Despite the noise and activity in the restaurant, where Chinese waiters tucked into red jackets scurried through the maze of banquet tables, a touch of melancholy pervaded the huge dining room. The bride’s father was notably absent, captured along with the remnants of his battalion as they defended the western approach to Saigon on the last day. The General praised him at the beginning of the banquet in a speech that stirred emotions, tears, and drinks. All the veterans toasted the hero with voluble bursts of bravado that helped to obscure their own uncomfortable lack of heroism. One simply must grin and drink unless one wants to sink to one’s neck in the quicksands of contradiction, or so said the sad crapulent major, his severed head serving as the table’s centerpiece. So I grinned and poured cognac down my throat. Then I mixed a libation of Rémy Martin and soda for Ms. Mori while explaining the exotic customs, habits, hairstyles, and fashion of our fun-loving people. I yelled my explanations, struggling to be heard over the loud cover band that was fronted by a petite dude in a sequined blazer. He sported a glam rocker’s perm modeled on a Louis XIV wig, minus the powder, and strutted on gold platform shoes while fondling his mike, pressing the ball of it to his lips suggestively as he sang. The heterosexually certified bankers and military men absolutely loved him, roaring approval at every flagrant pelvic gesture of flirtation from the singer’s extraordinarily tight satin pants. When the singer invited manly men to the stage for a dance, it was the General who immediately offered himself. He grinned as he sashayed with the singer to “Black Is Black,” the theme song of riotous Saigonese decadence, the audience cheering and clapping in appreciation, the singer winking over his shoulder à la Mae West. This was the General’s element, among men and women who appreciated him or who knew better than to voice any disagreements or discomfort with him. The execution — no, the neutralization—of the poor crapulent major had pumped life back into him, enough so that he had masterfully eulogized at the funeral. There he praised the major as a quietly self-sacrificial and humble man who always performed his duties to country and family without complaint, only to be tragically cut down in a senseless robbery. I had taken photographs of the funeral with my Kodak, the images later dispatched to my aunt in Paris, while Sonny sat in the front row of mourners, taking notes for an obituary. After the funeral, the General slipped the widow an envelope of cash from the operational funds provided by Claude, then stooped to peer into the bassinet where Spinach and Broccoli slept. As for myself, I could only mumble something generically appropriate to the widow, whose veil cloaked a waterfall of tears. How was it? Bon asked when I came home. How do you think? I said, heading for the refrigerator, its ribs lined as always with beer. Besides my conscience, my liver was the most abused part of my body.
Weddings often exacerbated the abuse, aggravated by the sight of a happy, innocent bride and groom. Their marriage might lead to alienation, adultery, misery, and divorce, but it might also lead to affection, loyalty, children, and contentment. While I had no desire to be married, weddings reminded me of what had been denied to me through no choice of my own. Thus, if I began every wedding as a pulp movie tough guy, mixing laughs with the occasional cynical comment, I ended each wedding as a watered-down cocktail, one-third singing, one-third sentimental, and one-third sorrowful. It was in this state that I took Ms. Mori to the dance floor after the wedding cake was cut, and it was then, near the stage, that I recognized one of the two female singers taking turns at the microphone with our gay blade. She was the General’s oldest daughter, safely ensconced in the Bay Area as a student while the country collapsed. Lana was nearly unrecognizable from the schoolgirl I had seen at the General’s villa during her lycée years and on summer vacations. In those days, her name was still Lan and she wore the most modest of clothing, the schoolgirl’s white ao dai that had sent many a Western writer into near-pederastic fantasies about the nubile bodies whose every curve was revealed without displaying an inch of flesh except above the neck and below the cuffs. This the writers apparently took as an implicit metaphor for our country as a whole, wanton and yet withdrawn, hinting at everything and giving away nothing in a dazzling display of demureness, a paradoxical incitement to temptation, a breathtakingly lewd exhibition of modesty. Hardly any male travel writer, journalist, or casual observer of our country’s life could restrain himself from writing about the young girls who rode their bicycles to and from school in those fluttering white ao dai, butterflies that every Western man dreamed of pinning to his collection.
In reality, Lan was a tomboy who had to be straitjacketed into her ao dai every morning by Madame or a nanny. Her ultimate form of rebellion was to be a superb student who, like me, earned a scholarship to the States. In her case, the scholarship was from the University of California at Berkeley, which the General and Madame regarded as a communist colony of radical professors and revolutionary students out to beguile and bed innocents. They wanted to send her to a girls’ college where the only danger was lesbian seduction, but Lan had applied to none of them, insisting on Berkeley. When they forbade her from going, Lan threatened suicide. Neither the General nor Madame took her seriously until Lan swallowed a fistful of sleeping pills. Thankfully she had a small fist. After nursing her back to health, the General was willing to concede, but Madame was not. Lan then threw herself into the Saigon River one afternoon, albeit at a time when the quay was well stocked with pedestrians, two of whom jumped in to save her as she floated in her white ao dai. At last Madame, too, conceded, and Lan flew off to Berkeley to study art history in the fall of ’72, a major her parents felt would enhance her feminine sensibilities and keep her suitable for marriage.
During her returns home in the summers of ’73 and ’74, she reappeared as a foreigner in bell-bottomed jeans and feathered hair, blouses stretched tight as a trampoline over the swell of her bosom, clogs adding several inches to her modest height. Madame would sit her down in her salon and, according to the nannies, lecture her on the importance of maintaining her virginity and of cultivating the “Three Submissions and Four Virtues”—a phrase that calls to mind the title of a highbrow erotic novel. The mere mention of her endangered or putatively lost virginity provided ample wood for the cookstove of my imagination, a fire I stoked in the privacy of my room, down the hall from the one she shared with a little sister. Lan had visited the General and Madame a few times since our arrival in California, but I had not been invited to the home on such occasions. Nor had I been invited to go with the General and Madame to her graduation cum laude a few months before. The most I heard of Lan was when the General muttered something about his unfilial daughter, who was now going by the name of Lana and who had not returned home after graduation but instead chosen to live on her own. Although I tried to draw out the General on what Lana was doing postgraduation, he had been uncharacteristically incommunicative.