It was all the same everywhere he looked: whiteness stretching as far as the eye could see in every direction. Even a white floor and a white sky, making no distinction anywhere, no horizon, nothing but himself. Himself and gravity. And thank God for gravity, for without the sensation that there was something solid underneath him — he knew he would have very quickly gone mad. With it… at least he knew which way was up!
Then he'd looked back over his shoulder. Had he really come from over there? Or from over there? Difficult to tell. How did he know he was still heading in the right direction? What the hell was 'direction' in this Godforsaken place?
But when he'd tried to move off again there had been resistance, a wall of invisible foam that pushed him back with a force equal to that which he mustered against it. To the right it wasn't so bad, but still difficult, and to the left likewise. There was only one way to go, which meant that that had to be the right way. That was why he hadn't noticed it before; because he'd automatically chosen, or been guided, along the path of least resistance. And after that there'd been more plodding, more sweating, until now — time for another swig at his bottle. Staring ahead, and as he pulled at the bottle and let the water cool his mouth, Jazz suddenly realized that things were no longer pure white. That came as a shock, so that he almost choked on his water. Now what the hell…? There in the distance… mountains? Silhouettes of crags? A dark-blue sky and… stars? It was like looking through a sea-fret; better, like looking down a tunnel at a misty morning. Or at a scene faintly etched on a white silk screen. But how far away?
Jazz plodded on, more eagerly now — and at the same time somewhat more apprehensively. The scene came closer, growing brighter as the stars blinked out and were replaced by weak beams of sunlight seeming to strike through the mountains to the right of the picture's frame. And that was when Jazz heard the sound.
At first he associated it with the emerging scene, but then he realized that it came from behind him. And no sooner that than he recognized it for what it really was: a motorcycle! He turned and looked back.
Karl Vyotsky rode with the sling of his SMG across his right shoulder, the gun itself hanging under his arm, muzzle forward. As yet he couldn't see the distant scene that Jazz had spotted, but he could see Jazz. The big Russian gritted his teeth into a snarling grin, guided the bike with his left hand and his knees and took the handgrip of the gun in his right fist. He laid his index finger along the trigger-guard, turned up the throttle and felt the bike surge forward. 'British,' he grunted to himself, 'your time's up. Kiss it all goodbye!'
For a moment Jazz was stunned. A motorcycle! And here he'd been knocking himself out walking it! The problem was, how to turn Vyotsky's advantage into a disadvantage? But as he'd walked, so Jazz had been giving the Gate's weird physics a thought or two. Now he believed he had the answer. 'OK, Ivan,' he murmured to himself, 'so let's see if you're as smart as you think you are.'
Vyotsky rode closer, revved up until sixty showed on his clock and the bike throbbed under him. The ride was smooth as silk, but even so, aiming the SMG would not be easy. It would be, literally, hit or miss. But he did have the element of surprise, or if not surprise, shock at least. What must the Englishman be thinking now, he wondered, to see this powerful machine bearing down on him?
He's a little less than half a mile away, Jazz was thinking. Thirty seconds. He got down on one knee, turned his body side-on so as to decrease his target silhouette, turned his gun in Vyotsky's direction. Not that he intended to shoot at him, just make him a little nervous.
A quarter-mile to go, and Vyotsky's face a mask of hatred where he thundered to the attack. But… suddenly his quarry had grown smaller, he'd gone down on one knee. And at the same time Vyotsky saw the scene on the other side of the Gate. For a moment it threw him, but then he returned his concentration to what he was doing, namely: hunting down this British bastard to the death! He began to move his knees, shift his body-weight, give the bike something of a slow wobble; and at the same time he commenced firing single shots in Jazz's direction.
One hundred and fifty yards, and Jazz held his fire. He hadn't even released the safety-catch, hadn't cocked the weapon. It seemed obvious that the crazy Russian intended to run him down; Vyotsky was relying on Jazz losing his nerve and making a run for it, trying to get out of the way. But Jazz had some ideas of his own. Finally he clicked off the safety-catch, cocked the weapon, re-sighted and… waited. For if he was correct it would be useless to fire anyway.
Fifty yards, and Vyotsky firing on automatic, a stream of lead that buzzed and plucked at the air all about Jazz, too close for comfort. And at the last possible moment he hurled himself to one side. Vyotsky's bike careened by him; its rider threw it into a steep, banking turn; the bike stood on its nose and hurled him out of the saddle!
Then machine and rider were somersaulting in different directions, and Jazz walked carefully forward toward them, and toward the scene looming on the other side of the Gate. Miraculously, Vyotsky came to the end of his skidding and tumbling and found himself virtually unharmed. The 'ground' here was obviously different. He had bruises and one sleeve of his combat suit was torn where he'd put his elbow through it, but that was all. He climbed shakily to his feet, stared unbelievingly at the Englishman maybe fifteen paces away where he walked toward him. 'Hello there, Ivan!' Jazz called out. 'I see you got here the easy way.'
Vyotsky grabbed up his weapon, checked it was undamaged, aimed at his oncoming enemy. Why was the stupid bastard grinning like that? Because of the accident? He'd found it amusing? The bike must have blown a tyre or something; but Simmons, he must have blown his mind! He wasn't even defending himself; he merely cradled his gun in his arms, came forward at a casual stroll.
'British, you're dead!' said Vyotsky. He deliberately lowered his aim — to chew up the other's thighs, groin and belly — and squeezed the trigger. The weapon was on automatic. It fired three stuttering shots before Vyotsky's finger was jerked from the trigger, which happened when the gun slammed into his chest and sent him crashing backwards to sprawl on the floor. Vyotsky felt as if his chest had caved in, as if his ribs were broken; possibly one or two of them were.
Lying there hugging himself, gritting his teeth and murmuring, 'Ah! Ah.r from the pain, he looked at Jazz. In the distance between them, three bullets were plainly visible lying on the floor. The SMG had 'fired' them insofar as they'd escaped from its barrel, but only just. And that had resulted in three mighty mule-kicks coming in rapid succession, blows which even the huge Russian's bulk hadn't been fully able to absorb.
Vyotsky made an effort to reach the smoking gun where it lay, but that was in Jazz's direction, which was the wrong way. He tried harder, and of course failed. The SMG was all of fifteen inches beyond his straining fingertips — hardly a great distance — but it might as well have been a mile, or not there at all. The motorcycle, too, lay in the wrong direction.
Jazz reached the bike, hauled it upright, stood astride the front wheel and wrenched the handlebars back into position from where they'd been knocked slightly askew. He ignored Vyotsky's groaning. Then he wheeled the bike forward and picked up the Russian's gun. And at last he spoke:
'Sound and light are the only things that seem to work in both directions here,' he said. 'We can hear each other, talk to each other, and even though you're ahead of me — toward the other end of the Gate, I mean — your words get back to me. Likewise your picture, for I can see you. But while we're standing like this, nothing solid can ever come from you to me. Reverse our positions, and sure enough I'd be dead, except that isn't the case. So there's no way you could have harmed me, Ivan: no bullets, no sticks or stones, nothing. These three rounds — ' he kicked the three spent projectiles aside, ' — they fired the gun! If you weren't so burned-up with hate, you'd have worked it out for yourself.'