The fiscal looked at Isabel and then looked away. He was the deaths officer for Edinburgh. Deaths. Every day. Deaths. Small and big. Deaths. He would do it for a year, and then back to crime in some place like Airdrie or Bathgate. Every day: crime, cruelty, stretching off into retirement. “What’s the current expression?” he asked, trying not to show his weariness. “Closure? To give closure?”
So that was it. There had been a totally unexpected tragedy in which nobody was to blame. She had happened to witness it, and she had done what she could to explain it to herself. At the end of the day, it remained unexplained and there was nothing more that she could do, other than to accept the situation.
And so she attempted to concentrate on her reading, which, by coincidence, was apposite to the question in hand. A new work had appeared on the limits for moral obligation—a familiar subject which had been given a twist by a group of philosophers who were prepared to argue that the whole emphasis of morality should shift from what we do to what we do not do. This was a potentially burdensome position, which would be uncomfortable 1 0 2
A l e x a n d e r M c C a l l S m i t h for those who sought a quiet life. It required vigilance and more awareness of the needs of others than Isabel felt that she possessed. It was also the wrong position for one who wanted to forget something. The act of putting something out of one’s mind, in this view, could be an act of deliberate and culpable omission.
It was a frustrating and difficult book to read—all 570 pages of it. Isabel felt tempted to put it aside, or to abandon it alto-gether, but to do this would be to prove the author’s point. Damn him, she thought. He’s cornered me.
When at last she finished the book, she shelved it, feeling a frisson of guilty excitement as she chose for it an obscure corner of a high shelf. She did this on a Saturday afternoon, and decided that her persistence with the annoying book should be rewarded with a trip into town, a visit to one or two galleries, and a cup of coffee and a pastry at a coffee bar in Dundas Street.
She travelled into town by bus. As she approached her stop, which was immediately after Queen Street, she saw Toby walking down the hill, carrying a shopping bag. It was the crushed-strawberry corduroy trousers that she noticed first, and she smiled at the thought that this was what the eye should single out, and she was still smiling when she stepped out of the bus. Toby was now twenty or thirty yards ahead of her. He had not seen her watching him from the bus, which was a relief to Isabel, as she did not feel in a mood to talk to him. But now, as she made her way down the hill a safe distance behind him, she found herself wondering what he had been doing. Shopping, obviously, but where was he going? Toby lived in Manor Place, at the other end of the New Town, and so he was not going home.
How mundane, she thought. How mundane my interest in this rather boring young man. What possible reason do I have to think about how he spends his Saturday afternoons? None. But T H E S U N D A Y P H I L O S O P H Y C L U B
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that was an answer which merely fuelled her curiosity. It would be interesting to find out at least something about him; just to know, for example, that he liked to go to Valvona & Crolla to buy pasta.
Or that he had a habit of nosing about antique shops (unlikely though that was). Perhaps she would warm to him if she knew more about him. Cat had implied that he had depths of which she was unaware, and she should at least open herself to these. (Moral duty to make an extra effort to overcome her prejudice? No. Five hundred and seventy-odd pages were firmly shelved and that subject was not up for discussion on this outing.) Toby walked fairly quickly, and in order to keep a constant distance behind him, Isabel had to increase her pace. She saw him cross Heriot Row and continue down Dundas Street. She was now following him, vaguely aware of the ridiculousness of what she was doing, but enjoying herself nonetheless. He will not go into one of the art shops, she had told herself, and he will certainly not be interested in books. What did that leave? Perhaps the travel agency at the corner of Great King Street (a late skiing trip?).
Suddenly Toby stopped, and Isabel, deep in impermissible thought, found herself to have closed the distance between them. She stopped immediately. Toby was looking into a shopwindow, peering into the glass front as if trying to make out some detail on a displayed object or the figure on a price tag. Isabel looked to her left. She was standing outside a private house rather than a shop, and so the only window which she had available to stare into was a drawing-room window. She stared, so that if Toby should turn round, he would not see her watching him.
It was an elegant, expensively furnished drawing room, typical of that part of the Georgian New Town. As Isabel looked across the fifteen feet or so of space that separated her from the window, a woman’s face appeared and stared back at her in sur-1 0 4
A l e x a n d e r M c C a l l S m i t h prise. The woman had been sitting in an armchair and had been hidden from sight; now she looked out and saw another woman looking back in at her.
For a moment their eyes met. Isabel froze in her embarrassment. The woman at the window looked vaguely familiar, but she could not quite place her. For a moment neither did anything more, and then, just as an expression of annoyance began to replace the look of surprise on the householder’s face, Isabel dragged her gaze away and looked at her watch. She would put on an act of absentmindedness. Halfway down Dundas Street, she suddenly stopped and tried to remember what it was that she had forgotten. She stood there, staring into space (or a small amount of space) and then she looked at her watch and remembered.
It worked. The woman inside turned away, and Isabel continued down the hill, noticing that Toby had now moved on and was about to cross the street into Northumberland Street. Isabel stopped again, this time with all the legitimacy of a shopwindow before her, and looked into this while Toby completed his crossing.
This was the moment of decision. She could stop this ridiculous pursuit now, while she was still following a route which she could claim, quite truthfully, to have been following already, or she could continue to trace Toby’s steps. She hesitated for a moment and then, looking casually up and down for traffic, she sauntered across the street. But even as she did so, it occurred to her that what she was doing was quite ridiculous. She was the editor of the Review of Applied Ethics, and she was sidling along an Edinburgh street, in broad daylight, following a young man; she who believed in privacy, who abjured the sheer vulgarity of our nosy, prying age, was behaving like a schoolboy fantasist.
Why was it that she allowed herself to get drawn into the busi-T H E S U N D A Y P H I L O S O P H Y C L U B
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ness of others, like some sordid gumshoe (was that what they called them?).
Northumberland Street was one of the narrower streets in the New Town. Built on a somewhat smaller scale than the streets to the north and the south of it, it had its adherents, who liked what they tended to describe as an “intimacy.” Isabel, by contrast, found it too dark—a street without outlook and without that sense of elevation and grandeur which made living in the New Town so exhilarating. Not that she would choose to live there herself, of course; she preferred the quiet of Merchiston and Morningside, and the pleasure of a garden. She looked up at the house on her right, which she knew when John Pinkerton had lived there. John, who had been an advocate and who knew more about the history of Edinburgh’s architecture than most, had created a house which was flawlessly Georgian in all respects. He had been such an entertaining man, with his curious voice and his tendency to make a noise like a gobbling turkey when he cleared his throat, but had been so generous too, and had lived up to his family motto, which was simply Be Kind. No man had inhabited the city so fully, known all its stones; and he had been so brave on his early deathbed, singing hymns, of all things, perfectly remembered, as he remembered everything. The deathbed: she remembered now that poem that Douglas Young had written for Willie Soutar: Twenty year beddit, and nou/the mort-claith. /