Still, something warned Paul not to accept a second gin, and at seven o’clock he asked if he could call a taxi. Daphne smiled firmly at this, and Wilfrid said he’d be happy to drive him into Worcester in the Renault.
‘I really don’t want to make you turn out at night,’ Paul said, his courteous demurral covering a natural nervousness about the car as well as the driver.
‘Oh, I like to take her out for a spin,’ said Wilfrid, so that for a moment Paul thought Daphne was coming too. ‘It’s not good for her just to… stand in the drive from one week to the next.’
Daphne stood up, and hanging on to the large oak chest got across the room with a new air of warmth and enthusiasm. ‘Where do you live?’ she said, almost as if thinking of a return visit.
‘I live in Tooting Graveney.’
‘Oh, yes… Is that near Oxford?’
‘Not really, no… It’s near Streatham.’
‘Streatham, oh!’ – even this seemed rather a lark.
They now shook hands. ‘Well, thank you so much.’ It was perhaps a moment to call her Daphne, but he held off till their second session. ‘I’ll see you tomorrow, same time.’
Paul wondered afterwards if it was a true misunderstanding or a bit of Dudleyesque fooling. She halted by the door into the hall, head cocked in confusion. ‘Oh, are you coming back?’ she said.
‘Oh… well’ – Paul gasped. ‘I think that was… what we agreed!’ He’d got nothing out of her today, but was resignedly treating it as a warm-up for the real explorations the following afternoon.
‘What are we doing tomorrow, Wilfrid?’
‘I should be surprised if we were doing anything very much,’ said Wilfrid, in a way that made Paul wonder whether all his patient simplicities weren’t perhaps a very cool kind of sarcasm.
In the Renault it was rather as if a child drove an adult, both of them pretending that it wasn’t worrying or surprising. It emerged that the dip-switch was broken, so that they had either to crawl along on side-lights, the hedges looming dimly above them, or to be flashed at by on-coming motorists blinded by the headlights on full beam. Wilfrid coped with both things with his usual whimsical patience. Paul didn’t want to distract him, but when they got on to the main road he said, ‘I hope I’m not tiring your mother.’
‘I think she’s enjoying it,’ Wilfrid said; and with a glance in the mirror, as if to check she wasn’t there, ‘She likes telling a story.’
Paul very much wished she would tell him a story. He said, ‘I’m afraid it was all so long ago.’
‘There are things she won’t talk about… I hope we can trust you on that,’ said Wilfrid, with an unexpected note of solidarity after his earlier grumbling about her.
‘Well…’ – Paul was torn between the discretion just requested of him and the wish to ask Wilfrid what he was talking about. ‘I obviously don’t want to say anything that would upset her – or any of the family.’ Might Wilfrid himself tell him things? Paul had no idea what he was capable of, mentally. He clearly loved his mother and more or less hated his father, but he might not be the ally Paul needed for his further prying into the dealings of the Sawles and Valances. If Corinna was really Cecil’s daughter, then Dudley’s shocking coolness towards her might have some deeper cause.
‘I don’t think you’re married, are you?’ Wilfrid asked, peering forward over the wheel into the muddled glare on the edge of Worcester.
‘No, I’m not…’
‘No, Mother thought not.’
‘Ah, yes… well, hmm.’
‘Poor old Worcester,’ said Wilfrid a minute later, as the car swerved through a sort of urban motorway right next to the Cathedral; up above, too close to see properly, reared floodlit masonry, the great Gothic tower. ‘How could they have butchered the old place like this?’ Paul heard this as a catch-phrase, saw mother and son on their trips into town coming out with it each time. ‘Right next to the Cathedral,’ said Wilfrid, craning out to encourage Paul to do the same, while the car wandered over into the fast lane – there was a massive blast on a horn, a lit truck as tall as the tower screeching behind them, then thundering past.
Turning left, and then passing staunchly through a No Entry sign, they travelled the length of a one-way street in the wrong direction, Wilfrid mildly offended by the rudeness of on-coming drivers, turned another corner, and there they were outside the front door of the Feathers. ‘Amazing,’ said Paul.
‘I know this old town backwards,’ said Wilfrid.
‘Well, I’ll see you tomorrow,’ said Paul, opening the door.
‘Shall I pick you up?’ said Wilfrid, with just a hint of breathlessness, Paul thought, a glimpse of excitement at having this visitor in their lives. But Paul insisted he was perfectly happy to get a Cathedral. He stood and watched as Wilfrid drove off into the night.
9
Daphne followed her regime as usual that evening – there was the hot milk, and then the tiny glass of cherry brandy, to take the sickening sleepy taste away. Her sleeping pill itself was swallowed with the last cooled inch of the milk, and after that a pleasant certainty that the day was wound up suffused her, well before the physical surrender to temazepam. Tonight the cherry brandy seemed to celebrate the fact. She said, ‘What time is he coming back?’ just to have it confirmed that it wasn’t till after lunch. Wilfrid started on the film that followed the News, but her macular thing made the telly both boring and upsetting. So she left him to it, going out of the room with a passing pat at his arm or shoulder, and made her way to the other end (in so far as Olga had another end) of the house.
Book at Bedtime this week was the autobiography of a woman – she couldn’t remember her name, or what exactly she’d been up to in Kenya last night when sleep had come with just enough warning for her to switch off the radio and the bedside light. On the dressing-table, an awful cheap white and gilt thing, stood the photographs she never really looked at, but she peered at them now, in her sidelong way, as she smeared on her face cream. Their interest seemed enhanced after the visit from the young man, and she was glad he hadn’t seen them. The one of her with Corinna and Wilfrid by the fishpond at Corley was her favourite – so small but clear: she turned it to the light with a creamy thumb. Who had taken it, she wondered?… The photo, known by heart, was the proof of an occasion she couldn’t remember at all. The Beaton photo of Revel in uniform was, pleasingly, almost famous: other portraits from the same session had appeared in books, one of them in her own book, but this exact photograph, with its momentary drop of the pose, the mischievous tongue-tip on the upper lip, was hers alone. A pictorial virtue, of the kind that Revel himself had taught her to understand, had been made of the hideous great-coat. His lean head and fresh-cropped poll were framed by the upturned collar – he looked like some immensely wicked schoolboy, though she knew if you looked closely you could see the fine lines round the eyes and the mouth that Beaton had touched out in the published images.
She woke in the dark out of dreams of her own mother, very nearly a nightmare; it was wartime and she was searching for her, going in and out of shops and cafés asking if anyone had seen her. Daphne never remembered her dreams, but even so she felt sure she had never dreamt about her mother before – she was a novelty, an intruder! It was bracing, disconcerting, amusing even, once she had felt for the switch at the neck of the lamp, and squinted at the time, and had a small drink of water. Freda had died in 1940, so the Blitz setting made almost too much sense. And no doubt talking to the young man, trying to cope with all his silly and rather unpleasant questions, had brought her back. In talking, she had only touched on her mother, whose actual presence in 1913 she could no longer see at all, but that must have been enough to set the old girl going, as if greedy for more attention. Daphne kept the light on for a while longer, with a barely conscious sense that in childhood she would have done the same, longing for her mother but too proud to call for her.