I’ll blame it on the roast, the roast, the Sunday roast bought from a butcher who wore a straw boater with a pheasant wing in the hat band. I suppose the roast entered our house, wrapped in bloody paper, on Thursday or Friday, traveling on the back of a bicycle. It would be a gross exaggeration to say that the meat had the detonative force of a land mine that could savage your eyes and your genitals but its powers were disproportionate. We sat down to dinner after church. (My brother was living in Omaha so we were only three.) My father would hone the carving knife and make a cut in the meat. My father was very adroit with an ax and a crosscut saw and could bring down a large tree with dispatch, but the Sunday roast was something else. After he had made the first cut my mother would sigh. This was an extraordinary performance, so loud, so profound, that it seemed as if her life were in danger. It seemed as if her very soul might come unhinged and drift out of her open mouth. “Will you never learn, Leander, that lamb must be carved against the grain?” she would ask. Once the battle of the roast had begun the exchanges were so swift, predictable, and tedious that there would be no point in reporting them. After five or six wounding remarks my father would wave the carving knife in the air and shout, “Will you kindly mind your own business, will you kindly shut up?” She would sigh once more and put her hand to her heart. Surely this was her last breath. Then, studying the air above the table, she would say, “Feel that refreshing breeze.”
There was, of course, seldom a breeze. It could be airless, midwinter, rainy, anything. The remark was one for all seasons. Was it a commendable metaphor for hope, for the serenity of love (which I think she had never experienced), was it nostalgia for some summer evening when, loving and understanding, we sat contentedly on the lawn above the river? Was it no better or no worse than the sort of smile thrown at the evening star by a man who is in utter despair? Was it a prophecy of that generation to come who would be so drilled in evasiveness that they would be denied forever the splendors of a passionate confrontation?
The scene changes to Rome. It is spring, when the canny swallows flock into the city to avoid the wing shots in Ostia. The noise the birds make seems like light as the light of day loses its brilliance. Then one hears, across the courtyard, the voice of an American woman. She is screaming. “You’re a God-damned fucked-up no-good insane piece of shit. You can’t make a nickel, you don’t have a friend in the world, and in bed you stink….” There is no reply, and one wonders if she is railing at the dark. Then you hear a man cough. That’s all you will hear from him. “Oh, I know I’ve lived with you for eight years, but if you ever thought I liked it, any of it, it’s only because you’re such a chump you wouldn’t know the real thing if you had it. When I really come the pictures fall off the walls. With you it’s always an act….” The high-low bells that ring in Rome at that time of day have begun to chime. I smile at this sound although it has no bearing on my life, my faith, no true harmony, nothing like the revelations in the voice across the court. Why would I sooner describe church bells and flocks of swallows? Is this puerile, a sort of greeting-card mentality, a whimsical and effeminate refusal to look at facts? On and on she goes but I will follow her no longer. She attacks his hair, his brain, and his spirit while I observe that a light rain has begun to fall and that the effect of this is to louden the noise of traffic on the Corso. Now she is hysterical—her voice is breaking—and I think perhaps that at the height of her malediction she will begin to cry and ask his forgiveness. She will not, of course. She will go after him with a carving knife and he will end up in the emergency ward of the Policlinico, claiming to have wounded himself, but as I go out for dinner, smiling at beggars, fountains, children, and the first stars of evening, I assure myself that everything will work out for the best. Feel that refreshing breeze.
My recollections of the Cabots are only a footnote to my principal work and I go to work early these winter mornings. It is still dark. Here and there, standing on street corners, waiting for buses, are women dressed in white. They wear white shoes, white stockings, and white uniforms can be seen below their winter coats. Are they nurses, beauty-parlor operators, dentist’s helpers? I’ll never know. They usually carry a brown paper bag holding, I guess, a ham on rye and a thermos of buttermilk. Traffic is light at this time of day. A laundry truck delivers uniforms to the Fried Chicken Shack and in Asburn Place there is a milk truck—the last of that generation. It will be half an hour before the yellow school buses start their rounds.
I work in an apartment house called the Prestwick. It is seven stories high and dates, I guess, from the late twenties. It is of a Tudor persuasion. The bricks are irregular, there is a parapet on the roof, and the sign advertising vacancies is literally a shingle that hangs from iron chains and creaks romantically in the wind. On the right of the door there is a list of perhaps twenty-five doctors’ names, but these are not gentle healers with stethoscopes and rubber hammers, these are psychiatrists, and this is the country of the plastic chair and the full ashtray. I don’t know why they should have chosen this place, but they outnumber the other tenants. Now and then you see, waiting for the elevator, a woman with a grocery wagon and a child, but you mostly see the sometimes harried faces of men and women with trouble. They sometimes smile; they sometimes talk to themselves. Business seems slow these days, and the doctor whose office is next to mine often stands in the hallway, staring out of the window. What does a psychiatrist think? Does he wonder what has become of those patients who gave up, who refused Group Therapy, who disregarded his warnings and admonitions? He will know their secrets. I tried to murder my husband. I tried to murder my wife. Three years ago I took an overdose of sleeping pills. The year before that I cut my wrists. My mother wanted me to be a girl. My mother wanted me to be a boy. My mother wanted me to be a homosexual. Where had they gone, what were they doing? Were they still married, quarreling at the dinner table, decorating the Christmas tree? Had they divorced, remarried, jumped off bridges, taken Seconal, struck some kind of truce, turned homosexual, or moved to a farm in Vermont where they planned to raise strawberries and lead a simple life? The doctor sometimes stands by the window for an hour.
My real work these days is to write an edition of The New York Times that will bring gladness to the hearts of men. How better could I occupy myself? The Times is a critical if rusty link in my ties to reality, but in these last years its tidings have been monotonous. The prophets of doom are out of work. All one can do is to pick up the pieces. The lead story is this: PRESIDENT’S HEART TRANSPLANT DEEMED SUCCESSFUL. There is this box on the lower left: COST OF J. EDGAR HOOVER MEMORIAL CHALLENGED. “The subcommittee on memorials threatened to halve the seven million dollars appropriated to commemorate the late J. Edgar Hoover with a Temple of Justice….” Column three: CONTROVERSIAL LEGISLATION REPEALED BY SENATE. “The recently enacted bill, making it a felony to have wicked thoughts about the administration, was repealed this afternoon by a standup vote of forty-three to seven.” On and on it goes. There are robust and heartening editorials, thrilling sports news, and the weather of course is always sunny and warm unless we need rain. Then we have rain. The air-pollutant gradient is zero, and even in Tokyo fewer and fewer people are wearing surgical masks. All highways, throughways, and expressways will be closed for the holiday weekend. Joy to the World!