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Old man Job came up with the wagon. After a while he got through wrapping the lines around the whip socket.

"Well," I says. "Was it a good show?"

"I aint been yit," he says. "But I kin be arrested in dat tent tonight, dough."

"Like hell you haven't," I says. "You've been away from here since three oclock. Mr Earl was just back here looking for you."

"I been tendin to my business," he says. "Mr Earl knows whar I been."

"You may can fool him," I says. "I wont tell on you."

"Den he's de onliest man here I'd try to fool," he says. "Whut I want to waste my time foolin a man whut I dont keer whether I sees him Sat'dy night er not? I wont try to fool you," he says. "You too smart fer me. Yes, suh," he says, looking busy as hell, putting five or six little packages into the wagon. "You's too smart fer me. Aint a man in dis town kin keep up wid you fer smartness. You fools a man whut so smart he cant even keep up wid hisself," he says, getting in the wagon and unwrapping the reins.

"Who's that?" I says.

"Dat's Mr Jason Compson," he says. "Git up dar, Dan!"

One of the wheels was just about to come off. I watched to see if he'd get out of the alley before it did. Just turn any vehicle over to a nigger, though. I says that old rattletrap's just an eyesore, yet you'll keep it standing there in the carriage house a hundred years just so that boy can ride to the cemetery once a week. I says he's not the first fellow that'll have to do things he doesn't want to. I'd make him ride in that car like a civilised man or stay at home. What does he know about where he goes or what he goes in, and us keeping a carriage and a horse so he can take a ride on Sunday afternoon.

A lot Job cared whether the wheel came off or not, long as he wouldn't have too far to walk back. Like I say the only place for them is in the field, where they'd have to work from sunup to sundown. They cant stand prosperity or an easy job. Let one stay around white people for a while and he's not worth killing. They get so they can outguess you about work before your very eyes, like Roskus the only mistake he ever made was he got careless one day and died. Shirking and stealing and giving you a little more lip and a little more lip until some day you have to lay them out with a scantling or something. Well, it's Earl's business. But I'd hate to have my business advertised over this town by an old doddering nigger and a wagon that you thought every time it turned a corner it would come all to pieces.

The sun was all high up in the air now, and inside it was beginning to get dark. I went up front. The square was empty. Earl was back closing the safe, and then the clock begun to strike.

"You lock the back door?" he says. I went back and locked it and came back. "I suppose you're going to the show tonight," he says. "I gave you those passes yesterday, didn't I?"

"Yes," I says. "You want them back?"

"No, no," he says. "I just forgot whether I gave them to you or not. No sense in wasting them."

He locked the door and said Goodnight and went on. The sparrows were still rattling away in the trees, but the square was empty except for a few cars. There was a ford in front of the drugstore, but I didn't even look at it. I know when I've had enough of anything. I dont mind trying to help her, but I know when I've had enough. I guess I could teach Luster to drive it, then they could chase her all day long if they wanted to, and I could stay home and play with Ben.

I went in and got a couple of cigars. Then I thought I'd have another headache shot for luck, and I stood and talked with them a while.

"Well," Mac says. "I reckon you've got your money on the Yankees this year."

"What for?" I says.

"The Pennant," he says. "Not anything in the league can beat them."

"Like hell there's not," I says. "They're shot," I says. "You think a team can be that lucky forever?"

"I dont call it luck," Mac says.

"I wouldn't bet on any team that fellow Ruth played on," I says. "Even if I knew it was going to win."

"Yes?" Mac says.

"I can name you a dozen men in either league who're more valuable than he is," I says.

"What have you got against Ruth?" Mac says.

"Nothing," I says. "I haven't got any thing against him. I dont even like to look at his picture." I went on out. The lights were coming on, and people going along the streets toward home. Sometimes the sparrows never got still until full dark. The night they turned on the new lights around the courthouse it waked them up and they were flying around and blundering into the lights all night long. They kept it up two or three nights, then one morning they were all gone. Then after about two months they all came back again.

I drove on home. There were no lights in the house yet, but they'd all be looking out the windows, and Dilsey jawing away in the kitchen like it was her own food she was having to keep hot until I got there. You'd think to hear her that there wasn't but one supper in the world, and that was the one she had to keep back a few minutes on my account. Well at least I could come home one time without finding Ben and that nigger hanging on the gate like a bear and a monkey in the same cage. Just let it come toward sundown and he'd head for the gate like a cow for the barn, hanging onto it and bobbing his head and sort of moaning to himself. That's a hog for punishment for you. If what had happened to him for fooling with open gates had happened to me, I never would want to see another one. I often wondered what he'd be thinking about, down there at the gate, watching the girls going home from school, trying to want something he couldn't even remember he didn't and couldn't want any longer. And what he'd think when they'd be undressing him and he'd happen to take a look at himself and begin to cry like he'd do. But like I say they never did enough of that. I says I know what you need you need what they did to Ben then you'd behave. And if you dont know what that was I says, ask Dilsey to tell you.

There was a light in Mother's room. I put the car up and went on into the kitchen. Luster and Ben were there.

"Where's Dilsey?" I says. "Putting supper on?"

"She up stairs wid Miss Cahline," Luster says. "Dey been goin hit. Ever since Miss Quentin come home. Mammy up there keepin um fum fightin. Is dat show come, Mr Jason?"

"Yes," I says.

I thought I heard de band," he says. "Wish I could go," he says. "I could ef I jes had a quarter."

Dilsey came in. "You come, is you?" she says. "Whut you been up to dis evenin? You knows how much work I got to do; whyn't you git here on time?"

"Maybe I went to the show," I says. "Is supper ready?"

"Wish I could go," Luster says. "I could ef I jes had a quarter."

"You aint got no business at no show," Dilsey says. "You go on in de house and set down," she says. "dont you go up stairs and git um started again, now."

"What's the matter?" I says.

"Quentin come in a while ago and says you been follerin her around all evenin and den Miss Cahline jumped on her. Whyn't you let her alone? Cant you live in de same house wid yo own blood niece widout quoilin?"

"I cant quarrel with her," I says, "because I haven't seen her since this morning. What does she say I've done now? made her go to school? That's pretty bad," I says.

"Well, you tend to yo business and let her lone," Dilsey says. "I'll take keer of her ef you'n Miss Cahline'll let me. Go on in afar now and behave yoself swell I git supper on."

"Ef I jes had a quarter," Luster says, "I could go to dat show."

"En ef you had wings you could fly to heaven," Dilsey says. "I dont want to hear another word about dat show."

"That reminds me," I says. "I've got a couple of tickets they gave me." I took them out of my coat.