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She swung the door to, then jerked it open again, making the bell give forth its single small note. "Foreigners," she said, peering up at the bell.

We went on. "Well," I said. "How about some ice cream?" She was eating the gnarled cake. "Do you like ice cream?" She gave me a black still look, chewing. "Come on."

We came to the drugstore and had some ice cream. She wouldn't put the loaf down. "Why not put it down so you can eat better?" I said, offering to take it. But she held to it, chewing the ice cream like it was taffy. The bitten cake lay on the table. She ate the ice cream steadily, then she fell to on the cake again, looking about at the showcases. I finished mine and we went out.

"Which way do you live?" I said.

A buggy, the one with the white horse it was. Only Doc Peabody is fat. Three hundred pounds. You ride with him on the uphill side, holding on. Children. Walking easier than holding uphill. Seen the doctor yet have you seen Caddy

I dont have to I cant ask now afterward it will be all right it wont matter

Because women so delicate so mysterious Father said. Delicate equilibrium of periodical filth between two moons balanced. Moons he said full and yellow as harvest moons her hips thighs. Outside outside of them always but. Yellow. Feet soles with walking like. Then know that some man that all those mysterious and imperious concealed. With all that inside of them shapes an outward suavity waiting for a touch to. Liquid putrefaction like drowned things floating like pale rubber flabbily filled getting the odor of honeysuckle all mixed up.

"You'd better take your bread on home, hadn't you?"

She looked at me. She chewed quietly and steadily; at regular intervals a small distension passed smoothly down her throat. I opened my package and gave her one of the buns. "Goodbye," I said.

I went on. Then I looked back. She was behind me. "Do you live down this way?" She said nothing. She walked beside me, under my elbow sort of, eating. We went on. It was quiet, hardly anyone about getting the odor of honeysuckle all mixed She would have told me not to let me sit there on the steps hearing her door twilight slamming hearing Benjy still crying Supper she would have to come down then getting honeysuckle all mixed up in it We reached the corner.

"Well, I've got to go down this way," I said. "Goodbye." She stopped too. She swallowed the last of the cake, then she began on the bun, watching me across it. "Goodbye," I said. I turned into the street and went on, but I went to the next corner before I stopped.

"Which way do you live?" I said. "This way?" I pointed down the street. She just looked at me. "Do you live over that way? I bet you live close to the station, where the trains are. Dont you?" She just looked at me, serene and secret and chewing. The street was empty both ways, with quiet lawns and houses neat among the trees, but no one at all except back there. We turned and went back. Two men sat in chairs in front of a store.

"Do you all know this little girl? She sort of took up with me and I cant find where she lives."

They quit looking at me and looked at her.

"Must be one of them new Italian families," one said. He wore a rusty frock coat. "I've seen her before. What's your name, little girl?" looked at them blackly for a while, her jaws moving steadily. She swallowed without ceasing to chew.

"Maybe she cant speak English," the other said.

"They sent her after bread," I said. "She must be able to speak something."

"What's your pa's name?" the first said. "Pete? Joe? name John huh?" She took another bite from the bun.

"What must I do with her?" I said. "She just follows me. I've got to get back to Boston."

"You from the college?"

"Yes, sir. And I've got to get on back."

"You might go up the street and turn her over to Anse. He'll be up at the livery stable. The marshal."

"I reckon that's what I'll have to do," I said. "I've got to do something with her. Much obliged. Come on, sister."

We went up the street, on the shady side, where the shadow of the broken facade blotted slowly across the road. We came to the livery stable. The marshal wasn't there. A man sitting in a chair tilted in the broad low door, where a dark cool breeze smelling of ammonia blew among the ranked stalls, said to look at the postoffice. He didn't know her either.

"Them furriners. I cant tell one from another. You might take her across the tracks where they live, and maybe somebody'll claim her."

We went to the postoflice. It was back down the street. The man in the frock coat was opening a newspaper.

"Anse just drove out of town," he said. "I guess you'd better go down past the station and walk past them houses by the river. Somebody there'll know her."

"I guess I'll have to," I said. "Come on, sister." She pushed the last piece of the bun into her mouth and swallowed it. "Want another?" I said. She looked at me, chewing, her eyes black and unwinking and friendly. I took the other two buns out and gave her one and bit into the other. I asked a man where the station was and he showed me. "Come on, sister."

We reached the station and crossed the tracks, where the river was. A bridge crossed it, and a street of jumbled frame houses followed the river, backed onto it. A shabby street, but with an air heterogeneous and vivid too. In the center of an untrimmed plot enclosed by a fence of gaping and broken pickets stood an ancient lopsided surrey and a weathered house from an upper window of which hung a garment of vivid pink.

"Does that look like your house?" I said. She looked at me over the bun. "This one?" I said, pointing. She just chewed, but it seemed to me that I discerned something affirmative, acquiescent even if it wasn't eager, in her air. "This one?" I said. "Come on, then." I entered the broken gate. I looked back at her. "Here?" I said. "This look like your house?"

She nodded her head rapidly, looking at me, gnawing into the damp halfmoon of the bread. We went on. A walk of broken random flags, speared by fresh coarse blades of grass, led to the broken stoop. There was no movement about the house at all, and the pink garment hanging in no wind from the upper window. There was a bell pull with a porcelain knob, attached to about six feet of wire when I stopped pulling and knocked. The little girl had the crust edgeways in her chewing mouth.

A woman opened the door. She looked at me, then she spoke rapidly to the little girl in Italian, with a rising inflexion, then a pause, interrogatory. She spoke to her again the little girl looking at her across the end of the crust, pushing it into her mouth with a dirty hand

"She says she lives here." I said. "I met her down town. Is this your bread?

"No spika," the woman said. She spoke to the little girl again. The little girl just looked at her.

"No live here?" I said. I pointed to the girl, then at her, then at the door. The woman shook her head. She spoke rapidly. She came to the edge of the porch and pointed down the road, speaking.

I nodded violently too. "You come show?" I said. I took her arm, waving my other hand toward the road. She spoke swiftly, pointing. "You come show," I said, trying to lead her down the steps.

"Si, si," she said, holding back, showing me whatever it was. I nodded again.

"Thanks. Thanks. Thanks." I went down the steps and walked toward the gate, not running, but pretty fast. I reached the gate and stopped and looked at her for a while. The crust was gone now, and she looked at me with her black, friendly stare. The woman stood on the stoop, watching us.

"Come on, then," I said. "We'll have to find the right one sooner or later."

She moved along just under my elbow. We went on. The houses all seemed empty. Not a soul in sight. A sort of breathlessness that empty houses have. Yet they couldn't all be empty. All the different rooms, if you could just slice the walls away all of a sudden. Madam, your daughter, if you please. No. Madam, for God's sake, your daughter. She moved along just under my elbow, her shiny tight pigtails, and then the last house played out and the road curved out of sight beyond a wall, following the river. The woman was emerging from the broken gate, with a shawl over ner head and clutched under her chary. The road curved on, empty. I found a coin and gave it to the little girl. A quarter. "Goodbye, sister," I said. Then I ran.