"Tell me about this woman you killed," the Albanian ordered.
I gave him a partial version of events. After I'd described her face, Shkrelli asked the young man if that was what he'd seen.
He nodded rapidly, his eyes wide and bloodshot. "The lips," he said, "like a rabbit's. But the eyes, they were a demon's." His head dropped.
The gang boss turned back to me and slid a folder across his desk. "This is what she did to Lefter Omari, my cousin, who was my chief accountant. According to Faik here, she was going to ransom him. Obviously there was a change of plan."
I took in the photos of a severed head, hands and feet, as well as a torso that looked like a pride of lions had feasted on it.
"Why did she do this?" Shkrelli asked. "Was she mad?" I shrugged. "Probably." "They said on the TV that the police are looking for you." "Tough," I said as nonchalantly as I could. "Don't play games, Matt Wells. You called me some days ago, telling me the woman Katya was in danger. I succeed in protecting her, still. But I read in the newspapers about the woman you loved, this Sara." "Robbins," I said. That wasn't the way I wanted the conversation to head. "Never mind her. One of my friends has gone missing and I think this Sternwood scumbag might have him. What can you tell me about the earl?" "Why should I tell you anything, Matt Wells?" Shkrelli said. "Because Sternwood is a risk to you." "I fix my own risks," the gang boss said bluntly. "I can fix this one more effectively and no one will be able to trace it back to you." I'd played all my cards. Either he'd bite or I'd be turned over to Mustafa. "You have capable men?" I nodded. "And no police will be involved?" He gave a crooked smile. "I know you are screwing the VCCT woman. Maybe I should get my men to find out everything you know about her." "No police," I said, holding his gaze despite the thundering in my chest. Finally Shkrelli looked away. "Very well. If you guarantee you can silence Sternwood, I will let you prove that to me." He raised a thick finger. "But if you fail, I will silence you permanently, writer." I tried to look laid-back. The Albanian took another folder out of a drawer and pushed it toward me. "I always do my homework before I enter into business deals. You're in luck. I have an English investigator working for me. This is his report. Go now." I remained sitting. "Let me talk to our friend here," I said, leaning toward the young man. "Faik, right?" He kept his eyes to the ground. "Right," he said. I picked up an East London accent. "What are you? A Turk?" He looked up quickly and said something in a language I didn't recognize but it was obvious he'd sworn at me. "I am a Kurd," he said, glancing at Shkrelli. "I work for the King." I'd heard of that gang. "Let him come with me," I said to the gang boss. "He's seen enough." Safet Shkrelli thought about it and then nodded. He stood up and took a roll of banknotes from his pocket. "I thank you for helping me, Kurd. It was not your fault that my cousin was killed." He nodded to the heavy at the door. A few minutes later we were back in the car, hoods on our heads. "Where you want to go?" the driver asked. "Kentish Town Station," I said. "How about you, Faik?" "That's okay," he replied. When we got there, the hoods were removed and we found ourselves on a rain-dashed street corner. The young Kurd watched the car accelerate away, his face slack. I could see that he'd been through hell. He also knew things that I didn't. "Faik, come with me. I have clothes you can wear." He looked at me with sad eyes. "I want to go home." I put my hand on his arm. "Later. I need to talk to you." He considered that, and then nodded. "I need a bath," he said. "And maybe a doctor." His legs suddenly gave way and I caught him in my arms. I helped him into a taxi for the journey to Rog's cousin's flat. I didn't think there was anyone on our tail. I almost had to drag Faik up the stairs. Pete opened the door on the chain. "Who's that?" he asked. "Just let us in," I said. When he did so, I took the Kurd straight to the bathroom and left him to it. "Any news from Andy?" I asked the others. They both shook their heads. "Any more properties bought by Sara, Rog?" "Maybe. I'm working on a name that I think she used only once." I filled them in about Shkrelli and Faik. Then I split the investigator's report on the ninth Earl Sternwood into three parts and handed them out. Pete sat back in his chair. "Very thorough," he said. "But what makes you think this guy's got anything to do with the murders, Matt?" The photo of the aristocrat had been in the section I'd kept. I showed it to them. "Bloody hell," Rog said. "What happened to his face?" "Which is not dissimilar to Lauren May Cuthbert- son's," Pete said. I nodded. "I doubt that's a coincidence, particularly since the crime-writer murders and the gangland ones seem to be linked." I told them about the nail and hair clippings. "And there's more. The first Earl Sternwood was notorious for the Hell-fire Club he ran." "The what?" Rog asked, looking around from his computer.
I repeated the phrase. "It involved black-magic rituals, sexual depravity and heavy drinking. The meetings were attended by members of high society, bishops and university professors. Oh, and local wenches and nuns were brought in-most disappeared after the parties."
"Black magic," Pete said. "The pentagrams and so on. But why would a peer of the realm kill crime writers, let alone gangbangers?"
I raised my shoulders. "I think we should ask him that question, don't you?"
"Gotcha!" Rog said. "Another of Sara's house buys. Nine months ago. This one's in a village called Oldbury. In Berkshire."
I felt an icy finger jab into my gut. "Shit. Earl Stern- wood's castle is in the very same county."
A moment later Faik let out a shriek of agony. Twenty-Seven Andy Jackson's face was drenched in sweat. He'd been heaving and twisting against his bonds and had finally got hold of the penknife. But opening it was proving a step too far. He had splintered his thumbnail against the narrow groove in the blade, and he couldn't get it to move. The light from the rear doors had almost gone.
Then he heard footsteps. He relaxed, making sure his expression didn't give him away. A key was inserted into the lock in the rear door, then it opened-at first by only a few centimeters, and then enough for a torch to be shone onto him. He tried to make out a face, but the light made him blink.
"There's no escape, Inspector Jansen," said a female voice. "Or should I say Andrew Jackson." There was a bitter laugh. "Save your strength. You're going to need it." The light went out and the door was closed again.
Doris Carlton-Jones. When had Sara Robbins's birth mother discovered his true identity? Surely not the first time he'd met her, when the biker shot out his windscreen. Perhaps she'd known all along, and Sara had just been toying with them.
The front door opened and someone-presumably Mrs. Carlton-Jones-got in. The engine was started and the van moved off. Andy expected the wheelchair to shift, but it had been well-secured.
He started fumbling with the knife again. His fingers had benefited from the short rest, and he felt the blade move under his thumb, then slip back into position.
Andy told himself to keep calm, taking deep breaths. He could take the old woman even with his hands tied. As soon as she released the wheelchair, he'd heave it into motion. Someone would see him, someone would call the cops.
Then he heard the roar of a high-powered motorbike behind the van. It hadn't been the old woman who had poleaxed him. It must have been Sara Robbins.
That made him concentrate even harder on the knife.
Dave had taught us basic first aid. After I'd dressed the wounds on Faik's thighs and checked there was no infection in his hand, I helped him get dressed. Rog had found some clothes.
I checked my e-mails again. Still nothing. No text messages, either. I sat by my computer, hitting Send and Receive every minute or so. While I did that, Faik ate his way through two pizzas Pete had heated up for him. In between bites, he told me about the treacherous Kurd who'd been shot, as well as the doctor who had rescued him from the Wolfman. There was no way of knowing the identity of the person wearing the burqa and chador who had shot the Turk, but I was pretty sure it was Lauren Cuthbertson. Faik was almost more appalled that a non- Muslim might have worn the garment than he was by the deaths he had witnessed.