And now she said, “Thank you.”
And I knew she would break away from me.
All I could do was nod.
She turned and moved to the desk.
I could not hear, but the man in the Cunard uniform sitting behind the ledger spoke, and then Selene spoke, and the man jumped up and gave a little bow.
A film fan, no doubt.
She said more to him, and he bowed again. He would grant her a special favor. He motioned to the ledger.
She drew her forefinger down the right-hand, half-filled page. Then she did the same to the left-hand page. Then she turned to the previous two-page spread.
I knew the name she sought.
Halfway down on the right, her hand stopped. She lifted it away and she straightened up.
She nodded to the official, and he sat back down.
She signed her name.
They spoke a few words more.
I was right about her. When she was finished, she did not look back to me but moved off at once, searching the crowd.
I approached the desk, the ledger, the Selene Bourgani fan in the Cunard uniform.
And after I’d signed my name and nationality — my pen-stroke going suddenly heavy, assertive, from a complex surge of feeling at writing United States of America—after then taking an abrupt, retained, chest-lifted breath at being an American upon this day, I turned and she was gone.
Before I could take a step away, the Cunard man, craning his neck to confirm his upside-down reading, said, “Mr. Cobb is it?”
I turned back. “Yes?”
“Would you be so kind as to wait behind my table? Someone has come to collect you.”
“Miss Bourgani was with me, as you saw.”
“Yes.”
“I was supposed to meet her. . Did they assign her a place to sleep?”
“Most of the first-class passengers are going to the Queen’s Hotel.”
“I’ll be back in a few moments,” I said.
The Cunard man stiffened; he was responsible for me waiting. Before he could protest, I said, “I won’t be long,” and I moved off.
I watched for her yellow slicker to flash in the crowd, but my goal was the streetside doors. I did not see her among the bandages and slings and blankets — the half-naked bodies were disappearing into blankets — and now the doors were in sight and I saw the yellow there amidst a dark brace of Cunard ducks and I swung wide in my approach to them, ready to let her go.
I saw her from behind. She was speaking to a guy with a clipboard, and then she moved off through the doors.
I followed, brushing aside the Cunards’ importunings. She’d pushed through already, and I stopped and looked through the glass. She turned her face to the far left and then swept her gaze slowly toward the harbor street, where the merchants on the far side — milliner and ironmonger, draper and men’s clothier, sellers of fish and poultry and cakes — all were lit up inside, as the whole town had awakened to the rescue; and then her face kept moving right, across a square and to another long row of wider buildings — the Queen’s Hotel included — and above them, up the hill, an arch-supported roadway climbing to a Gothic-spired cathedral. I thought that Selene’s eyes would come to rest upon her hotel. But she did not pause, she scanned on, and then she abruptly stopped. Her face drew very slightly forward. She was checking her perception.
And from that direction a figure was moving now, coming out of the shadows, wrapped and hooded in a blanket. Selene straightened and waited, and the figure stopped before her, and she was speaking, and the blanket came down off the head. It was Walter Brauer.
16
That she was seeking Brauer did not surprise me. Whatever hesitation about him she’d had in response to the torpedoing of the Lusitania was overcome by her rescue. And whatever had been the allure of her rescuer, that was overcome by the renewal of her mission for the Germans, no matter what those transient reservations might have been. What did surprise me was that Brauer had figured out how to save his own skin. Perhaps luck had played a part. But I knew I’d better not underestimate his resourcefulness or his toughness, bookman-fancying King’s College lecturer though he be.
Selene, in response to something Brauer said, lifted her chin a little to gesture over his right shoulder. He looked in that direction — at the Queen’s Hotel — and I knew enough for tonight, given that someone was seeking me out. I needed to attend to that.
So I backed away from the door, turned, and made my way through the hall to the ledger table. As I approached and passed beside him, the Cunard man taking names gave me a relieved glance.
I stood behind him, as he’d asked, and almost at once a serious weariness shuddered through me. I bucked myself up and even did a long-habitual bucking-up gesture: I shot my cuffs. Except over the past few hours my cuffs had apparently decided to permanently shoot themselves. I considered my body down to my squishing brogues, surprised that I’d left them on. I’d gone into the water in a gentleman’s blue serge suit and I now stood in a schoolboy’s blue serge suit, my adolescent wrists and ankles protruding like cowlicks from cuffs and pant legs.
“Mister Cobb?” a man’s voice said.
“Master Cobb,” I said, lifting one outgrown sleeve as I looked at the speaker. He had a round face and most everything about it was the color of wheat spike before a harvest, skin and hair and eyebrows that wheat-field yellow, and in the midst were unblinking pale eyes, their color hard to identify in the shadows of the customshall but they were pale, unflinching; he was a fleshy, wheaty man wearing a three-piece suit of his own money-crop color but a shade or two darker, baked for a while.
He flashed a willful little smile and he nodded at my right wrist. “We’ll take care of that.”
He offered a doughy hand doing one of those I’ll-hesitate-a-second-and-muscle-up-my-squeeze-to-equal-yours kind of shakes; I had the feeling I could squeeze harder than he could, though I also had an inkling this guy could surprise me. He said, in a flat plains accent common to a large number of Post-Express readers, “I’m James Metcalf. United States embassy in London.”
He paused now and lowered his voice a bit, turning it into a covert elbow nudge in the ribs. “We have a mutual friend in Washington.”
“The other James,” I said. James Polk Trask.
Metcalf doled out one more of those little smiles. “He’s the one.”
Then the smile vanished at once and his manner changed abruptly to the studied gravity of an embassy Guy. “I’m glad to see you’ve made it.”
“I am too,” I said.
And Metcalf took charge, which was fine with me. So I found myself in the well of a two-wheel jaunting car pulled by a sixteen-hand mule, a bundle of new clothes beside me and two bespoke suits being done up overnight. We were bone-rattling our cobblestoned way up the hill behind the wharves, bound for the Admiralty House that sat above the city, where an Admiral Lewis Bayly ran the British Fleet in the North Atlantic and where I’d get some decent food and a bed but I shouldn’t expect a drink.
“Sorry, old man,” Metcalf said. “The admiral’s a teetotaler and so is everyone else, as long as they’re under his roof.”
I grunted. I hadn’t the time or focus or opportunity to think about a drink so far, but this struck me instantly as bad news.
But Metcalf removed a flask from his inside coat pocket and handed it across to me. There was a pretty good whiskey inside and I took a couple of bolts of it as he watched in silence. That was enough of the whiskey for tonight. In spite of the past eight or ten hours, I wasn’t interested in getting drunk and I handed the flask back to him.
“Thanks,” I said.
He offered me a cigarette. A Capstan Navy Cut in a flat tin.