The room was warm and silent. It was high-ceilinged, the walls papered with an elaborately flowered design. In the vast hearth a fire roared over logs piled high and spitting.
Portraits lined the walls.
Sarah moved. She hurried to the fire and huddled over it; then she stripped off her soaked coat and scarf and gloves and boots and knelt in front of the flames until they scorched her skin and eyelids. The heat was glorious.
Only when she was warm through did she take a good look around.
Tall candelabra stood in the room, each with dozens of candles burning. They burned with a cool unchanging light. The candles did not flicker, and didn’t grow any smaller. The windows were curtained with drapes of amber, tassels of knotted cord.
Around the walls were portraits, in frames of gold. She stood and walked under them, her feet deep in the soft carpet.
They were all of Summer.
Summer in a white dress. Summer in a crimson robe. Summer in a ruff and gown, her face lead-painted like some Elizabethan queen. Summer in a 1960s mini shift of black and white stripes, laughing out of the frame.
Sarah frowned.
Turning, she saw the table. It was laden with food, plates piled high with lobster and fish and spiced meats. A row of tureens stood there; she lifted one, and the vegetables steamed below.
She replaced the lid.
“You know, that is a very old ploy,” she said aloud. “It’s in every fairy story going.”
No answer.
Then, in the corner of the room, she saw it. It sat on a small white table, a circular table smooth as the snow slope had been.
She crossed to it, reluctant.
The table was covered with a scatter of small objects. A bone, an acorn, a gold ring, a pile of white pearls like pebbles.
And among them, on small balled feet, a box.
A small lidded box with a key in its lock.
A box covered with red brocade.
She looked around.
The room was silent, the door closed, the windows shuttered.
She reached out.
She opened the box.
20
Oisin Venn did not age, he did not grow old.
He had wealth and land, and everything he turned his hand to prospered. And yet, late one night he came to the house of the priest and said, “Father, absolve me, for I am a great sinner.”
He sat by the fire. The holy man said, “God forgives all, my son.”
“He will not forgive me. For she offered me a choice of mortality or to be with the Shee forever, and I could not choose. So I have sworn to her that each of my descendants will face this choice, and that one day, one of them will be hers. I have betrayed all the unborn generations. For I dare not anger her.”
Chronicle of Wintercombe
“HOW FAR?” Piers almost ran around the table.
The dial remained at 1400.
“I don’t know for sure. Far enough.” Maskelyne was infuriatingly calm, but even Piers could feel the fear in his stillness.
“Do something!”
“I am.” His fingers touched the controls that he had rigged up. Figures rippled across the screen.
“Oh my God.” Piers pressed his fists to his face. “We’ve lost them. Jake. Rebecca. Both the bracelets! Venn will absolutely kill me. No, not kill. Kill would be too easy. Imprison me in a tree for centuries. Saw me down and burn me on a bonfire. Grind my every atom into sawdust.”
Maskelyne flicked him an irritated look. “Always about you, isn’t it, little man.”
“You can talk. You think the mirror belongs to you.”
“It does.”
“You wish! You can’t even make it work properly!”
“I could once!” In a flash Maskelyne lost his temper; like a flicker of lightning he seemed to transform to a being of raw ferocity and dark fury. “Before I had to spend lifetimes plunging through time and space! Piecing my memories together again! What would you know about that loss, that terrible descent?”
Piers squared up. His chin jutted. “More than you might expect. I’m not all cooking and cleaning. I have a history too, so you can just—”
A mew silenced him.
He looked around.
A black cat stood there, tail in the air. It snarled at them both.
“Well.” Piers took a breath. Suddenly he was a little ashamed of himself. “Well, yes of course, you’re right,” he muttered. “Not the time. Not the place.”
Maskelyne stepped back. The dangerous darkness seemed to gather inside him; he said nothing, but left the control panel and crossed to the mirror itself, gripping the silver frame with his fine-boned hands.
He stared in at emptiness. “All the world is in there,” he whispered. “All possible worlds. And I will journey in them all again.”
Piers watched him, curious. “Is it alive, that thing? You talk to it as if it can hear you.”
“As alive as your replicant cats, little man.”
With an effort Maskelyne looked away from the black glass. He stepped back, the reflection of the lab shrinking and rippling. Then he turned, and he was calm again, his voice husky and quiet.
“It seems clear that Jake has managed to journey back far enough to reach David. Perhaps their longing for each other reached out and touched, like the snake and its tail. Dee recorded a similar result. He calls it the Magnetism of the heart.”
“What!” Piers stared. Then he turned and ran to the desk and snatched up the Dee manuscript from under his pages of notes. “That’s it! The heart! Oh my goodness. That means . . . this . . . and then this . . .” He scribbled letters furiously, and Maskelyne came and watched over his shoulder.
Then Piers stopped. “Do you see?”
“I see.”
Together they stared at the words that had emerged from the random mass of symbols like a sunlight through the fog of a wintry wood.
Let it be said the mirror is a way from heart to heart. For Time is defeated only by love.
Like a man who finds a path in a dark wood, and follows it to a lighted window, so is the journeyman.
Let the snake’s eye open. Let the hearts reach out.
Piers looked up. Maskelyne nodded slowly. “Yes,” he said, his voice husky. “I remember. The snake’s eye can be opened.”
“What do you mean . . . remember?”
A crash made the cat jump.
Then another.
Three separate crashes, as if a giant was beating at the door until the house shook.
Like the slow rumbling thunder of an avalanche, movement in the roots and depths of the earth itself.
“What’s that?” Piers breathed.
Maskelyne listened, alert. “The wood is walking,” he said. “Summer’s revenge.”
“Dad.”
The word hurt. He couldn’t move. Couldn’t breathe.
But to his astonishment the figure in the gray robe exploded into rage. “What the hell do you think you are doing, Jake! Telling him you can cure the plague! How do you think you can say that! These people are dying, don’t you realize! Really dying! Babies, and women and little children, dying in agony of this filthy, endless disease and there’s nothing, nothing any of us can do and you, you have the reckless, stupid arrogance to stand there and—”
“Dad.” Jake’s voice was soft. “Dad, it’s all right. We’re here now.” He stepped forward, giving one glance to Rebecca, where she crouched on a chair, watching with wide eyes. “It’s all right.”