Picking up the telephone, Chic said, ‘I'll call Dr Superb right now.'
‘At this time of night?' Julie said.
‘Tomorrow, then. Early.' With reluctance Chic set the phone down again. ‘I'm anxious to get started; this whole business weighs on my mind, and I've got other problems that are more important.' He glanced at Julie. ‘No offence meant.'
Stiffly, Julie said, ‘I haven't agreed to go to a psychiatrist or abide by anything he says. If I want to stay with you -- ‘
‘We'll do what Superb says,' Chic informed her. ‘And if he says for you to go back downstairs and you don't then I'll get a court order to bar you from my apartment. I mean it.' Vince had never heard his brother sound so hard; it surprised him. Probably it was due to Frauenzimmer Associates folding up. Chic's job was his whole life, after all.
‘A drink,' Chic said. And crossed to the liquor cabinet in the kitchen.
To her talent scout, Janet Raimer, Nicole said, ‘Where did you manage to dig up that?'
She gestured towards the folk singers twanging their electric guitars and nasally intoning away at the microphone in the centre of the Camellia Room of the White House. ‘They're really awful.' She felt thoroughly unhappy.
Businesslike and detached, Janet answered brightly, ‘From the conapt building Oak Farms in Cleveland, Ohio.'
‘Well, send them back,' Nicole said, and signalled Maxwell Jamison who sat, bulky and inert, on the far side of the large room. Jamison at once clambered to his feet, stretched, and made his way to the folk singers and their microphone.
They glanced at him. Apprehension showed on their faces and their droning song began to trail off.
‘I don't want to hurt your feelings,' Nicole said to them, ‘but I guess I've had enough of ethnic music for this evening. Sorry.' She gave them one of her radiant smiles; wanly they smiled back. They were finished. And they knew it.
Back to Oak Farm Conapts, Nicole said to herself. Where you belong.
A uniformed White House page approached her chair.
‘Mrs Thibodeaux,' the page whispered. ‘Assistant State Secretary Garth McRae is now waiting in the Easter Lily Alcove for you. He says you're expecting him.'
‘Oh yes,' Nicole said. ‘Thank you. Give him some coffee or a drink and tell him I'll be in shortly.'
The page departed.
‘Janet,' Nicole said, ‘I want you to play back that tape you made of your phone conversation with Kongrosian. I want to see for myself just how sick he is; with hypochondriacs you can never be certain.'
‘You understand there's no vid portion,' Janet said. ‘Kongrosian had a towel -- ‘
‘Yes, I realize that.' Nicole felt irritable. ‘But I know him well enough to tell by his voice alone. He gets that reticent, introverted quality when he's genuinely in distress. If he's just feeling sorry for himself he becomes garrulous.' She stood up, and at once the guests stood, too, here and there in their places throughout the Camellia Room. There were not many of them tonight; the hour was late, almost midnight, and the current programme of artistic talent was slender.
This was distinctly not one of the better evenings.
‘I'll tell you what,' Janet Raimer said archily. ‘If I can't do better than this, than the Moonrakers -- ‘ She gestured at the folk singers, who now were glumly packing up their instruments. ‘I'll arrange a programme entirely of the best of Ted Nitz' commercials.' She smiled, showing her stainless steel teeth. Nicole winced. Janet, sometimes, was just too much the witty professional woman. Just too amusing and poised, and wholly identified with this powerful office; Janet could be sure of herself any time and this bothered Nicole. There was no way to get at Janet Raimer.
No wonder every aspect of life had become for Janet a kind of game.
On the raised dais, a new group had replaced the defunct folk singers. Nicole examined her programme. This was the Las Vegas Modern String Quartet; they would in a moment, be playing a Haydn work, despite their august title. Maybe I'll go see Garth now, Nicole decided. Haydn seemed to her, with all the problems she had to cope with, a bit too nice. A bit too ornamental, not substantial enough.
When we get Goering here, she thought, we can bring in a brass band, street style, to play Bavarian military marches. I must remember to tell Janet that, she told herself. Or we could have some Wagner. Didn't the Nazis dote on Wagner? Yes, she was sure of that. She had been studying history books about the period of the Third Reich; Dr Goebbels, in his diaries, had mentioned the reverence felt by high Nazi officials at a performance of The Ring.
Or perhaps it was Meistersinger.
We could have the brass band play arrangements of themes from Parsifal, she decided with a secret spasm of amusement. In march tempo, of course. A sort of proctological version, just right for the Ubermenschen of the Third Reich.
Within twenty-four hours the von Lessinger technicians would have the conduits to 1944 completed. It was weird but perhaps by tomorrow at this time Hermann Goering would be here in this era, plucked from his own time period by the most wily of the White House negotiators, skinny, small, elder Major Tucker Behrans. Practically a der Alte himself, except that Army Major Behrans was alive and genuine and breathing, not a mere simulacrum. At least not as far as she knew. Although sometimes it seemed that way, seemed to her that she existed in the centre of a milieu comprised entirely of artificial creations of the cartel system, of A.G. Chemie conspiring with Karp u. Sohnen Werke in particular. Their commitment to ersatz reality ... it was frankly too much for her. She had, over the years of contact with it, developed a sense of pure dread.
‘I have an appointment,' she said to Janet. ‘Excuse me,' she rose, left the Camellia Room; two NP men fell in behind her as she made her way down the corridor to the Easter Lily Alcove where Garth McRae waited.
In the alcove Garth sat with another man whom she recognized -- by his uniform -- as a top official of the higher police. She did not know him. Evidently he had arrived with Garth; the two of them were consulting in low tones, unaware of her arrival.
‘Have you informed Karp und Sohnen?' she asked Garth.
At once both men were on their feet, respectful and attentive. ‘Oh yes, Mrs Thibodeaux,' Garth answered. ‘At least,' he added quickly, ‘I informed Anton Karp that the Rudi Kalbfleisch simulacrum is going to be discontinued soon. I -- haven't informed them that the next simulacrum will be obtained through other channels.'
‘Why not?' Nicole asked.
Glancing at his companion, Garth said, ‘Mrs Thibodeaux, this man is Wilder Pembroke, new Commissioner of the NP. He's warned me that Karp und Sohnen have held a closed, secret meeting of their top executive personnel and have discussed the possibility that the contract for the next der Alte will be let somewhere else.' Garth explained, ‘The NP of course has a number of individuals employed at Karp -- needless to say.'
Nicole said to the police official, ‘What will Karp do?'
‘The Werke will make public the fact that the der Altes are constructs, that the last living der Alte held office fifty years ago.' Pembroke cleared his throat noisily: he appeared singularly ill at ease. ‘This is a clear violation of basic law, of course. Such knowledge constitutes a state secret and cannot be brought before the Bes. Both Anton Karp and his father Felix Karp are perfectly aware of that; they discussed these legal aspects at their conference. They know that they -- and anyone else at policy level at the Werke -- would be instantly liable to prosecution.'
‘And yet they'd go ahead,' Nicole said, and thought to herself, So we're correct; the Karp people are already toostrong. Already possess far too much autonomy. And they won't abandon this without a fight.'