“To what?”
“To murder!” replied Jeffrey.
CHAPTER 3 The Final Problem
“You know a conjuror gets no credit
when once he has explained his trick.”
– Sir Arthur Conan Doyle,
A Study in Scarlet
September 3,1893
Arthur killed Sherlock Holmes by the light of a single lamp.
Encased behind the heavy wooden doors of his study, Arthur wrote quickly. The oil lamp atop his writing desk glowed pale yellow over the book-lined walls. Shakespeare, Catullus, even, as Arthur would admit freely, Poe. His favorites were all there, but Arthur rarely consulted them. He wrote confidently. He was not the sort of writer who spread his sources across his desk like bedsheets, clinging to them tightly, consulting, soiling, pinching. Hamlet lay on its shelf-third from the bottom, a quarter of the way around the room clockwise from the door-and if, when Arthur quoted it for another pithy aphorism from Holmes, he quoted inaccurately… well, such was fiction.
Murder tasted sweet on Arthur’s lips. He salivated. His pen, heavy between his stubby fingers, did not scratch the paper. It stroked the pages, filling each one top to bottom with black ink. The plot, the confounding little puzzle of tricks and then treats, had been worked out well in advance.
At this, the middle point of his career, Arthur was unquestionably England’s great composer of the mystery story. Indeed, as the States had failed to produce a mystery author of any caliber since Poe had invented the form, Arthur thought it not unreasonable to say that he was the most accomplished in the world. There was a trick to mystery stories, of course, and Arthur wasn’t embarrassed to admit that he knew it. It was the same trick practiced by a thousand amateur parlor magicians and face-painted circus jugglers: misdirection.
Arthur laid the facts of the crime before his readers clearly, calmly, and efficiently. No important detail was left out, and-yes, here was the mark of the true craftsman-not too many unimportant details were left in. It’s an easy feat to confuse the reader with a mountain of unnecessary characters and events; the challenge, for Arthur, was in presenting a clean and simple tale, with only a few notable characters to keep straight, and yet still to obscure the solution from the reader. The key was in the prose, in the way the information was laid out. Arthur kept the reader’s mind on the exciting, exceptional, and yet fundamentally unimportant facts of the case, while the salient details were left for Holmes to work upon, as if by magic.
It was a game for Arthur, putting together these plots. It was he against his audience, the writer locked in endless combat with his readers, and only one would emerge victorious. Either the reader would guess the ending early or Arthur would confound him to the final page. It was a test of wits, and a war that Arthur did not often lose.
Why, of course, if the reader were smart enough, he could figure the whole thing through after just the first few pages! But in his heart Arthur knew that his readers didn’t really want to win. They wanted to test their wits against the author at full pitch, and they wanted to lose. To be dazzled. And so Arthur’s struggle was long, and moreover it was bloody exhausting. He had come to realize that putting together a decent mystery was an infernally tedious affair. And, his having labored at this mill for some years now, the tedium had engendered in him such a hatred for Holmes as he could no longer contain. Now his hatred extended beyond just the rat-faced detective: It carried over to the readers who adored him so. And now thankfully, at last, in his final Holmes story, Arthur would be done with them all for good.
Late as the hour was, Arthur heard the rambunctious banging of children upstairs. He could hear, faintly, the maid Kathleen telling them to hush up before they woke their mother. Touie would be sound asleep by now, as she had been most of the day. Her consumption was not much worsening, but the clean Swiss föhn had done little to improve her health. She rarely left the house. Journeys into the city were simply out of the question. Against her frailty, though, Arthur had become determined. He would take care of poor, dear Touie, his bride since she was nineteen. And if they should have to keep separate bedrooms, for her health, and if nannies would be required to look after the children, and if she had now wilted into the winter of her own private quarters… well, so be it. Arthur would write. He had liked to keep regular, daytime hours for his work, but tonight was different. Some writing one had to do in the dark.
Arthur’s pen did not hasten as he moved on to the final page. He made the same broad strokes he always had. The words came to him, first in his head-the orderly noun, the clarifying verb, the occasional but welcome adjective-one by one, and he dutifully recorded them onto the darkening sheet. He did not go back over his sentences once they were on the page. He did not scratch out words, like his good friends Mr. Barrie and Mr. Oliver, endlessly replacing them with their freshest mot juste. Such was the mark, Arthur felt, of an indecisive hand. He did not consult his previous paragraphs for where to go next. He simply knew.
His fingers were steady as he came to the last bit of his story. A letter from beyond the grave, to be opened after its sender had passed on. “The best and the wisest man whom I have ever known,” Arthur wrote. A fitting tribute; a fine farewell. He placed a light period after “known” and turned the sheet onto its predecessors. He carefully pressed the stack into a tidy, perfect rectangle and flipped the pages over. “The Final Problem,” read the title at the top of page one. Indeed, thought Arthur. And then, queerly, he smiled. He even allowed himself a chortle, as he was alone. Without his wife, or his children, or even his mother knowing, Arthur was, for the first time in years, finally free.
He stood. He stumbled happily to the door. And then- Oh! He’d almost forgotten.
Arthur practically skipped back to his desk. What had come over him? You’d be excused for thinking he was a love-struck teenager, on his way to call on his amore.
Arthur unlocked the bottom-left drawer beneath his desk and removed one dark, leather-bound book from a stack of many. He opened the book and flipped through to the bottom of a page already quite filled with his ink. He plucked up his pen and recorded the date. And then, though most evenings Arthur would spend an hour recording all the day’s events and all of his most private thoughts, tonight he committed only two words to his diary.
“Killed Holmes,” he wrote.
Arthur felt light. His shoulder muscles loosened. He closed his eyes and inhaled the dark air. He was so happy.
He was careful to lock his precious diary back in the desk before stepping out into the hallway in search of brandy.
CHAPTER 4 The Lost Diary
“Watson here will tell you that I can
never resist a touch of the dramatic.”
– Sir Arthur Conan Doyle,
“The Naval Treaty”
January 5, 2010, cont.
“To murder!” repeated Jeffrey Engels for emphasis, back in the Algonquin Hotel.
Harold paused. Something was very wrong here.
“The affair has taken a grave turn? To murder?” Jeffrey said again, with a touch of hesitation.
Harold laughed. “The quote is from ‘The Adventure of the Six Napoleons,’” he said. “You owe me a drink.”
“Well done!” Jeffrey beamed. “So I do.”
“But I think you owe me two drinks. The quote isn’t quite right. It should be ‘the affair has taken a very much graver turn,’ not ‘a grave turn.’ ”