"Just down the hill. You can't see the house for the spruce bush. Sara is a nice girl. She's only eleven, and her mother is dreadfully strict. She never allows Sara to read a single story. JUST you fancy! Sara's conscience is always troubling her for doing things she's sure her mother won't approve, but it never prevents her from doing them. It only spoils her fun. Uncle Roger says that a mother who won't let you do anything, and a conscience that won't let you enjoy anything is an awful combination, and he doesn't wonder Sara is pale and thin and nervous. But, between you and me, I believe the real reason is that her mother doesn't give her half enough to eat. Not that she's mean, you know—but she thinks it isn't healthy for children to eat much, or anything but certain things. Isn't it fortunate we weren't born into that sort of a family?"
"I think it's awfully lucky we were all born into the same family," Felix remarked.
"Isn't it? I've often thought so. And I've often thought what a dreadful thing it would have been if Grandfather and Grandmother King had never got married to each other. I don't suppose there would have been a single one of us children here at all; or if we were, we would be part somebody else and that would be almost as bad. When I think it all over I can't feel too thankful that Grandfather and Grandmother King happened to marry each other, when there were so many other people they might have married."
Felix and I shivered. We felt suddenly that we had escaped a dreadful danger—the danger of having been born somebody else. But it took the Story Girl to make us realize just how dreadful it was and what a terrible risk we had run years before we, or our parents either, had existed.
"Who lives over there?" I asked, pointing to a house across the fields.
"Oh, that belongs to the Awkward Man. His name is Jasper Dale, but everybody calls him the Awkward Man. And they do say he writes poetry. He calls his place Golden Milestone. I know why, because I've read Longfellow's poems. He never goes into society because he is so awkward. The girls laugh at him and he doesn't like it. I know a story about him and I'll tell it to you sometime."
"And who lives in that other house?" asked Felix, looking over the westering valley where a little gray roof was visible among the trees.
"Old Peg Bowen. She's very queer. She lives there with a lot of pet animals in winter, and in summer she roams over the country and begs her meals. They say she is crazy. People have always tried to frighten us children into good behaviour by telling us that Peg Bowen would catch us if we didn't behave. I'm not so frightened of her as I once was, but I don't think I would like to be caught by her. Sara Ray is dreadfully scared of her. Peter Craig says she is a witch and that he bets she's at the bottom of it when the butter won't come. But I don't believe THAT. Witches are so scarce nowadays. There may be some somewhere in the world, but it's not likely there are any here right in Prince Edward Island. They used to be very plenty long ago. I know some splendid witch stories I'll tell you some day. They'll just make your blood freeze in your veins."
We hadn't a doubt of it. If anybody could freeze the blood in our veins this girl with the wonderful voice could. But it was a May morning, and our young blood was running blithely in our veins. We suggested a visit to the orchard would be more agreeable.
"All right. I know stories about it, too," she said, as we walked across the yard, followed by Paddy of the waving tail. "Oh, aren't you glad it is spring? The beauty of winter is that it makes you appreciate spring."
The latch of the gate clicked under the Story Girl's hand, and the next moment we were in the King orchard.
CHAPTER III. LEGENDS OF THE OLD ORCHARD
Outside of the orchard the grass was only beginning to grow green; but here, sheltered by the spruce hedges from uncertain winds and sloping to southern suns, it was already like a wonderful velvet carpet; the leaves on the trees were beginning to come out in woolly, grayish clusters; and there were purple-pencilled white violets at the base of the Pulpit Stone.
"It's all just as father described it," said Felix with a blissful sigh, "and there's the well with the Chinese roof."
We hurried over to it, treading on the spears of mint that were beginning to shoot up about it. It was a very deep well, and the curb was of rough, undressed stones. Over it, the queer, pagoda-like roof, built by Uncle Stephen on his return from a voyage to China, was covered with yet leafless vines.
"It's so pretty, when the vines leaf out and hang down in long festoons," said the Story Girl. "The birds build their nests in it. A pair of wild canaries come here every summer. And ferns grow out between the stones of the well as far down as you can see. The water is lovely. Uncle Edward preached his finest sermon about the Bethlehem well where David's soldiers went to get him water, and he illustrated it by describing his old well at the homestead—this very well—and how in foreign lands he had longed for its sparkling water. So you see it is quite famous."
"There's a cup just like the one that used to be here in father's time," exclaimed Felix, pointing to an old-fashioned shallow cup of clouded blue ware on a little shelf inside the curb.
"It is the very same cup," said the Story Girl impressively. "Isn't it an amazing thing? That cup has been here for forty years, and hundreds of people have drunk from it, and it has never been broken. Aunt Julia dropped it down the well once, but they fished it up, not hurt a bit except for that little nick in the rim. I think it is bound up with the fortunes of the King family, like the Luck of Edenhall in Longfellow's poem. It is the last cup of Grandmother King's second best set. Her best set is still complete. Aunt Olivia has it. You must get her to show it to you. It's so pretty, with red berries all over it, and the funniest little pot-bellied cream jug. Aunt Olivia never uses it except on a family anniversary."
We took a drink from the blue cup and then went to find our birthday trees. We were rather disappointed to find them quite large, sturdy ones. It seemed to us that they should still be in the sapling stage corresponding to our boyhood.
"Your apples are lovely to eat," the Story Girl said to me, "but Felix's are only good for pies. Those two big trees behind them are the twins' trees—my mother and Uncle Felix, you know. The apples are so dead sweet that nobody but us children and the French boys can eat them. And that tall, slender tree over there, with the branches all growing straight up, is a seedling that came up of itself, and NOBODY can eat its apples, they are so sour and bitter. Even the pigs won't eat them. Aunt Janet tried to make pies of them once, because she said she hated to see them going to waste. But she never tried again. She said it was better to waste apples alone than apples and sugar too. And then she tried giving them away to the French hired men, but they wouldn't even carry them home."
The Story Girl's words fell on the morning air like pearls and diamonds. Even her prepositions and conjunctions had untold charm, hinting at mystery and laughter and magic bound up in everything she mentioned. Apple pies and sour seedlings and pigs became straightway invested with a glamour of romance.
"I like to hear you talk," said Felix in his grave, stodgy way.
"Everybody does," said the Story Girl coolly. "I'm glad you like the way I talk. But I want you to like ME, too—AS WELL as you like Felicity and Cecily. Not BETTER. I wanted that once but I've got over it. I found out in Sunday School, the day the minister taught our class, that it was selfish. But I want you to like me AS WELL."
"Well, I will, for one," said Felix emphatically. I think he was remembering that Felicity had called him fat.
Cecily now joined us. It appeared that it was Felicity's morning to help prepare breakfast, therefore she could not come. We all went to Uncle Stephen's Walk.