She was wearing the peacock dress, which has a high collar that rises over her head and is the simulated erect fan of a male peacock, with staring blue and yellow eyes like gas flames. She was obviously going out again.
“Come here, darling,” said my mother. I went to her and she took me in her arms. The gorgeous perfume of La Verte enfolded me, and I felt safe. Then she eased me away and held me, smiling at me. She looked beautiful, and her eyes were green as gooseberries. “Did you look after Egyptia, darling?”
“I tried, Mother. Mother, I have to tell you about something, ask your advice.”
“I have to go out, dear, and I’m already late. I waited in the hope of seeing you before I left. Can you tell me quickly?”
“No—I don’t—I don’t think so.”
“Then you must tell me tomorrow, Jane.”
“Oh, Mother,” I wailed, starting to cry again.
“Now, darling. I’ve told you what you can do if I’m not able to be with you, and you’ve done it before. Get one of the blank tapes and record what happened to you, imagining to yourself that I’m sitting here, holding your hand. And then tomorrow, about noon, or maybe one P.M., I can play it through, and we’ll discuss the problem.”
“Mother—”
“Darling,” she said, shaking me gently, “I really must go.”
“Go where?” I listlessly inquired.
“To the dinner I told you about yesterday.”
“I don’t remember.”
“That’s because you don’t want to. Come along, Jane. Let go of my sleeves. You’re intelligent and bright, and I’ve encouraged you to think for yourself.”
“And to talk to you.”
“And we will talk. Tomorrow.”
Although as a baby she had taken me everywhere, as a child, she had sometimes had to leave me, because my mother is a very busy woman, who writes and researches, is an expert perfumier and gem specialist, a theologian, a rhetorician—and can lecture and entertain on many levels. And when she used to leave me, I never could hold back the tears. But now I was crying anyway.
“Come along, Jane,” said my mother, kissing my fore-head. “Why don’t you go to your room and bathe and dress and makeup. Call Jason or Davideed and go out to dinner yourself.”
“Davideed’s at the equator.”
“Dear me. Well I hope they warned him it was hot there.”
“Up to his eyes in silt,” I said, following her from the room and back toward the lift. “Mother, I think I’ll just go to bed.”
“That sounds rather negative.” My mother looked at me, her long turquoise nail on the lift button. “Darling, I do hope, since you haven’t yet found a lover, that you’re masturbating regularly, as I suggested.”
I blushed. Of course, I knew it was idiotic to blush, so I didn’t lower my eyes.
“Oh. Yes.”
“Your physical type indicates you’re highly sexed. But the body has to learn about itself. You do understand, darling, don’t you?”
“Oh. Yes.”
“Good-bye, darling,” said my mother, as the lift, a birdcage with a peacock in it, sank away.
“Good-bye, Mother.”
In the ethereal silence and stillness of the house, I just caught the thrum of the white Chevrolet as it was driven out of the second support pillar. And I could just see the tiny dazzle of its lights as it ran away into the darkness. I strained my eyes until I could see the dazzle no more.
• 3 •
I fell asleep in my sunken bath, and my bathroom video telephone woke me. I turned off the video and answered it. It was Egyptia.
“Jane, Jane. They accepted me.”
In the background were noises like a party.
“Who?” I sleepily asked.
“Don’t be stupid. The Theatra Concordacis drama group. They responded to the interview. It was as if we’d known each other always. I’ve paid my subscription. I’m giving a party in the Gardens of Babylon. It’s a wonderful party. Champagne is flowing, simply gushing, down the terraces.”
I recalled my mother’s advice.
“Can I come to the party?”
“Oh,” Egyptia’s voice was more distant.
I didn’t want to go anyway. The bath was cold, I was depressed. But my mother had thought it was best for me to go out.
“It isn’t really the sort of party you’d like,” said Egyptia.
Normally, I would retreat at that. I had before, quite often. Why was it that Egyptia always wanted me to herself? She wasn’t M-B. Was it that she was ashamed of me? Something made me say: “I’m unhappy. I can’t bear to be alone.”
Sometimes, by sounding like Egyptia, I could evoke a reaction. I realized I’d done this intuitively before, not knowing I did it, but now it was calculated. I didn’t want to go to the party, but I didn’t want to be alone.
“So unhappy, Egyptia. When that man upset you on the Grand Stairway, I was so shocked. I couldn’t bear to go with you. I was afraid for you.”
“Yes,” she breathed. I could imagine her eyes swimming, reliving it all.
And I was lying. I shouldn’t be lying like this, not consciously, not for something I didn’t even want.
“Egyptia, I want to come to the party to see you. To see you’re all right. To see you happy.”
“It’s on the third tier, under one of the canopies…”
Probably she was paying for the party. Of course she was, and the whole horrid Theatra group battening on her misguided euphoria. Why did I want to go?
But the most extraordinary thing was happening. I was hurrying. Out of the bath, into the wardrobe. I was even singing, too, until I recalled how awful my singing is, and stopped. I stopped again, briefly, when I had put on green lingerie and a green dress, to look at my wide hips. I don’t really like being a Venus Media type. Once, when Clovis was drunk, he told me I had a boyish look. “But I’m a Venus Media.” Clovis had shrugged. It’s possibly my face, which is almost oval, but has a pointed chin with an infinitesimal cleft—like that of a tom-cat?
I tried to put up my hair myself, but despaired, and combed it down again. I made up, using all the creams and powders and shadows and heightenings and mascaras and rouges and glosses. Until I looked much older and more confident. Sometimes I’ve been told I’m pretty or attractive, but I’m never sure. I wish I were someone else really.
I got the automatic on the phone to fetch another cab, and at nine P.M. I drove back into the city, which I think is amazing by night. The buildings seem made of thousands of little cubes of light that go up and up into the darkness. In the distance, they look like sticks of diamante. But I expect that’s a bad analogy. The jewelry traffic goes by on the roads, and clatters past overhead, punching out rosy fumes. I felt excited. I was glad I’d come back.
I felt at least twenty-five as I paid off the cab, and stepped on the moving stair that flows into Babylon, among the hanging mosses and garlands lit to liquid emeralds by the neons under the foliage.
The autumn night was soft. The lights in the bushes melted in the softness, and were only hard where they streamed out from under the canopies with the hard music of orchestras and stereophonics. Under the Theatra-Egyptia canopy, the light was hardest of all, but that may only have been the hard, beautiful makeup everyone was wearing.
I stood at the brink of the light and saw Egyptia in sequins dancing the snake dance with a thin handsome man among other couples doing the same. People and bottles were strewn thickly on the grass and currents of blue smoke went through the air. It was the sort of party Clovis liked a lot, because he could be so terribly, cuttingly rude about it.
Someone came up to me, a man about twenty-one, and said, “Well who are you?”
“My name is Jane. I’m a friend of Egyptia’s.”