I trembled at hearing her words. For a few days my conscience had been purring smoothly, the crapulent major’s death seemingly behind me in the rear view of my memory, a smear on the blacktop of my past, but now it was hiccuping again. What was happening at home, and what was I doing here? I had to remind myself of Ms. Mori’s parting words. When I told her I was taking the job, she had cooked me a farewell dinner where I almost gave in to the sneaky suspicion that perhaps I really did love her, even if I did have feelings for Lana, too. But as if anticipating such weakness on my part, Ms. Mori preemptively reminded me of our commitment to free love. Don’t feel obligated to me, she said over the orange sorbet. You can do whatever you want. Of course, I said, a little saddened. I could not have it both ways, free love and bourgeois love, no matter if I wanted to. Or could I? Society of any kind was well stocked with satin bilinguals who said and did one thing in public while saying and doing another in private. But Ms. Mori was not one of those people, and in the darkness of her bedroom, clinging to each other in the aftermath of our exercise in free love, she said, You have it in you to do something wonderful with this movie. I have confidence in you that you can make it better than it could be. You can help shape how Asians look in the movies. That’s no small thing.
Thank you, Ms. Mori.
Sofia, goddammit.
Could I really make any difference? What would Man or Ms. Mori think, knowing that I was little more, perhaps, than a collaborator, helping to exploit my fellow countrymen and refugees? The sight of their sad, confused faces had undermined my confidence, reminding me of the ligaments of sentimentality and sympathy that twined my tougher, more revolutionary parts together. I even came down with the hot fever of homesickness, and so it was that when I returned to the base camp, I sought comfort in the hamlet that Harry had created. The dusty lanes, the thatched roofs, the earthen floors of the cottages and their simple bamboo furniture, the piggeries with real pigs already snorting softly in the night, the warble of the innocent chickens, the soupy air, the bite of the mosquitoes, the plop of my unsuspecting foot into a mushy cake of buffalo dung — all of it left me dizzy with the vertigo of sadness and longing. Only one thing was missing from the hamlet and that was the people, the most important of which was my mother. She had died during my junior year in college, when she was just thirty-four. For the first and only time, my father wrote me a letter, brief and to the point: Your mother has passed away of tuberculosis, poor thing. She is buried in the cemetery under a real headstone. A real headstone! He had noted it to say in his own way that he had paid for it, since my mother did not have the savings to afford any such thing. I read his letter twice in numb disbelief before the pain struck, the hot lead of sorrow pouring into the mold of my body. She had been sick, but not this sick, unless she had been hiding the real state of her condition from me. We had seen so little of each other over the past few years, what with me hundreds of miles away at the lycée in Saigon and then thousands of miles abroad. The last time I saw her was the month before I left for the States, when I returned to say good-bye for four years. I would have no money to return for Tet, or for the summer, or at all until I finished my degree, my scholarship paying for only one round-trip ticket. She smiled bravely and called me her petit écolier, after the chocolate-covered biscuits I loved so much as a child and which my father blessed me with once per year on Christmas. Her parting gifts to me were a box of those imported biscuits — a fortune for a woman who had only nibbled on the corner of one once and saved the rest for me each Christmas — as well as a notebook and a pen. She was barely literate and read out loud, and she wrote with a cramped, shy hand. By the time I was ten, I wrote everything for her. To my mother, a notebook and a pen symbolized everything she could not achieve and everything I, through the grace of God or the accidental combination of my genes, seemed destined for. I ate the biscuits on the airplane and wrote all over the notebook as a college diary. Now it was nothing but ashes. As for the pen, it had run out of ink and I had lost it at some point.
What I would give to have those useless things with me now, kneeling by my mother’s tomb and resting my forehead against its rough surface. Not the tomb in the hamlet where she had died, but here, in Luzon, in the cemetery built by Harry just for authenticity’s sake. When I had seen his field of stones, I had asked to have the biggest tomb for my own use. On the tombstone I had pasted a reproduction of my mother’s black-and-white picture that I carried in my wallet, the only extant image of her besides the rapidly fading ones in my mind, which had taken on the quality of a poorly preserved silent movie, its frames cracked by hairline fractures. On the gray face of the tombstone I painted her name and her dates in red, the mathematics of her life absurdly short for anyone but a grade-schooler to whom thirty-four years seemed an eternity. Tombstone and tomb were cast from adobe rather than carved from marble, but I took comfort in knowing no one would be able to tell on film. At least in this cinematic life she would have a resting place fit for a mandarin’s wife, an ersatz but perhaps fitting grave for a woman who was never more than an extra to anyone but me.
CHAPTER 10
When the Auteur arrived the next week, he threw himself a welcome party replete with barbecue, beer, burgers, Heinz ketchup, and a sheet cake big enough to sleep on. The prop department fashioned a fake cauldron from plywood and papier-mâché, stocked it with dry ice, and plopped in a couple of strippers with bleached blond hair from one of the bars around Subic Bay, their job to play white women boiled alive by natives. A handful of obliging young local men played the natives, wearing loincloths and shaking nasty-looking spears also concocted by the prop department. With the Vietnamese extras not due for another day, I was the lone representative of my people wandering among the more than a hundred actors and crew members, with an additional hundred or so Filipino laborers and cooks. These locals thought it was a gas to go up to the cauldron and slice carrots into the stripper soup. I could see the film shoot was going to generate tales of the movie people from Hollywood that would be passed on for decades, stretched ever taller for each succeeding generation. As for the extras, the boat people, they would be forgotten. No one remembered the extras.