“I must send a telegram,” she thought. “It’s the quickest way of reaching them. There must be a telegraph office here.” But first it was necessary to get into the street, and the street was perhaps a long way off. Between her and the street, in the darkness ahead of her, she might meet Belqassim; now she never wanted to see him again. “He’s your husband,” she whispered to herself, and stood still a second in horror. Then she almost giggled: it was only a part of this ridiculous game she had been playing. But until she sent the telegram she would still be playing it. Her teeth began to chatter. “Can you possibly control yourself just until we get into the street?”
The wall at her left suddenly came to an end. She took two cautious steps forward and felt the soft edge of the floor beneath the tip of her slipper. “One of those damned stairwells without a railing!” she said. Deliberately she set down the valise, turned around, and stepped back to the wall, following it the way she had come until she felt the door beneath her hand. She opened it soundlessly and took up the little tin lamp. The woman had not moved. She managed to shut the door without a mishap. With the light she was surprised to see how near the valise was. It was at the edge of the drop, but close to the top of the stairs; she would not have fallen very far. She went down slowly, taking care not to twist her ankle on the soft, crooked steps. Below, she was in a narrow corridor with closed doors on either side. At the end it turned to the right and led into an open court whose floor was strewn with straw. A narrow moon above gave white light; she saw the large door ahead and the sleeping forms along the wall beside it, and put her lamp out, setting it on the ground. When she advanced to the door she found that she could not budge the giant bolt that fastened it.
“You’ve got to move it,” she thought, but she felt weak and ill as her fingers pushed against the cold metal of the lock. She lifted the valise and hammered once with the end of it, thinking she felt it give a little. At the same time one of the nearby figures stirred.
“Echkoun?” said a man’s voice.
Immediately she crouched down and crawled behind a pile of loaded sacks.
“Echkoun?” said the voice again with annoyance. The man waited a bit for a reply, and then he went back to sleep. She thought of trying again, but she was trembling too violently, her heart was beating too hard. She leaned against the sacks and closed her eyes. And all at once someone began to beat a drum back in the house.
She jumped. “The signal,” she decided. “Of course. It was beating when I came.” There was no doubt now that she would get out. She rested a moment, then rose and crossed the courtyard in the direction of the sound. Now there were two drums together. She stepped through a door into darkness. At the end of a long hallway there was another moonlit court, and as she approached she saw yellow light shining from under a door. In the court she stood a while listening to the nervous rhythms coming from inside the room. The drums had awakened the cocks in the vicinity, and they were beginning to crow. Faintly she tapped on the door; the drums continued, and the thin high voice of a woman started to sing a repeated querulous refrain. She waited a long time before finding the courage to knock again, but this time she rapped loudly, with determination. The drumming ceased, the door was flung open, and she stepped blinking inside the room. On the floor among the cushions sat Belqassim’s three wives, staring up at her in wide-eyed surprise. She stood perfectly rigid, as though she had come face to face with a deadly snake. The girl servant pushed the door shut and remained leaning against it. Then the three threw down their drums and began talking all at once, gesticulating, pointing upward. One of them jumped up and approached her to feel among the folds of her flowing white robe, apparently in search of the jewelry. She pulled up the long sleeves, feeling for bracelets. Excitedly the other two pointed at the valise. Kit still stood unmoving, waiting for the nightmare to end. By dint of prodding and pushing her, they got her to bend down and open the combination lock, whose manipulation in itself, under any other circumstances, would have fascinated them. But now they were suspicious and impatient. When the bag was open they precipitated themselves upon it and pulled everything out on to the floor. Kit stared at them. She could scarcely believe her good luck: they were far more interested in the valise than in her. As they carefully inspected the objects, she regained some of her composure, presently taking heart sufficiently to tap one of them on the shoulder and indicate that the jewelry was upstairs. They all looked up incredulously and one of them dispatched the servant girl to verify. But as the girl turned to go out of the room Kit was seized with fear and tried to stop her. She would wake the black woman. The others jumped up angrily; there was a brief melee. When that had died down and all five of them stood there panting, Kit, making a grimace of desperation, put her fingers to her lips, took a few exaggeratedly cautious steps on tiptoe, and pointed repeatedly at the servant. Then she puffed out her cheeks and tried to imitate a fat woman. They all understood immediately and solemnly nodded their heads; the sense of conspiracy had been imparted to them. When the servant had left the room they tried to question Kit: “Wen timshi?” they said, their voices betraying more curiosity than anger. She could not answer; she shook her head hopelessly. It was not long before the girl returned, ostensibly announced that all the jewelry was on the bed—not only theirs but a lot more besides. Their expressions were mystified but joyous. As Kit knelt to pack her things into the bag, one of them crouched beside her and spoke with her in a voice that certainly was no longer inimical. She had no idea what the girl was saying; her mind was fixed on the image of the bolted door. “I’ve got to get out. I’ve got to get out,” she told herself over and over. The pile of banknotes lay with her pajamas. No one paid them any attention.
When everything had been put back, she took up a lipstick and a small hand mirror, and turning toward a light, ostentatiously made up. There were cries of admiration. She passed the objects to one of them and invited her to do the same. When all three had brilliant red lips and were looking enraptured at themselves and at each other, she showed them that she would leave the lipstick as a gift for them, but that in return they must let her out into the street. Their faces reflected eagerness and consternation: they were eager to have her out of the house but fearful of Belqassim. During the consultation that followed, Kit sat beside her valise on the floor. She watched them, not feeling that their discussion had anything to do with her. The decision was being made far beyond them, far beyond this unlikely little room where they stood chattering. She ceased looking at them and stared impassively in front of her, convinced that because of the drums she would get out. Now she was merely waiting for the moment. After a long time they sent the servant girl away; she returned accompanied by a little black man so old that his back bent far forward as he shuffled along. In his shaking hand he held a huge key. He was muttering protestations, but it was clear that he had already been persuaded. Kit sprang up and took her bag. Each of the wives came to her as she stood there, and implanted a solemn kiss in the middle of her forehead. She stepped to the door where the old man stood, and together they crossed the courtyard. As they went along he said a few words to her, but she could not answer. He took her to another part of the house and opened a small door. She stood alone in the silence of the street.