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Thom, his aide.

Amelia Sachs, of course.

But the second man who’d died several days ago had, in one sense, been closer than all of the others, and for this reason: He’d challenged Rhyme like no one else, forced him to think beyond the expansive boundaries where his own mind roamed, forced him to anticipate and strategize and question. Forced him to fight for his life too; the man had come very close to killing him.

The Watchmaker was the most intriguing criminal Rhyme had ever encountered. A man of shifting identities, Richard Logan was primarily a professional killer, though he’d orchestrated an alpha-omega of crimes, from terrorist attacks to robbery. He would work for whoever paid his hefty fee — provided the job was, yes, challenging enough. Which was the same criterion Rhyme used when deciding to take on a case as a consulting forensic scientist.

The Watchmaker was one of the few criminals able to outthink him. Although Rhyme had eventually set the trap that landed Logan in prison he still stung from his failure to stop several plots that were successful. And even when he failed, the Watchmaker sometimes managed to wreak havoc. In a case in which Rhyme had derailed the attempted killing of a Mexican officer investigating drug cartels, Logan had still provoked an international incident (it was finally agreed to seal the records and pretend the attempted hit had never happened).

But now the Watchmaker was gone.

The man had died in prison — not murdered by a fellow inmate or a suicide, which Rhyme had first suspected upon hearing the news. No, the COD was pedestrian — cardiac arrest, though massive. The doctor, whom Rhyme had spoken to yesterday, reported that even if they’d been able to bring Logan around he would have had permanent and severe brain damage. Though medicos did not use phrases like ‘his death was a blessing,’ that was the impression Rhyme took from the doctor’s tone.

A blast of temperamental November wind shook the windows of Rhyme’s town house. He was in the building’s front parlor — the place in which he felt more comfortable than anywhere else in the world. Created as a Victorian sitting room, it was now a fully decked-out forensic lab, with spotless tables for examining evidence, computers and high-def monitors, racks of instruments, sophisticated equipment like fume and particulate control hoods, latent fingerprint imaging chambers, microscopes — optical and scanning electron — and the centerpiece: a gas chromatograph/mass spectrometer, the workhorse of forensic labs.

Any small- or even medium-sized police department in the country might envy the setup, which had cost millions. All paid for by Rhyme himself. The settlement after the accident on a crime scene rendering him a quad had been quite substantial; so were the fees that he charged the NYPD and other law enforcement agencies that hired him. (There were occasional offers from other sources that might produce revenue, such as Hollywood’s proposals for TV shows based on the cases he’d worked. The Man in the Chair was one suggested title. Rhyme and Reason another. Thom had translated his boss’s response to these overtures — ‘Are they out of their fucking minds?’ — as, ‘Mr Rhyme has asked me to convey his appreciation for your interest. But he’s afraid he has too many commitments at this point for a project like that.’)

Rhyme now turned his chair around and stared at a delicate and beautiful pocket watch sitting in a holder on the mantelpiece. A Breguet. It happened to be a present from the Watchmaker himself.

His mourning was complex and reflected the dual views of death he’d been thinking of. Certainly there were analytical — forensic — reasons to be troubled by the loss. He’d now never be able to probe the man’s mind to his satisfaction. As the nickname suggested, Logan was obsessed with time and timepieces — he actually made watches and clocks — and that was how he plotted out his crimes, with painstaking precision. Ever since their paths first crossed, Rhyme had marveled at how Logan’s thought processes worked. He even hoped that the man would allow him a prison visit so that they could talk about the chess-match-like crimes he’d planned out.

Logan’s death also left some other, practical concerns. The prosecutor had offered Logan a plea bargain, a reduced sentence in exchange for giving up the names of some of the people who’d hired him and whom he’d worked with; the man clearly had an extensive network of criminal colleagues whose identities the police would like to learn. There were rumors too of plots Logan had put together before he’d gone to prison.

But Logan hadn’t bought the DA’s deal. And, more irritating, he’d pleaded guilty, denying Rhyme another chance to learn more about who he was and to identify his family members and associates. Rhyme had even planned to use facial recognition technology and undercover agents to identify those attending the man’s trial.

Ultimately, though, Rhyme understood he was taking the man’s demise hard because of the second view of death: that connection between them. We’re defined and enlivened by what opposes us. And when the Watchmaker died, Lincoln Rhyme died a bit too.

He looked at the other two people in the room. One was the youngster on Rhyme’s team, NYPD patrol officer Ron Pulaski, who was packing up the evidence in the City Hall mugging/homicide case.

The other was Rhyme’s caregiver, Thom Reston, a handsome, slim man, dressed as immaculately as always. Today: dark-brown slacks with an enviable knife-blade crease, a pale-yellow shirt and a zoological tie in greens and browns; the cloth seemed to sport a simian face or two. Hard to tell. Rhyme himself paid little attention to clothing. His black sweats and green long-sleeved sweater were functional and good insulators. That was all he cared about.

‘I want to send flowers,’ Rhyme now announced.

‘Flowers?’ Thom asked.

‘Yes. Flowers. Send them. People still do that, I assume. Wreaths saying RIP, Rest in Peace, though what’s the point of that? What else’re the dead going to be doing? It’s a better message than Good Luck, don’t you think?’

‘Send flowers to … Wait. Are you talking about Richard Logan?’

‘Of course. Who else has died lately who’s flower-worthy?’

Pulaski said, ‘Hm, Lincoln. “Flower-worthy.” That is not an expression I would ever imagine you saying.’

‘Flowers,’ Rhyme repeated petulantly. ‘Why is this not registering?’

‘And why’re you in a bad mood?’ Thom asked.

‘Old married couple’ was a phrase that could be used to describe caregiver and charge.

‘I’m hardly in a bad mood. I simply want to send flowers to a funeral home. But nobody’s doing it. We can get the name from the hospital that did the autopsy. They’ll have to send the corpse to a funeral home. Hospitals don’t embalm or cremate.’

Pulaski said, ‘You know, Lincoln. One way to think about it is: There’s some justice. You could say the Watchmaker got the death penalty, after all.’

Blond and determined and eager, Pulaski had the makings of a fine crime scene officer and Rhyme had taken on the job of mentor. Which included not only instruction in forensic science but also getting the kid to use his mind. This he didn’t seem to be doing presently. ‘And just how does a random arterial occlusion, rookie, equal justice? If the prosecutor in New York State chose not to seek the death penalty, then you might say that a premature death undermines justice. Not furthers it.’

‘I—’ the young man stammered, blushing Valentine red.

‘Now, rookie, let’s move on from spurious observations. Flowers. Find out when the body’s being released from Westchester Memorial and where it’s going. I want the flowers there ASAP, whether there’s a service or not. With a card from me.’