Something skittered across the floor behind her. Maggie spun around. Three huge cockroaches escaped into a crack half their size under the kitchen counter.
Damn it!
She tried to settle her nerves. Cockroaches. Why did it not surprise her that Garrison would be surrounded by them?
But the landlady was correct in that Garrison’s apartment did not match the spotless hall and the staircase, nor the rest of the aging but clean building. Discarded clothes trailed to the bedroom and bathroom. Crusty dishes and empty beer bottles littered the kitchen counter. Stacks of magazines and newspapers created leaning roach hotels in almost every corner. No, she shouldn’t be surprised to see Garrison’s roommates were cockroaches.
She wandered through the rooms, finding nothing interesting in his clutter. Although she wasn’t sure what she expected to find. Suddenly, she stepped on a book that lay in the middle of the floor, as if someone had dropped it. The leather binding was clean and smooth. It was definitely not something he usually kept on the floor. On closer inspection she realized it was a journal, the pages filled with a lovely, slanted penmanship that sometimes took on a frantic urgency, easily visible by the dramatic changes in jagged lines and curves.
She picked it up and it opened to a page bookmarked with what looked to be an old unused airline ticket, the corners worn and creased. Destination was Uganda, Africa, though it certainly was long expired. The entry it marked was also dog-eared, the only page with its gold-trim creased.
“Dear son,” the entry began, “this is something I could never tell you. If you’re reading it now, it’s only after my death, and I apologize that this is the manner in which I have resorted to tell you. A coward’s manner-it would certainly embarrass any Zulu tribe member. Please forgive me for that. But how could I possibly look into your sad and already angry eyes and tell you that your father had brutally raped me? Yes, that’s right. Raped me. I was only nineteen. It was my first year in college. I had a brilliant career I was preparing for.”
Maggie stopped and flipped to the beginning of the journal, looking for a name, a reference to the owner, and finding none. But she didn’t need a name. She already knew whose journal it was. It certainly couldn’t be a coincidence. But how had Garrison come across the book? Where in the world had he found it? Among Everett’s personal belongings, perhaps? Would Everett have kept the journal of a woman he had raped more than twenty-five years ago? And how would he have gotten it?
She slipped the book into her jacket pocket. If Garrison had stolen it, he couldn’t mind her borrowing it. She was ready to leave when she noticed a small room off the kitchen. It wouldn’t have attracted her attention except that a faint red light glowed from inside. Of course, Garrison would have his own darkroom.
No. She was wrong, she realized as she opened the door. It wasn’t just a darkroom. It was a gold mine.
Prints were strung on a clothesline that stretched the length of the small room. Chemicals had been left in the plastic trays, lining the inside of an oversize sink. Bottles and canisters and developing tanks filled the shelves. And there were prints everywhere, overlapping one another and covering every bit of space on the walls and counter.
There were more prints of tribes doing their ceremonial dances. Prints of Africans with hideous scars. Prints of strange mutant frogs with legs coming out of their heads.
And then she saw them-prints of dead women.
There must have been about a dozen prints. Women naked and braced against trees, eyes wide open with duct tape across their mouths and their wrists handcuffed. Maggie recognized Ginny Brier, the transient they had found under the viaduct, the floater pulled from the lake outside of Raleigh and Maria Leonetti. But there were others. At least a half dozen others. All in the same pose. All with their eyes wide open, looking directly at the camera.
Jesus! How long had this been going on? And how long had Garrison been following Everett and his boys?
Her hand reached for the light switch without looking to find it. She couldn’t take her eyes away from the dead women’s eyes. Surely there was a light other than the red safelight. She found the set of switches and flipped one, causing the entire room to go black. But before she could flip the other one on, she stood paralyzed, staring in disbelief. The clothesline that stretched across the room glowed in the dark.
She leaned against the counter. Her knees went weak. Her stomach plunged. The clothesline glowed in the dark. Of course, what a perfect invention for a darkroom. What a perfect weapon for a killer.
How could she have been so stupid! Garrison didn’t just photograph the dead women. It wasn’t dead eyes that interested him. The eyes are the windows to the soul. Why hadn’t she thought of it before? Was Garrison trying to photograph the fleeting soul?
She flipped on the red light again and took a closer look at the photos, the track marks on the victims’ necks. Over and over again, he must have brought them back to consciousness, posing them, waiting, patiently waiting for that one moment while he watched with his camera ready on a tripod nearby, waiting. Waiting over and over again to catch a glimpse, to photograph that moment when the soul left.
Garrison. It was Garrison and his obsession with that last moment of death.
Maggie heard the creak of floorboards in the living room. She grabbed for her gun. No cockroach was that fucking big. Was it the landlady? Maybe the real health inspector had arrived. It couldn’t be Garrison. He was in Cleveland.
She inched her way to the darkroom’s door, edging along the counter. Another creak, this time louder, closer, just on the other side of the door. She took aim, holding the gun with both hands and ignoring the slight tremor in her knees. Then in one quick motion she kicked open the darkroom door and rushed out, pointing her gun and yelling “Freeze!”
It was Garrison.
He stood in the middle of his apartment over the frightened landlady, holding a length of clothesline around her neck, yanking on it like a leash. The old lady was on her small bony knees, gasping for air, her glasses gone, her eyes glazed over as her skeletal arms flayed and struggled against him. He seemed unfazed by it all as he looked up at Maggie. It was as if he didn’t even notice Maggie’s gun pointed at his chest. Instead, he held out his free hand and demanded, “If she doesn’t have it, then you must. Hand over my mother’s journal.”
CHAPTER 77
Tully had a bad feeling about this whole mess. Yes, they had caught a rapist, but had they caught a murderer? The kid, Brandon-the tough guy, the asshole who beat up and raped young girls-broke down into a sniveling crybaby when they arrested him for the murders of Ginny Brier and Maria Leonetti. But now, as he and several agents followed Stephen Caldwell into the hotel where Everett was supposedly staying, now Tully wasn’t too sure anymore.
The desk clerk had given them a card key. No questions were asked when the badges came out. Caldwell claimed he didn’t know why Everett hadn’t shown up at the park. There was something in the polite black man’s manner that told Tully he was lying through his teeth. It didn’t help matters that Caldwell himself seemed in a rush to get somewhere when they finally found him outside the pavilion, gathering certain members together. No, Tully had a feeling this Caldwell, this stool-pigeon asshole, had his own agenda. Now he wondered if they were wasting time. If that was also Caldwell’s agenda. Was the hotel a distraction? Was Everett on his way to some airfield?
The elevator opened at the fifteenth floor and Caldwell hesitated. Agents Rizzo and Markham gave him a shove, not even bothering to wait for Tully’s instructions. They were pissed, too. None of them had to say a word to one another to know something was not quite right.