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Writing is extremely difficult, it is an enormous responsibility, you need only think of the exhausting work involved in setting out events in chronological order, first this one, then that, or, if more conducive to the desired effect, today's event before yesterday's episode, and other no less risky acrobatics, presenting the past as if it were something new, or the present as a continuous process with neither beginning nor end, but, however hard writers might try, there is one feat they cannot achieve, and that is to put into writing, in the same tense, two events that have occurred simultaneously. Some believe the difficulty can be solved by dividing the page into two columns, side by side, but this proposal is too simple, because the one will have been written first and the other afterwards, nor may we forget that the reader will have to read this one first and then the other one, or vice versa. The people who come off best are the opera singers, each with his or her own part to sing, three, four, five, six in all among the tenors, basses, sopranos, and baritones, all singing different words, the cynic mocking, for example, the ingénue pleading, the gallant lover slow in coming to her aid, what interests the operagoer is the music, but the reader is not like this, he wants everything explained, syllable by syllable, one after the other, as they are shown here. That is why, having first spoken of Joaquim Sassa, only now will we mention Pedro Orce, when in fact Joaquim Sassa threw the stone into the sea and Pedro Orce rose from his chair at the very same instant, although according to the clocks there was an hour's difference, because the latter happened to be in Spain and the former in Portugal.

It is common knowledge that every effect has its cause, and this is a universal truth, but it is impossible to avoid certain errors of judgment, or of simple identification, for we might think that this effect comes from that cause, when after all it was some other cause, beyond any understanding we possess or any knowledge we think we possess. For example, there appeared to be proof that if the dogs of Cerbère barked it was because Joana Carda scratched the ground with an elm branch, and yet only a very credulous child, if any child has survived from the golden decades of credulity, or an innocent one, if the holy name of innocence can thus be taken in vain, only a child capable of believing that by closing its hands it has trapped the sunlight inside would believe that dogs could bark that had never barked before, for reasons as much historical as physiological. In these tens and tens of thousands of hamlets, villages, towns, and cities, there are many people who would swear that they were the cause or causes of the barking of the dogs and of all that was to follow, because they slammed a door, or split a fingernail, or picked a fruit, or drew back the curtain, or lit a cigarette, or died, or, not the same people, were born, these hypotheses about death and birth would be more difficult to credit, bearing in mind that we are the ones who would have to propose them, for no child comes out of its mother's womb speaking, just as no one speaks any more once he has entered the womb of the earth. And there is no point in adding that any one of us has reasons enough for judging himself the cause of all effects, the reasons we have just mentioned as well as those that are our exclusive contribution to the functioning of the world, and I should dearly like to know what it will be like when people and the effects they alone cause will exist no more, best not to think of such an enormity, for it is enough to make one dizzy, but it will be quite sufficient for some tiny animals, some insects, to survive for there still to be worlds, the world of the ant and the cicada, for example, they will not draw back curtains, they will not look at themselves in the mirror, and what does it matter, after all, the only great truth is that the world cannot die.

Pedro Orce would say, if he so dared, that what caused the earth to tremble were his feet hitting the floor when he rose from the chair, great presumption on his part, if not ours, since we are frivolously expressing doubt, if every person leaves at least one sign in the world, this could be that of Pedro Orce, which is why he declares, I put my feet on the ground and the earth shook. It was an extraordinary trembling, so much so that no one appeared to have felt it, and even now, after two minutes, as the wave on the beach began to recede and Joaquim Sassa said to himself, If I were to tell anyone they would call me a liar, the earth still vibrates just as the chord continues to vibrate although it can no longer be heard, Pedro Orce can feel it in the soles of his feet, he continues to feel it as he leaves the pharmacy and steps out into the street, and no one there notices a thing, it's like watching a star and saying, What lovely light, what a beautiful star, without knowing that it went out in mid-sentence, and your children and grandchildren will repeat the same words, poor things, they speak of what is dead and say that it is alive, this deception is not confined to the science of astronomy. Here precisely the opposite happens, everyone would swear that the earth is firm and only Pedro Orce would say that it is trembling, just as well he kept his mouth shut and did not run away in terror, besides the walls are not swaying, the lamps hanging from the ceiling are as straight as a plumb line, and the little caged birds, who are usually the first to sound the alarm, doze peacefully on their perches, each with its head tucked under one wing, the needle of the seismograph has traced and continues to trace a straight horizontal line on the millimetric graph paper.

The next morning, a man was crossing an uncultivated plain, part scrubland, part swampy pasture, he was making his way along paths and tracks between the trees, poplars and ash, as elevated as the names by which they are known, and clumps of tamarisks, with their African scent, this man could not have chosen greater solitude or a loftier sky, and overhead, making the most incredible din, a flock of starlings followed him, so many of them that they formed a huge dark cloud, like the prelude to a storm. Whenever he paused the starlings began to fly in a circle or swooped noisily to roost in a tree, disappearing amid the branches until all the leaves were shaking and the crown echoed with harsh, strident sounds, giving the impression that some ferocious battle was being fought inside. José Anaiço started walking again, for that was his name, and the starlings took sudden flight, all at once, vruuuuuuuuuu. If we did not know this man, and started guessing, we might decide that he was a bird-catcher by trade or, like the snake, had the power to charm and entice, when, in fact, José Anaiço is as puzzled as we are about the reason for this winged festivity. What can these creatures desire of me, do not wonder at this archaic phrasing, for there are days when one does not feel like using commonplace words.