“How hard we’re all working.”
“Right.”
At dawn, after a night of chasing interviews, Brent had experienced a moment of powerful inspiration when he’d seen his reflection in a car window and cringed at how terrible he looked. He’d been reminded of an old black-and-white movie about a reporter racing against the clock to prove the innocence of a prisoner about to be electrocuted on Death Row. In the movie, the reporter barely had time to eat, let alone change clothes and shave. At the end of the movie, when he burst into the governor’s office with the proof, he looked like he’d suffered through hell to get the story.
At that moment, the idea had hit him: How can the viewers, or the CNN brass, know how hard I’m working if I make it look easy? I’ve been doing this wrong. What viewer gives a shit if I’m wearing a perfectly pressed suit? Most of them don’t even own a sports coat. For them, wearing jeans is dressing up.
I’ve got to make them realize that I’m one of them-that I’m killing myself to get the story for them.
And with that epiphany, he had done a complete about-face.
In addition to exhaustion, Brent suffered from too much coffee and not enough real food. Doughnuts and tacos had been just about all he’d eaten, always on the go. Except for when he drove with Anita, he never had a chance to sit down, and even then, he wasn’t resting. He was making hurried notes or using his cell phone-which wasn’t easy since the reception here was for shit.
He couldn’t let up. He needed to make sure he got to anybody who might have even the slightest information to contribute, and he had to get there before the other reporters. He wanted everyone else feeling behind the curve, certain that anything they did would look like an imitation of what he’d already accomplished.
But there was a cost. His stomach had a sharp, burning sensation. His hands had a slight tremor. He felt light-headed from exhaustion and lack of food.
Legs stiff, he climbed down the ladder to the crowd below. The noise of so many impatient conversations gave him a headache. The day light was gone now, and the sky was black and starless, but there were plenty of other sources of illumination: headlights, spotlights set up by the authorities and the television crews, flashlights carried by the curious. Brightly lit figures cast stark shadows, lending the scene a surreal quality.
His coanchor, Sharon, waited for him at the bottom of the ladder, her big hair sprayed perfectly into place. Anger made her more beautiful.
“Well, I’ve got to give you credit,” she said crisply. “You finally got what you wanted-you really screwed me today.”
“Was it as good for you as it was for me?”
Someone bumped against them, shoving through the crowd.
“Keep going,” a woman urged her male companion. “We can’t see anything from back here. Get close to the fence.”
“I was supposed to be the one giving the reports to CNN,” Sharon complained. “I was supposed to anchor today’s broadcasts, all by myself.”
“Well, while you were nursing your sore feet, I was out doing the interviews.”
Someone else bumped against them, almost knocking them together.
“If you ask me, these lights are all a bunch of bullshit,” a man complained to his companion. “I don’t know why I let you talk me into coming here. It took six hours, for Christ’s sake. If I’d known there’d be this many people…”
Brent faced Sharon again. “Maybe you should try being a reporter for a change. Dig up more stories about rescued cats and the people who love them.”
A man pushed a woman in a wheelchair, nearly knocking Brent off his feet and shouting, “Out of the way! Let us through. My wife needs to see the lights! They’ll heal her legs! Out of the way…”
Brent took advantage of the interruption and turned toward the broadcast truck, which was parked near the Winnebago.
“Mr. Hamilton,” he called to someone inside the truck. “We’re ready for your interview.”
An uneasy-looking man stepped out. Overweight, in his midforties, he wore cowboy boots and jeans with creases down the middle of the legs. His blue-checked shirt had shiny metal snaps instead of buttons.
“I was on the Highway of Death in the First Gulf War, but nothing ever made me nervous like this.” Hamilton’s puffy cheeks were flushed. He grinned at his own candor.
“Going on television? I thought car dealers were used to that be- cause of their television commercials,” Brent said as he adjusted the tiny microphone clipped to the man’s shirt.
“There’s no station in Rostov. Hell, I’ve never seen the inside of one.”
“Don’t worry about it. I’ll ask you some easy questions about what you told me this afternoon. I’ve never heard anything more fascinating. All you need to do is forget the camera and talk to me the way you’d talk to a customer.”
“Well, I can sure do that.” Hamilton looked up uncertainly. “But I’ve never tried to sell anybody anything from the top of a motor home, and in the dark to boot.”
Brent leaned inside the broadcast truck. “Harry, brighten the lights up there, will you? There you go, Mr. Hamilton, lead the way. I think you’ll enjoy the view.”
With that, they walked over to the Winnebago.
“I hope you’re not counting on too much,” Hamilton said as he started climbing the ladder.
Only a ticket to Atlanta, Brent thought.
On top of the motor home, he arranged Hamilton so that he stood a few feet away, with the crowd below them and the rangeland in the background.
“I just need to talk to somebody for a moment. Then we’ll do the interview.”
Brent adjusted his earbud so that it wouldn’t be conspicuous. Through it, he listened to the producer, who sat below him in the broadcast van.
“Ready in ten,” the producer’s voice said.
Next to Anita’s camera, a face appeared on a monitor, the craggy features of one of television’s most well-known personalities.
Hamilton pointed. “Isn’t that…?”
Keeping his right hand at his side, Brent motioned for him to be quiet. He was troubled that his hand had a tremor.
The producer’s voice finished counting down.
“Go.”
On the monitor, the CNN newscaster’s thin lips moved, but there was no sound. Brent could hear him through the earbud, though.
“And for the next hour, we have a special broadcast about a story that stunned the nation. Last night a crazed gunman shot twenty members of a tour group near the remote town of Rostov in west Texas. The killer’s rage was evidently set off by mysterious lights that appear almost nightly in that area. Joining us live at the scene of the shooting is Brent Loft, a reporter for El Paso television station…” The famous personality, whose power Brent hoped to have one day, read the station’s call letters.
“Brent, you look as if this story is taking a toll on you.”
“Things are very emotional here.” Brent’s words were picked up by a tiny mike clipped to his dusty lapel. “Believe me, there’s a lot more information to track down.”
“I understand you’re going to tell us more about the mystery of those lights, and why they drove this gunman into a homicidal frenzy.”
“That’s correct. The lights are a local phenomenon that have been here as long as anybody can remember. On most nights, they appear on the rangeland behind me-but not to everyone. Some people see the lights, while others don’t, and that’s as much a mystery as what causes them. In a while, we’re going to aim our cameras in that direction and see if the nation gets lucky.
“But first, you need to understand what the eager crowd below me is looking for. To provide some context, I want to introduce you to Luther Hamilton, a car dealer here in Rostov who probably knows as much about the lights as anyone. He’s one of the few who’ve seen them up close and personal. In fact, his experience with them nearly cost him his life.
“Mr. Hamilton,” Brent stepped toward his guest so that Anita could put them in a two-shot. The crowd milled impatiently below. “In the summer of 1980, you took part in a highly unusual event.”