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"I don't mind," the girl said, "if supper and talk's all you have in mind."

"What else?" Gaspard said blandly, invisibly shaking hands with himself.

Just then the egg interrupted an argument Flaxman was developing about the debt the eggheads owed to humanity with a, "Now, now, now, now, now hear this."

Flaxman subsided.

"I want to say something, don't interrupt," came the tinny voice out of the speaker. "I've been listening to you for a long while, I've been very patient, but the truth must be spoken. We're worlds apart, you incarnates and I, and more than worlds, for there are no worlds where I am-no matter, no clay, no flesh. I exist in a darkness compared to which that of intergalactic space is brightest light.

"You treat me like a bright child, and I'm not a child. I'm an ancient on the edge of death and I'm a baby in the womb-and more and less than either of those. We discarnates are not geniuses, we're madmen and gods. We play with insanities as you do with your toys and later with your gadgets. We create worlds and destroy them every one of your hours. Your world is nothing to us-just one more sorry scheme among millions. In our intuitive unscientific way we know everything that's happened to you far better than you do, and it interests us not one whit.

"A Russian once wrote a little story about how on a bet a man let himself be locked alone in a comfortable room for five years; the first three years he asked for many books, the fourth year he asked for the Gospels, the fifth year he asked for nothing. Our situation is his, intensified a thousandfold. How could you ever think that we would stoop to writing books for you, to working out combinations and permutations of your itches and hates?

"Our loneliness is beyond your understanding. It crawls and shivers and sickens eternally. It transcends yours as death by slow torture does the warm rosy blackout of barbiturates. We suffer this loneliness and from time to time we remember, not lovingly let me tell you, the man who put us here, the hideously talented egomaniac inventorsurgeon who wanted a private library of thirty captive minds to philosophize with, the world that consigned us to eternal night and then went on its scrambling, swinging, grabbing, tweaking way.

"Once when I still had a body I read a supernaturalhorror story by Howard Phillips Lovecraft, a writer who died too soon to have had a chance to suffer the PSD operation, but who may have done an important bit to inspire Daniel Zukertort with the idea for it. This story, 'The Whisperer in Darkness,' was a fantasy about pink winged monsters from Pluto who put the brains of men in metal cylinders just like our metal eggs. You are the monsters out there-you, you, you. I always remember how that story ended: there's been an exciting scene going on, but it isn't until the end of it that the narrator realizes that his dearest friend has been helplessly listening in on the whole scene from just such a metal capsule. Then he thinks of his friend's fate-remember, it is mine too-and all he can think is, and I quote, '. . and all the time in that fresh shiny cylinder on the shelf. . poor devil. .'

"The answer is still No. Unplug me, Nurse Bishop, and take me home."

NINETEEN

Even in the smallest things, life lulls us only to snap at us with tiger teeth-or swat us with a slap-stick. The reception cubicle at Wisdom of the Ages had seemed the most mustily tranquil spot in the world, a room that time had forgot, but when late that evening Gaspard returned to it a second time to pick up Nurse Bishop, a mad old figure came lurching through the inner door, brandishing at Gaspard a long ebon staff with two remarkably realistic serpents curled closely around it, and crying out, "Avaunt, dog of a newshound! By Hathor, Set, and black-clawed Bast, begone!"

The figure was the image of Joe the Guard, even to the two twisty hairs in the margin of each ear, except that it reared instead of bending its back, had a pointy white beard that hung to the crotch and eyes open so wide that the red-branched whites showed all around the irises.

Also, its gasping shouts perfumed the air ahead of it with the corpse-reek of alcohol that has been through the morgue of the human body.

The facial resemblance to Joe the Guard was so great that Gaspard, keeping a wary eye on the waving serpent-twined staff, prepared to snatch and yank the wagging beard to test its genuineness.

But just then Nurse Bishop came pushing past the ancient. "Down, Zangwell!" she commanded hastily, her nostrils wrinkling. "Mr. Noot's no reporter, Pop, all that newspaper work's done nowadays by robots. You watch out for those. And don't break that caduceus-you've told me often enough that it's a museum piece. And go easy on the nectar-remember the times I've found you holding pink elephants at bay and keeping pink pharoahs out of the Nursery. Come on, Mr. K'nut, let's get going. Tonight I'm fed with Wisdom to here." The back of her hand touched her little pink chin.

Gaspard obediently followed her out, musing how nice it would be to have a girl, especially such a delicately luscious one, whose wisdom was truly all in her body, whose head was airy empty.

"I don't think Zangwell ever really had to chase reporters," she said with a quick little grin, "but he keeps remembering that his grandfather did. Joe the Guard? Oh, he and Pop are twin brothers. The Zangwells have been family retainers of the Flaxmans for generations. You didn't know?"

"I never even knew Joe's last name," Gaspard said. "For that matter, I didn't know there were family retainers in the world any more. How does anyone retain a job long enough to rate that classification?"

The girl looked at him coolly. "It still happens where there's money and a purpose, like the Braintrust, that outlasts one generation. A purpose to which you can dedicate yourself."

"Do you come from a long line of dedicated family retainers?" Gaspard wanted to know, but, "Don't let's talk about me," the girl replied. "I'm fed with me too."

"I only asked because you're extraordinarily pretty to be a nurse."

"What comes next in this approach?" the girl asked crossly. "That I ought to cash in on my face and figure by becoming a writer?"

"No," Gaspard said judiciously. "A stereo starlet maybe but a writer never. For that even the sweetest girl has to look as if she were wearing dirty underwear."

The night outside was pitchy dark except for the pink glow in the sky from the rest of New Angeles and a few spots like Wisdom of the Ages that had an auxiliary electric supply. Perhaps the government felt that if there were no light on Readership Row the public would forget the destruction of the wordmills and the assessing of responsibility for it.

"Kaput," Gaspard said. "Will the brains really turn down Flaxman's offer, do you think?"

"Look," the girl answered stridently, "their first answer to anything is always no. Then they dither and swoop around and-" She broke off. "I told you I didn't want to talk about Wisdom, Mr. Gnu."

"Call me Gaspard," he said. "What's your first name, by the way?" When she didn't reply he said with a sigh, "Okay, I'll call you Nurse and think of you as the Iron Bishop."

An autocab with dim blue and red cruising lights and a yellow dome-glow came crawling along like a giant tropical beetle. Gaspard whistled and it scuttled tiredly to the curb. Top and side of the dull silver carapace swung back, they climbed in and the door closed over them. Gaspard gave the address of an eatery and the autocab moved off, blindly following a magnetized line in the rubberoid.

"Not the Word?" the girl asked. "I thought all writers ate at the Word."

Gaspard nodded. "But I'm classed as a scab now. The Word is practically union headquarters."

"Is being classed as a scab any different from being one?" the girl inquired fretfully. "Oh excuse me, I really haven't any feelings about it one way or the other. My own job isn't union."