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I remember realizing quite suddenly one bleak, blustery autumn afternoon that I was fifty-five years old that year, and the realization shook me. All my life I had considered anyone over fifty to be an old man, and now here I was, half a decade older than that and still, in my mind at least, in my prime! My muscles, thanks to the life I led smithing and soldiering, were as hard and strong as those of a healthy man twenty years my junior, and that was no idle conceit. I knew it to be true because I worked with such men every day in the smithy and on the parade ground. I had become aware in recent months, most usually when putting on my armour, of a consistent thickening about my waist and hips, but it was a solid thickening and my belly was still flat and hard. Sexually, too, I was still active and interested. I was no longer a rutting stallion, of course, but I was far from being an impotent old man. Yet still the fact was inescapable: I was fifty-five!

It was the statue I had named the Lady of the Lake that brought the passing of the years to my attention. I had been sitting staring at her, wondering about the age and origins of metals and thinking about the draining of the lake and the finding of my skystone, when I suddenly realized that these events had taken place twenty years earlier! I had spent more than seven whole years trying to smelt the stones, and the Lady herself had stood here serenely on her table in Caius's day-room for twelve more years since her birth. As I have said, the realization shook me and made me see all at once that I could not afford to let any more time drift by. I rose immediately and crossed to the open window, where I saw two soldiers standing talking in the yard outside. I summoned them and told them to pick up the statue and follow me, and then I stuck the skystone dagger in my belt and went to find Equus.

He was sitting on a high stool by his work-bench, holding his right forearm in his left hand while he stared intently at the fingers of his right one, wriggling and clenching them. There was blood crusted on and between his fingers, and from wrist to elbow his forearm was swathed in blood-stained bandages. I pointed to a place where the soldiers could leave the statue and then dismissed them, crossing to Equus.

"What happened to you? What's the matter with your arm?"

The look he threw at me in response was eloquent. "You did! You happened to me! You and your bright ideas!"

I blinked at him, mystified, and looked again at his bandaged arm. "Are you saying I am responsible for that? What are you talking about?"

He turned and shouted over his shoulder. "Joseph! Bring those things over here!" One of our young apprentices approached, carrying two long swords. Equus jerked his head towards his work-bench. "Put them down here." The boy did so and left again.

"Well," Equus said, "there's your new sword. Two of 'em. What do you think?"

I picked one up in each hand. They were beautifully made, their blades long and lethal, their hilts heavy, elongated and weighted at the ends by large pommels. They balanced perfectly.

"Equus, they're superb," I whispered. "How did you weight the hilts? They don't look like gladia at all, now that they're made. There's no resemblance."

"The pommels are lead," he muttered. "And you're right. There's no resemblance. Those whoreson things are like ungrateful dogs. They bite their masters."

I looked from the swords I was holding to his bandaged arm. "One of these did that? How? I've never known you to be careless with weapons."

He grunted again and got to his feet. "Come with me," he said. "I'll show you."

I followed him outside, still carrying both swords, to the sword-practice post that stood in front of the smithy. As we passed through the doorway, he picked up a heavy infantry shield that leaned against the wall. Outside, he turned to me.

"Give me a sword. Take the shield. Standard sword practice. Go ahead."

Wondering what this was all about, I took the shield from him and lined myself up in front of the practice post in the normal manner. I rested the base of the shield on the ground and crouched behind it, brandishing the sword, and then I straightened up, looking at him and feeling foolish. I did not even attempt a swing.

He was watching me, an expression of wry amusement on his face. "Aye, that's about as far as I got, too," he said. "We have just destroyed a thousand years of technique and training. You can't use those things like a gladium. They're too damn big, too long. You get within gladium-reach of an enemy with that thing in your hand and you're a dead man. He'll cut you in two before you can get your arm back far enough to defend yourself, let alone attack him." I started to speak, but he pressed right on, overriding me. "Oh, I know what you're going to say. It's a cavalry sword, not meant for a man on foot. That's all very well, as long as you're on a horse. But what happens if you fall off? Or when your horse is killed and you find yourself on foot?"

I stood there, mute.

"And that's not the worst of it." He held up his bandaged arm. "This is the worst of it. At least, it's the worst I've discovered so far. How d'you think I got this? Can you guess?" I shook my head. "Well, I'm not going to tell you. I'm going to show you. Wait there." He went back into the forge and came out carrying a leather apron. "Here, hold one side of this. It's an old one." I held it and he cut it lengthwise down the middle.

"Now wrap that around your sword arm." It went around four times and he tied it in place with two thongs. Then he gestured with his head towards the practice post. "Now show me the standard block, parry and slash. You're going to have to step away from the post."

I stepped back and carried out the basic manoeuvre. I had to straighten my arm completely to finish it and the whole thing felt utterly alien.

"See what I mean? Your whole balance has to be different. You can't chop with that thing and you can't even try the infighting stab. It's impossible. You have to swing straight-armed, and the arc of the blade's about four times as long as the gladium swing."

I was staring at the sword in wonder. "But, Equus," I said, "that's marvellous! That's what we've been looking for. The force of this thing's swing is unbelievable!"

He hawked up phlegm and spat off to one side. "Aye, I'll grant that. And you could carve a gladium-wielder into pieces with it from beyond his reach. But what happens when you're facing someone who's swinging one of these things too? That's what happened to me."

I looked again at his arm. "How?"

In answer he grinned and fell into a crouch. "That's what I'm going to show you. I'm going to attack you. Straight attack, no tricks. You defend yourself. Don't try to attack me."

We squared off and he came for me with a round-armed, overhead swing. I brought my own blade up to block it easily, marvelling again at the easy balance in the thing. Then his blade crashed against mine with a ringing clang and the shock of the impact flung my arm away, out and around, almost ripping the sword hilt from my grasp. He carried his swing through and poised at the top of the upswing, ready to disembowel me with a backhand slash. He would have killed me easily, for I had no chance of recovering in time to block him.

"Different, isn't it?" He lowered his sword. "Now you're prepared for it, let's try that again."

We repeated the move, and this time I was prepared for the shock and better braced to block his first swing and throw his backhanded slash down to my left off my horizontal blade, finding that I was gripping my sword two-handed for better support against his backhand. His blade swooped down, then up and around again, and I released the hilt with my left hand and met his swing, hearing the clash of tempered blades and then losing everything as the world erupted in a sheet of blinding, flaming pain. I did not feel the sword go flying from my hand, but I felt my knees hitting the stones of the yard, and then I felt rough ground against my face and hands tugging at me, pulling me up.