'You were with Clarissa when the first of the messages came, during the run of Macbeth. Would you tell me what they looked like?'
Tolly's eyes burned into hers with a sombre, considering stare but not, she thought, with resentment or dislike. Cordelia went on:
'You see, I think it was you who sent them and I think she might have guessed and known why. But she couldn't do without you. It was easier to pretend. And she didn't want to show the messages to anyone else. She knew what she had done to you. She knew that there were things even her friends might not forgive. And then what she hoped would happen did happen. Perhaps there had been some change in your life which had made you feel that what you were doing was wrong. So the messages stopped.
They stopped until one of the small number of people who had known about them took over. But then they were different messages. They looked different. Their purpose was different. And their end was different and terrible.'
Still there was no reply. Cordelia said gently:
'I know I've no right to ask. Don't answer me directly if you'd rather not. Just tell me what those first messages were like and I think I shall know.'
Then Tolly spoke:
'They were written by hand in capital letters on lined paper. Paper torn from a child's exercise book.'
'And the messages themselves. Were they quotations?'
'It was always the same message. A text from the Bible.'
Cordelia knew that she was lucky to have gained so much. And even this confidence wouldn't have been given if Tolly hadn't recognized some sympathy, some empathy between them. But there was one more question which she thought she might risk.
'Miss Tolgarth, have you any idea who it was who took over?'
But the eyes looking into hers were implacable. Tolly had told all she intended to tell.
'No. I concern myself with my own sins. Let others look to theirs.'
Cordelia said:
'I shall never pass on to anyone what you've just said to me.' 'If I thought that you would, I wouldn't have told you.' She paused, and then asked in the same even tone: 'What will happen to the boy?'
'To Simon? He told me that Sir George will keep him on at Melhurst for his final year and that he'll then try for a place at one of the colleges of music.'
Tolly said:
'He'll be all right now she's gone. She wasn't good for the young. And now, if you'll excuse me, Miss, I'd like to help my friend finish her packing.'
CHAPTER FORTY
There was nothing more to be said or done. Cordelia left the two women together and went to her bedroom to get ready for the afternoon's excursion. As her object was to search for the newspaper review, her full scene-of-crime kit was hardly necessary, but she slipped a hand magnifying-glass, a torch and notebook into her shoulder-bag and pulled her Guernsey over her shirt. It might be cold on the boat on the return trip. Lastly she wound the leather belt twice round her waist and buckled it tight. As always, it felt like a talisman, a girding on of resolution. As she crossed the terrace from the western front of the castle she saw that Mrs Munter and Tolly were already making their way towards the launch, both of them carrying a case in either hand. Oldfield must only recently have landed. He was still dragging his crates of wine and groceries on to the jetty, helped rather surprisingly by Simon. Cordelia thought that the boy was probably glad of something to do.
Suddenly Roma appeared from the dining-room windows and hurried down the terrace in front of her. She went up to Oldfield and spoke to him. The canvas post-bag was on top of his trolley and he unbuckled it and took out the bundle of letters. Drawing close to them Cordelia could sense Roma's impatience. It looked as if she might snatch the bundle from Oldfield's gnarled fingers. But then he found what she was wanting, and handed her a letter. She almost ran from him, then slowed to a walk and, without noticing Cordelia's approach, tore the envelope open and read the letter. For a moment she stood absolutely still. Then she gave a sob, so high that it was almost a wail, and began stumbling along the terrace, pushed past Cordelia, and disappeared down the far steps to the beach.
Cordelia paused for a moment, uncertain whether to follow. Then she called to Oldfield to wait for her, that she wouldn't be long, and ran after Roma. Whatever the news, it had devastated her. There might be something she herself could do to help. And even if not, it was impossible just to board the launch and set off as if the scene had never happened. She tried to silence the small resentful voice which protested that it couldn't have occurred at a more inconvenient time. Was she never to be allowed to get off the island? Why should she always have to be the one to act as universal social worker? But it was impossible to ignore such distress.
Roma was stumbling and reeling along the shore, her hands flung out before her, groping the air. Cordelia thought that she could hear a high continued scream of pain. But perhaps it was the cry of the gulls. She had almost caught up with the fleeing figure when Roma tripped, fell at full length on the shingle and lay there, her whole body shaking with sobs. Cordelia came up to her. To see the proud and reserved Roma in such an abandonment of grief was as physically shocking as a blow to the stomach. Cordelia felt the same rush of impotent fear, the same helplessness. All she could do was kneel in the sand and put her arms round Roma's shoulders, hoping that this human contact might at least help to calm her. She found herself softly cooing as she might to a child or an animal. After a few minutes the dreadful shaking ceased. Roma lay so still that, for a second, Cordelia feared that she had ceased to breathe. Then she heaved herself clumsily upright and threw off Cordelia's arm. Walking unsteadily into the surf she bent and began splashing her face. Then she stood upright for a moment, looking out to sea before turning to face Cordelia.
Her face was grotesque, bloated as a long-drowned visage, the eyes like gummed slits, the nose a bulbous mess. When she spoke, her voice was harsh and guttural, the sounds forcing themselves through swollen vocal cords.
'I'm sorry. That was a disgusting exhibition. I'm glad it was you, if that's any comfort.'
'I wish I could help.'
'You can't. No one can. As you've probably guessed, it's the usual commonplace sordid little tragedy. I've been chucked. He wrote on Friday night. We only saw each other on Thursday. He must have known then what he was going to do.'
She pulled the letter from her pocket and held it out.
'Go on, read it! Read it! I wonder how many drafts it took to produce this elegant, self-justifying piece of hypocrisy.'
Cordelia didn't take the letter. She said:
'If he hadn't the decency and courage to tell you to your face, he isn't worth crying over, he isn't worth loving.'