It started with the fracas involving the tub, which the injured party had told us about recently. There was the fragile old man with the handsome, weary face of an ascetic, the capricious expression of a spoiled child frozen on it. Our acquaintance Maddi is holding the washbowl. The old man’s little finger dips into the water. His lips curl in displeasure. The servant gets up off his knees, goes toward the door. The face of the sick man, contorted with rage, assumes a kind of demonically cheerful expression . . . he pitches and scores! The washbowl made from the finest china (we must presume) strikes the forehead of the unlucky fellow and smashes to smithereens.
Stunned, blinded by water and a thin stream of his own blood, Maddi executes an agile sideways leap worthy of an Olympic medal—if the Olympic Committee recognized the sideways leap as a full-fledged sport. The fatal mirror lay in the direct path of the poor Maddi, and blocked his flight. Nevertheless, everything turns out all right—no broken noses or missing teeth. No irreparable damage has been done—Maddi just bumps his face against the mirror, smeared it with his blood mixed with the water, and that is all.
Astonished, he turns to Sir Olli. At the sight of his face covered with blood, the fury of the old man turns to fear; the capricious grimace to an expression of shamefaced guilt. Peace negotiations get underway.
None of those involved in the event noticed what we were able to see. About the surface of the old mirror skittered a light ripple, like a sigh. In the places where the unlucky servant’s daubs of blood had touched the ancient glass, something began to pulsate and move. In a moment, it was all over. Only the mirror had become slightly darker, and deeper. But who pays attention to things like that? Sir Olli’s lips began to form sounds, a timid smile of relief appeared on Maddi’s bloodstained face. From behind the door someone’s head appeared. End of scene. The gloom thickened in front of us for a moment.
In a few seconds this gloom became the cozy darkness of the bedchamber. The weak light from a sliver of moon played over the sunken cheeks of Sir Olli. Something woke the old man up. I could tell that he was frightened. I felt his fear with my whole body—his helplessness and despair. I heard how he tried calling out to the servants; I felt that for the first time in his life something didn’t happen when he wished it to; just like today, when I couldn’t reach Juffin with my call. But in my case, I just lacked experience, though I had enough strength. Plus, in the end, I did manage to get through. Sir Olli, however, no longer had the strength to use Silent Speech. He was overcome by an icy horror. Something utterly alien and uncanny, which he could neither control nor understand, was in the room with him. For a moment it seemed to me that I saw a tiny object crawling along the old man’s cheek. I was seized by a shudder of disgust.
“Max, do you see that tiny vile thing?” Juffin asked in a whisper.
“Yes, I think I do.”
“Don’t look directly at it. Even better, don’t look at it at all. It’s a very powerful nasty little thing! The Master of the Mirror can take away your shadow, even now, when it is just a vision. Now I understand why old Lady Braba was frightened out of her wits—she’s the most gifted Seer in Echo. Not everyone has the strength to discern something like that—thank goodness! Take a sip of the elixir Max; a bit of protection wouldn’t hurt you at this point . . . There—the monster is going back into the mirror. In the places where the blood had smudged the mirror, he now has a door. You can look now. Have you ever seen a shadow disappear? Look, look!”
My trembling passed; my fear, as well. I concentrated again, and almost immediately saw the familiar outlines of the bedchamber. A semi-transparent Sir Makluk-Olli, looking younger but deathly scared, stood beside the mirror and looked at the other Sir Makluk-Olli, lying immobile in the bed. The surface of the mirror shuddered. The shadow (apparently, it was a shadow) sobbed helplessly, turned to the mirror, then tried to step back, to no avail. It didn’t melt, but seemed to disperse into the air in thousands of little shimmering flames of light. The flames burned out quickly, but I had time to notice that several of them disappeared into the mirror’s glassy surface. Five little flames: the exact number of poor Maddi’s spots of blood on the mirror.
Then the fear subsided, sharply and absolutely. The darkness of the bedroom became cozy and comforting—although there was now a dead man in the room. After all, death is something natural and predictable, unlike Magic of the 200th and Something Degree, be it black, white, or gray-brown-raspberry colored.
I realized I had stopped distinguishing the outline of our vision. Sir Juffin nudged me with his elbow. The show went on.
It was light again in the bedchamber. I saw a nice-looking young man in a festive bright-orange skaba. That was, of course, the hapless Nattis, the apprentice-courtier, who regrettably had not stayed home in the grand city of Gazhin. The young fellow smiled shyly, revealing the childish dimples in his cheeks. Then he concentrated hard and assumed a comically threatening countenance. Just then, Mr. Govins appeared in the frame—there was no longer any doubt in my mind about his sad fate. The mentor handed the pupil a razor, the handle of which might have inspired a nervous tic in any antique collector. Even I appreciated it.
I became hopelessly distracted and reached for the miracle elixir. Sir Juffin looked at me slightly askance, and not without suspicion.
“Just a drop,” I whispered guiltily.
“Never mind me, boy! I’m simply very envious . . . Well, give me a slug, too!”
When my vision returned to me, Nattis had already gotten down to work. He dragged the razor carefully over his cheek, smiling slightly at his own thoughts. The razor gradually crawled closer and closer to the pulsing, bluish vein on his slender boyish neck. Nevertheless, there was nothing unusual about it—it was an ordinary shaving routine.
But the mirror was not sleeping. At a certain moment, several points on its surface shuddered, and the icy horror again gripped my heart, fastened on it like an old Lovelace eyeing the appetizing derrière of a young girl.
Sir Juffin tweaked my chin gently.
“Turn away. Another improper scene. I myself try not to watch things like this. You know, they told me about these kinds of things long ago. And at the end of the story they hinted at the fact that it was better to make peace with such a creature than to struggle against it . . . Mmm, my neighbor has nice furniture, you can’t deny it! And yet he looks like such a nice man . . . Well, the boy, of course submitted to its whispering . . . Ah, Max! Now you must look very carefully. I’ve never seen anything like it! Only, be careful—don’t overrate your own strength.”
The first thing I saw was a helpless grin on the fellow’s face that closely resembled the awkward smile on our unfortunate Melifaro. The dimples froze forever in his cheeks, the smooth left one, and the unshaven right one. And blood, a great deal of blood. Blood poured over the mirror, which shivered in excitement under its spurting. This is how the breath of an inexperienced diver quickens as he struggles to reach the surface. There was no longer any doubt: blood returned life to the mirror, which only seemed to be a mirror, but was really a slumbering door to another, very foul place, to such a vile little place I sensibly averted my eyes and took a deep breath, as I had begun to give in to the nauseating rhythm in a very unpleasant way. Again I peeked cautiously. Nattis, of course, was already lying on the floor; Govins stared at his face, transfixed, and didn’t see how the bloody mirror, sated now, shuddered one last time, then grew dark and quiet—for the time being, of course. People crowded into the room. The vision disappeared.
“Juffin,” I said quietly. “So you know what this is?”