I love that cemetery. It’s the greatest thing you built.
You got thirty minutes to take a picture before boom-boom time.
It was only a fake cemetery with its fake tomb for my mother, but the eradication of this creation, in its wantonness and its whimsy, hurt me with unexpected severity. I had to pay my last respects to my mother and the cemetery, but I was alone in such sentiments. The cemetery was abandoned, the crew still having breakfast. Among the tombs now ran a maze of shallow trenches gleaming with gasoline, while bundled to the backs of the headstones were sticks of dynamite and phosphorous. Clusters of smoke bombs were staked to the ground, hidden from camera view by headstones and the knee-high grass that tickled my bare ankles and shins. With my camera slung around my neck I passed by the names of the dead that Harry had written on the tombstones, copied from the Los Angeles phonebook and attached to people presumably still alive. Among these names of the living in this little plaza of the passed, my mother’s name was the only one that genuinely belonged. It was at her headstone I knelt down to say good-bye. The desecration by weather over the past seven months had eroded much of her face in the photographic reproduction, while the red paint with which her name was written had faded to the hue of dried blood on a sidewalk. Melancholy slipped her dry, papery hand into mine as she always did when I thought about my mother, whose life was so short, whose opportunities were so few, whose sacrifices were so great, and who was due to suffer one last indignity for the sake of entertainment.
Mama, I said, my forehead on her headstone. Mama, I miss you so much.
I heard the disembodied voice of the crapulent major, chuckling. Was it just my imagination, or did all the ambient noise of nature cease? In the preternatural calm of my séance with my mother, I thought I might have been successful in communing with her soul, but just when my mother might have whispered something to me, a giant clap of noise ripped the hearing from my ears. At the same time a slap in the face lifted me from my knees and hurled me through a blister of light, knocking me out of focus, one self flying while another self watched. Later, it would be claimed that it was all an accident, the result of a faulty blasting cap that triggered the first explosion, although by then I had decided that it was no accident at all. Only one man could have been responsible for what happened on the set, the man who was so meticulous about every detail that he planned the weekly menu, the Auteur. But at the time of the conflagration, my calm self believed God Himself had struck my blasphemous soul. Through these eyes of my calm self I saw my hysterical, screaming self spread his arms and flail them about like a flightless bird. A great sheet of flame shot up before him, while a wave of heat swept over him with such intensity both he and I lost any sense of feeling. An immense python of helplessness wrapped its smothering grip around us, squeezing us back together into one self with such force I nearly blacked out until my back hit the earth. The meat of my body was now salted, broiled, and tenderized, the world around me afire and stinking of the gasoline sweat emanating from the woolly beasts of black smoke lunging and lurching toward me with ever-mutating faces. Another giant clap tore away the silence clogging my ears as I stumbled to my feet. Meteoritic chunks of earth and rock whizzed by, and I flung one arm over my head and pulled my shirt over my nose and mouth. There was a narrow path through the fire and smoke, and with my eyes blinded by tears and stinging with soot, I ran, yet again, for my life. The shock wave of another explosion slapped my back, an entire tombstone sailed overhead, a smoke grenade tumbled across the path, and a gray cloud blindfolded me. I found my way by avoiding the heat, coughing and wheezing until I reached open air. Still blind, I kept running, hands waving, gasping in oxygen, feeling the sensation a coward always wants to feel and never wants to feel, that he was alive. It was a feeling possible only after surviving a round of Russian roulette with the gambler who never loses, Death. As I was about to thank the God I did not believe in, because yes, ultimately, I was a coward, a blare of trumpets deafened me. In the silence, the earth vanished — the glue of gravity dissolved — and I was propelled skyward, the wreckage of the cemetery blazing before me, receding as I was blown backward, the world passing by in a blurred haze that faded into mute darkness.
* * *
That haze. . that haze was my life flashing before my eyes, only it unreeled so fast I could not see much of it. What I could see was myself, but what was strange was that my life unreeled in reverse, as in those film sequences where someone who has fallen out of a building and gone splat on the sidewalk suddenly leaps up into the air and flies back through the window. So it was with me, running madly backward against an impressionistic background of blotches of color. I gradually shrank in size until I was a teenager, then a child, and then, at last, a baby, crawling, until inevitably I was sucked naked and screaming through that portal every man’s mother possesses, into a black hole where all light vanished. As that last glimmer faded, it occurred to me that the light at the end of the tunnel seen by people who have died and come back to life was not Heaven. Wasn’t it much more plausible that what they saw was not what lay ahead of them but what lay behind? This was the universal memory of the first tunnel we all pass through, the light at its end penetrating our fetal darkness, disturbing our closed eyelids, beckoning us toward the chute that will deliver us to our inevitable appointment with death. I opened my mouth to scream and then I opened my eyes. .
I was in a bed shielded by a white curtain, pressed beneath a white sheet. Beyond the curtain came ethereal voices; the ice cube clink of metal; the somersaulting of wheels on linoleum; the maddening squeak of rubber soles; the pitiful beeping of lonely electronic machines. I was dressed in a flimsy crepe gown, but despite the lightness of this and the sheet, a soporific heaviness pressed down on me, scratchy as an army blanket, oppressive as unwanted love. A man in a white coat stood at the foot of my bed, reading a chart on a clipboard with the intensity of a dyslexic. He had the wild, neglected hair of a graduate student in astrophysics; his protuberant belly spilled over the dam of his belt; and he was mumbling into a tape recorder. Patient admitted yesterday suffering from first-degree burns, smoke inhalation, bruises, concussion. He is— At this point he noticed me staring at him. Ah, hello, good morning, said he. Can you hear me, young man? Nod your head. Very good. Can you say something? No? Nothing’s wrong with your vocal cords or your tongue. Still in shock, I’d say. Remember your name? I nodded. Good! Know where you are? I shook my head. A hospital in Manila. The best money can buy. In this hospital, all the doctors not only have MDs. We also have PhDs. That means we are all Philippine Doctors. The MD stands for Manila Doctors. Ha, just joking, my sallow young friend. Of course the MD stands for a medical doctorate and the PhD stands for a philosophy doctorate, which means I can analyze both what I can see and what I cannot see. Everything physical about you is in relatively good shape, given your recent scare. Some damage, yes, but not bad considering you should be dead or seriously maimed. A broken arm or leg, at least. In short, you are remarkably lucky. That being said, I suspect you have a headache of Zsa Zsa Gabor’s va-va-va-voom proportions. I recommend anything but psychoanalysis. What I would recommend is a nurse, but we’ve exported all the pretty ones to America. Any questions? I struggled to speak but nothing came out, so I only shook my head. Rest, then. Remember that the best medical treatment is a sense of relativism. No matter how badly you might feel, take comfort in knowing there’s someone who feels much worse.