“Hello, Quoyle. Adonis Collard. Write the food column. Wanted to say hello. Don’t get up to Killick-Claw much. Down in Misky Bay, you know. For the restaurants.” The crowd surged and Quoyle was carried near the beer tub. Nutbeem’s sound system was sending out tremendously low snoring and sawing sounds. Then, Tert Card again, a ham slice protruding from his mouth.
“Father got a POLE. Poked around where tracks ended. All of a sudden a sound like a CORK being pulled… a deep blue well going down… polished steel CYLINDER. He throws in the stick. Whistled like a sled runner.”
Someone pushed between them and Quoyle tried to work toward the front door, working his elbows like oars. But Card was in front of him again.
“All of a sudden something BEHIND him. A HAIRY DEVIL jumped down the hole like a HOCKEY puck… RED EYES. Says to me father… ‘BE BACK for you… after I washes me POTS AND PANS.’ Father… ran forty miles.”
“My wife,” bawled Quoyle, “is dead.”
“I know that,” said Tert Card. “That’s not news.”
By ten, Quoyle was drunk. The crowd was enormous, crushed together so densely that Nutbeem could not force his way down the hall or to the door and urinated on the remaining potato chips in the blue barrel, setting a popular example. The deafening music urged madness. In the yard two fights, and the empurpled Diddy Shovel threw Nutbeem’s bicycle into the bay. The strong man looked around, called for a beam on which to hoist himself by his little finger. Dennis appeared, scorched and reeling with a rum bottle in his hand. A grim-faced man Quoyle had never seen before pulled his pants off and danced in the mud. A terrible lurch as twenty chanting men lifted the end of the trailer and kicked away the cinder blocks. There was Jack, his arm around Dennis, sharing his bottle. A truck randomly bashed others, shot sparkles of glass over the ground. Billy Pretty lay on the steps singing soundless songs, forcing everyone to walk over him. A swaying, wild madness built up, shouting and bellowing that churned with the drumming music, a violent snorting and capering rage. Accents thickened and fell into the old outport patois. Quoyle couldn’t understand a word.
An emaciated black-haired man, a foot taller than the local men who ran to large jaws, no necks, sandy hair and barrel chests, got up on the steps. He raised an axe he’d picked up near Nutbeem’s woodpile.
“Ar!” he shouted. “Wants to take ‘is leave, do ‘e? Us’ll ‘ave ‘im ‘ere. Come along, b’ys, axe ‘is bo’t. Got yet chain saw Neddie?”
Nutbeem screamed “No! No! Don’t fucking touch her! Fucking leave her alone!”
With a roar a dozen rushed to follow the black-haired man. Quoyle didn’t understand what was happening, saw that he had been left behind. The party had gone somewhere else without him. Just like always. Quoyle left out. Not a damn thing had changed. In a huff of rejection he reeled away down the road toward-what? Something.
“Quoyle, you fucking bitch get back here and help me save her!” But Nutbeem’s howl was lost in the cacophony.
The party charged to the dock where the Borogove was tied up. Some had gotten chain saws from the back of their pickups, others carried sticks and rocks. The black-haired man was in the lead bellowing “We loves old fuckin’ Nutbeem!”
The homely little boat lay at the dock, repaired and ready, provisioned, freshwater tanks filled, new line, the few bits of brightwork polished. Nutbeem staggered along the road crying and laughing as the wild men swarmed over his boat. The black-haired man lifted his axe and brought it down on the deck with all his strength. A chain saw bit into the mast. Tremendous pummeling and wrenching noises, splashes as pieces of the Borogove went into the water. The black-haired man got below deck with his axe and in a few minutes chopped through the bottom.
“Every man for hisself,” he shouted, rushed forward and jumped onto the pier. In ten minutes Nutbeem’s boat was underwater, nothing showing but the roof of the cabin, like a waterlogged raft.
Quoyle did not remember leaving the maelstrom. One moment he was there, the next, on his hands and knees in the ditch on the far side of the bridge. The air was like water in his flaming mouth. Or had he fallen in the water, and was now steaming rudderless in the night? He got up, staggered, looked back at the trailer. The windows glowed in a line of tilted light like a sinking passenger ship. Ships could hear Nutbeem’s speakers five miles out at sea, he thought. The howling of the mob.
He started to walk, to lurch along the road into a greater silence. The hell with Nutbeem. He had his own affairs. Past the houses and up the steep streets of Killick-Claw. His head cleared a little as he walked. He did not know where he was going, but climbed up and on. The hill over the town. The same route he took to work every day. He could see the harbor lights below, a large ship coming slowly down the bay. The lighthouse on the point swept its beam over the sea. Quoyle walked on. He felt he could walk to Australia. Down the long hill now, past the dark Gammy Bird office. Cold television light in the Buggits’ house; Mrs. alone with her snowdrifts of doilies. Looked across the bay where Quoyle’s Point was lost in caliginous night. The moon cleared the landmass, cast a sparkling bar on the water.
He was outside her kitchen window. A wry, reedy music within. He knelt at the window. The hard illumination of the neon circle from the ceiling. A clattering. He looked in at Wavey on a kitchen chair, her legs wide, the skirt a hammock for the red accordion on her lap. Her foot rising and falling, slapping the time in a rhythm that was sad in its measured steadiness. And on the empty linoleum stage in front of the stove Herry, dancing and hopping a jig, the pie-face split with a grin of intense concentration.
Quoyle crawled out to the road. The moon’s reflection bored into the flat water like a hole into the sea, like the ice well where Tert Card’s father’s hairy devil washed his pots and pans. The painted wooden dogs in Wavey’s father’s yard watched, their bottle, cap collars catching the light as though in convulsive swallowing. He started back toward Killick-Claw, toward the inn where he would rent a room. He had forgotten Beety and Dennis’s house, his cot in the basement.
33 The Cousin
“Magic nets, snares, and knots have been, and in some
instances probably still are, used as lethal weapons.”
QUIPUS AND WITCHES’ KNOTS
AT TEN in the morning the chambermaid knocked on Quoyle’s door, then stuck her head in and called “Comin’ to do the room, m’dear.”
“Wait,” said Quoyle. “Half hour.” Dead boiled voice.
“Guess you was at the party where they sunk the boat! Harriet says the kitchen wants to put away the breakfasts so they can get started on lunch. Shall I tell her to save you a bit of eggs and tea then?”
But Quoyle was on his knees in front of the toilet, retching, suffering, full of self-hatred. Heard her voice like a wasp in a jar. At last he could turn on the shower, stand beneath the hot needles, face thrust near the spray head, feeling the headache move back a little. His legs pained.
The bedroom was icy after the steam. He pulled on clothes, the fabric rucking like metal. Bending to tie his shoes brought the headache into his eyes again and his stomach clenched.
Out the window the sky was dirty, sand swirled in the street. A few trucks passed, exhaust twisting out of tail pipes. Cold. His jacket sleeve was torn from shoulder to wrist.
Downstairs Harriet smirked.