“Drowned,” said Quoyle. Listening in spite of himself. Blowing his nose into the paper napkin. Which he folded and put on the edge of his saucer.
“No. Afterwards we went over to stinking Catspaw Harbor where we was treated like mud by that crowd. There was an awful girl with a purple tetter growing out of her eyebrow. Threw rocks. And then we came to the States.” She sang “ ‘Terra Nova grieving, for hearts that are leaving.’ That’s all I remember of that little ditty.”
Quoyle hated the thought of an incestuous, fit-prone, seal-killing child for a grandfather, but there was no choice. The mysteries of unknown family.
When the police burst in, the photographer in stained jockey shorts was barking into the phone. Quoyle’s naked daughters had squirted dish detergent on the kitchen floor, were sliding in it.
“They have not been obviously sexually abused, Mr. Quoyle,” said the voice on the telephone. Quoyle could not tell if a man or a woman was speaking. “There was a video camera. There were blank film cartridges all over the place, but the camera jammed or something. When the officers came in he was on the phone to the store where he bought the camera, yelling at the clerk. The children were examined by a child abuse pediatric specialist. She says there was no evidence that he did anything physical to them except undress them and clip their fingernails and toenails. But he clearly had something in mind.”
Quoyle could not speak.
“The children are with Mrs. Bailey at the Social Services office,” said the mealy voice. “Do you know where that is?”
Sunshine was smeared with chocolate, working a handle that activated a chain of plastic gears. Bunny asleep in a chair, eyeballs rolling beneath violet lids. He lugged them out to the car, squeezing them in his hot arms, murmuring that he loved them.
“The girls look a lot like Feeny and Fanny used to, my younger sisters,” said the aunt, jerking her head up and down. “Look just like ‘em. Feeny’s in New Zealand now, a marine biologist, knows everything about sharks. Broke her hip this spring. Fanny is in Saudi Arabia. She married a falconer. Has to wear a black thing over her face. Come on over here, you little girls and give your aunt a big hug,” she said.
But the children rushed at Quoyle, gripped him as a falling man clutches the window ledge, as a stream of electric particles arcs a gap and completes a circuit. They smelled of Sierra Free dish detergent scented with calendula and horsemint. The aunt’s expression unfathomable as she watched them. Longing, perhaps.
Quoyle, in the teeth of trouble, saw a stouthearted older woman. His only female relative.
“Stay with us,” he said. “I don’t know what to do.” He waited for the aunt to shake her head, say no, she had to be getting back, could only stay a minute longer.
She nodded. “A few days. Get things straightened up.” Rubbed her palms together as if a waiter had just set a delicacy before her. “You can look at it this way,” she said. “You’ve got a chance to start out all over again. A new place, new people, new sights. A clean slate. See, you can be anything you want with a fresh start. In a way, that’s what I’m doing myself.”
She thought of something. “Would you like to meet Warren?” she asked. “ Warren is out in the car, dreaming of old glories.”
Quoyle imagined a doddering husband, but Warren was a dog with black eyelashes and a collapsed face. She growled when the aunt opened the rear door.
“Don’t be afraid,” said the aunt. “ Warren will never bite anyone again. They pulled all of her teeth two years ago.”
4 Cast Away
“Cast Away, to be forced from a ship by a disaster.”
THE MARINER’S DICTIONARY
QUOYLE’S face the color of a bad pearl. He was wedged in a seat on a ferry pitching toward Newfoundland, his windbreaker stuffed under his cheek, the elbow wet where he had gnawed it.
The smell of sea damp and paint, boiled coffee. Nor any escape from static snarled in the public address speakers, gunfire in the movie lounge. Passengers singing “That’s one more dollar for me,” swaying over whiskey.
Bunny and Sunshine stood on the seats opposite Quoyle, staring through glass at the games room. Crimson Mylar walls, a ceiling that reflected heads and shoulders like disembodied putti on antique valentines. The children yearned toward the water-bubble music.
Next to Quoyle a wad of the aunt’s knitting. The needles jabbed his thigh but he did not care. He was brimming with nausea. Though the ferry heaved toward Newfoundland, his chance to start anew.
The aunt had made a good case. What was left for him in Mockingburg? Unemployed, wife gone, parents deceased. And there was Petal’s Accidental Death and Dismemberment Insurance Plan money. Thirty thousand to the spouse and ten thousand to each eligible child. He hadn’t thought of insurance, but it crossed the aunt’s mind at once. The children slept, Quoyle and the aunt sat at the kitchen table. The aunt in her big purple dress, having a drop of whiskey in a teacup. Quoyle with a cup of Ovaltine. To help him sleep, the aunt said. Blue sleeping pills. He was embarrassed but swallowed them. Fingernails bitten to the quick.
“It makes sense,” she said, “for you to start a new life in a fresh place. For the children’s sake as well as your own. It would help you all get over what’s happened. You know it takes a year, a full turn of the calendar, to get over losing somebody. That’s a true saying. And it helps if you’re in a different place. And what place would be more natural than where your family came from? Maybe you could ask around, your newspaper friends, tap the grapevine. There might be a job up there. Just the trip would be an experience for the girls. See another part of the world. And to tell the truth,” patting his arm with her old freckled hand, “it would be a help to me to have you along. I bet we’d be a good team.
The aunt leaned on her elbow. Chin on the heel of her hand. “As you get older you find out the place where you started out pulls at you stronger and stronger. I never wanted to see Newfoundland again when I was young, but the last few years it’s been like an ache, just a longing to go back. Probably some atavistic drive to finish up where you started. So in a way I’m starting again, too. Going to move my little business up there. It wouldn’t hurt you to ask about a job.”
He thought of calling Partridge, telling him. The inertia of grief rolled through him. He couldn’t do it. Not now.
Woke at midnight, swimming up from aubergine nightmare. Petal getting into a bread truck. The driver is gross, a bald head, mucus suspended from his nostrils, his hands covered with some unspeakable substance. Quoyle has the power to see both sides of the truck at once. Sees the hands reaming up under Petal’s dress, the face lowering into her oaken hair, and all the time the truck careening along highways, swaying over bridges without railings. Quoyle is somehow flying along beside them, powered by anxiety. Clusters of headlights flicker closer. He struggles to reach Petal’s hand, to pull her out of the bread truck, knowing what must come (wishing it for the driver who has metamorphosed into his father) but cannot reach her, suffers agonizing paralysis though he strains. The headlights close. He shouts to tell her death is imminent, but is voiceless. Woke up pulling at the sheet.
For the rest of the night he sat in the living room with a book in his lap. His eyes went back and forth, he read, but comprehended nothing. The aunt was right. Get out of here.