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Gordo put his hand on his stomach and said he didn't feel so good.

Under other circumstances, Raistlin might have been amused by the discomfiture of one of his most inveterate tormentors. Tonight he was far too pent up, anxious, eager, and nervous to enjoy the whimperings of the chastened bully.

The master made Gordo sit down on the floor with his head between his legs, and then went to a distant part of the laboratory to putter about among papers and inkpots. Bored, Jon Farnish began teasing the mice.

Raistlin moved out of the glare of the light, moved back into the shadows, where he could see without being seen. He made a methodical sweep of the laboratory, committing every detail to his excellent memory. Long years after he left Master Theobald's school, Raistlin could still shut his eyes and see every item in that laboratory, and he was only in it once.

The lab was neat, orderly, and clean. No dust, no cobwebs; even the mice were sleek and well groomed. A few magical spellbooks, bound in noncommittal colors of gray and tan, stood upon a shelf. Six scroll cases reposed in a bin designed to hold many more. There was an assortment of jars intended for storing spell components, but only a few had anything in them. The stone table, on which the master was supposed to perform experiments in the arcane, was as clean as the table on which he ate his dinner.

Raistlin felt a sadness seep into him. Here was the workshop of a man with no ambition, of a man in whom the creative spark had flickered out, presuming that spark had ever once been kindled. Theobald came to his lab not to create, but because he wanted to be alone, to read a book, throw crumbs to the mice in their cage, crush some oregano leaves for the luncheon stew, perhaps draw up a scroll now and then-a scroll whose magic might or might not work. Whether it did or it didn't was all the same to him.

"Feeling better, Gordo?" Master Theobald bustled about importantly, doing very little with a great deal of fuss. "Fine, I knew you would. Too much excitement, that's all. Take your place at the far end of the table. Jon Farnish, you take your place there in the center. Raistlin? Where the devil-oh! There you are!" Master Theobald glared at him crossly. "What are you doing skulking about there in the darkness? Come stand in the light like a civilized human being. You will take your place at the far end. Yes, right there."

Raistlin moved to his assigned seat in silence. Gordo stood hunch-shouldered and glum. The laboratory was a sad disappointment, and this was starting to look far too much like schoolwork. Gordo was bitter over the lack of a demon.

Jon Farnish took his seat, smiling and confident, his hands folded calmly on the table in front of him. Raistlin had never hated anyone in his life as much as he hated Jon Famish at that moment.

Every organ in Raistlin's body was tangled up with every other organ. His bowels squirmed and wrapped around his stomach, his heart lurched and pressed painfully against his lungs. His mouth was dry, so dry his throat closed and set him coughing. His palms were wet. He wiped his hands surreptitiously on his shirt.

Master Theobald sat at the head of the table. He was grave and solemn and appeared to take exception to the grinning Jon Farnish. He frowned and tapped his finger on the table. Jon Farnish, realizing his mistake, swallowed his grin and was immediately as grave and solemn as a cemetery owl.

"That's better," said the master. "This test you are about to take is quite a serious matter, as serious as the Test you will take when you are grown and prepared to advance through the various ranks of magical knowledge and power. I repeat, this test is every bit as serious, for if you do not pass the one, you will never have a chance to take the other."

Gordo gave a great, gaping yawn.

Master Theobald cast him a reproving glance, then continued. "It would be advisable if we could give this test to every child who enrolls in one of the mage schools prior to his or her entrance. Unfortunately, that is not possible. In order to take this test, you must possess a considerable amount of arcane knowledge. Thus the conclave has deemed that a student should have at least six years of study before taking the elementary test. Those who have completed six years will be given the elementary test even if they have previously shown neither talent nor inclination."

Theobald knew, but did not say, that the failed student would then be placed under surveillance, watched throughout the rest of his life. It was improbable, but such a failure might become a renegade wizard, one who refused to follow the laws of magic as handed down and adjudicated by the conclave. Renegade wizards were considered extremely dangerous- rightly so-and were hunted by the members of the conclave. The boys knew nothing about renegade wizards, and Master Theobald wisely refrained from mentioning it. Gordo would have been a nervous wreck the remainder of his existence.

"The test is simple for one who possesses the talent, extremely difficult for one who does not. Every person wanting to advance in the study of magic takes the same elementary test. You are not casting a spell, not even a cantrip. It will take many more years of study and hard work before you have the discipline and control necessary to cast the most rudimentary of magical spells. This test merely determines whether or not you have what was called in the old days 'the god's gift.' "

He was referring to the old gods of magic, three cousins: Solinari, Lunitari, Nuitari. Their names were all that was left of them, according to most people on Ansalon. Their names clung to their moons, to the silver moon, the red, and the supposed black moon.

Wary of public opinion, aware that they were not universally liked or trusted, the wizards took care not to become involved in religious arguments. They taught their pupils that the moons influenced magic much the way they influenced the tides. It was a physical phenomenon, nothing spiritual or mystical about it.

Yet Raistlin wondered. Had the gods truly gone from the world, leaving only their lights burning in night's window? Or were those lights glints from immortal, ever-watchful eyes?.

Master Theobald turned to the wooden shelves behind him, opened a drawer. He drew out three strips of lamb's skin, placed a strip in front of each boy. Jon Famish was taking this quite seriously now, after the master's speech. Gordo was resigned, sullen, wanting to end this and return to his mates. He was probably already concocting the lies he would tell about the master's laboratory.

Raistlin examined the small strip of lamb's skin, no longer than his forearm. The skin was soft, it had never been used, was smooth to the touch.

The master placed a quill pen and an inkpot in front of each of the three boys. Standing back, he folded his hands over his stomach and said, in solemn, sonorous tones, "You will write down on this lamb's skin the words I, Magus."

"Nothing else, Master?" asked Jon Farnish.

"Nothing else."

Gordo squirmed and bit the end of his quill. "How do you spell Magus?"

Master Theobald fixed him with a reproving stare. "That is part of the test!"

"What. what will happen if we do it right, Master?" Raistlin asked in a voice that he could not recognize as his own.

"If you have the gift, something will happen. If not, nothing," replied Master Theobald. He did not look at Raistlin as he spoke.

He wants me to fail, Raistlin understood, without quite knowing why. The master did not like him, but that wasn't the reason. Raistlin guessed that it had something to do with jealousy of his sponsor, Antimodes. The knowledge strengthened his resolve.

He picked up the quill, which was black, had come from the wing of a crow. Various types of quills were used to write various scrolls: an eagle's feather was extremely powerful, as was that of the swan. A goose quill was for everyday, ordinary writing, only to be used for magical penning in an emergency. A crow quill was useful for almost any type of magic, though some of the more fanatic White Robes objected to its color.