front of her, she began to burrow wildly through the crowd. There were groans from below as she stepped on sleepers, there were exclamations of indignation as her elbows came in contact with faces. At each step she cried: “Pardon! Pardon!” She had got herself wedged into a corner at the end of the car. Now all she needed was to get to the door. Barring her way was a wild-faced man holding a severed sheep’s head, its eyes like agate marbles staring from their sockets. “Oh!” she moaned. The man looked at her stolidly, making no movement to let her by. Using all her strength, she fought her way around him, rubbing her skirt against the bloody neck as she squeezed past. With relief she saw that the door onto the platform was open; she would have only to get by those who filled the entrance. She began her cries of “Pardon!” once more, and charged through. The platform itself was less crowded because the cold rain was sweeping across it. Those sitting there had their heads covered with the hoods of their burnouses. Turning her back to the rain she gripped the iron railing and looked directly into the most hideous human face she had ever seen. The tall man wore cast-off European clothes, and a burlap bag over his head like a haik. But where his nose should have been was a dark triangular abyss, and the strange flat lips were white. For no reason at all she thought of a lion’s muzzle; she could not take her eyes away from it. The man seemed neither to see her nor to feel the rain; he merely stood there. As she stared she found herself wondering why it was that a diseased face, which basically means nothing, should be so much more horrible to look at than a face whose tissues are healthy but whose expression reveals an interior corruption. Port would say that in a non-materialistic age it would not be thus. And probably he would be right.