“And what of you, Nephew?
“You have three months. Longer than that I do not deem safe, and nothing is guaranteed. Even three months might be dangerously overlong, but I pray not. Of course you are at liberty, if you so desire, simply to get the thing over and done with. In my study, in the bottom right-hand drawer of my desk, you will find sufficient fuses and explosive materials to bring down the wall of the defile onto the house, and the house itself into the pool, which should satisfactorily put an end to the thing.
“But…you had an enquiring mind as a child. If you look where I have looked and read what I have read, then you shall learn what I’ve learned and know that it is neither advanced senility nor madness but my own intelligence which leads me to the one, inescapable conclusion—that this House of the Temple, this Temple House of the McGilchrists, is accursed. Most terribly…
“I could flee this place, of course, but I doubt if that would save me. And if it did save me, still it would leave the final questions unanswered and the riddle unsolved. Also, I loved my brother, your father, and I saw his face when he was dead. If for nothing else, that look on your father’s dead face has been sufficient reason for me to pursue the thing thus far. I thought to seek it out, to know it, destroy it—but now…
“I have never been much of a religious man, Nephew, and so it comes doubly hard for me to say what I now say: that while your father is dead these twenty years and more, I now find myself wondering if he is truly at rest! And what will be the look on my face when the thing is over, one way or the other? Ask about that, Nephew, ask how I looked when they found me.
“Finally, as to your course of action from this point onward: do what you will, but in the last event be sure you bring about the utter dissolution of the seat of ancient evil known as Temple House. There are things hidden in the great deserts and mountains of the world, and others sunken under the deepest oceans, which never were meant to exist in any sane or ordered universe. Yes, and certain revenants of immemorial horror have even come among men. One such has anchored itself here in the Pentlands, and in a little while I may meet it face to face. If all goes well…But then you should not be reading this.
“And so the rest is up to you, John Hamish; and if indeed man has an immortal soul, I now place mine in your hands. Do what must be done and if you are a believer, then say a prayer for me…
Yr. Loving Uncle—
Gavin McGilchrist.”
I read the letter through a second time, then a third, and the shadows lengthened beyond the reach of the study’s electric lights. Finally, I turned to the notebook—a slim, ruled, board-covered book whose like might be purchased at any stationery store—and opened it to page upon page of scrawled and at first glance seemingly unconnected jottings, references, abbreviated notes and memoranda concerning…Concerning what? Black magic? Witchcraft? The “supernatural”? But what else would you call a curse if not supernatural?
Well, my uncle had mentioned a puzzle, a mystery, the McGilchrist curse, the thing he had tracked down almost to the finish. And here were all the pointers, the clues, the keys to his years of research. I stared at the great bookcases lining the walls, the leather spines of their contents dully agleam in the glow of the lights. Asquith had told me that my uncle brought many old books back with him from his wanderings abroad.
I stood up and felt momentarily dizzy, and was obliged to lean on the desk until the feeling passed. The mustiness of the deserted house, I supposed, the closeness of the room and the odour of old books. Books… yes, and I moved shakily across to the nearest bookcase and ran my fingers over titles rubbed and faded with age and wear. There were works here which seemed to stir faint memories—perhaps I had been allowed to play with those books as a child?—but others were almost tangibly strange to the place, whose titles alone would make aliens of them without ever a page being turned. These must be those volumes my uncle had discovered abroad. I frowned as I tried to make something of their less than commonplace names.
Here were such works as the German Unter-Zee Kulten and Feery’s Notes on the Necronomicon in a French edition; and here Gaston le Fe’s Dwellers in the Depths and a black-bound, iron-hasped copy of the Cthäat Aquadingen, its harsh title suggestive of both German and Latin roots. Here was Gantley’s Hydrophinnae, and here the Liber Miraculorem of the Monk and Chaplain Herbert of Clairvaux. Gothic letters proclaimed of one volume that it was Prinn’s De Vermis Mysteriis, while another purported to be the suppressed and hideously disquieting Unaussprechlichen Kulten of Von Junzt—titles which seemed to leap at me as my eyes moved from shelf to shelf in a sort of disbelieving stupefaction.
What possible connection could there be between these ancient, foreign volumes of elder madness and delirium and the solid, down-to-earth McGilchrist line of gentlemen, officers and scholars? There seemed only one way to find out. Choosing a book at random. I found it to be the Cthäat Aquadingen and returned with it to the desk. The light outside was failing now and the shadows of the hills were long and sooty. In less than an hour it would be dusk, and half an hour after that dark.
Then there would only be Carl and I and the night. And the old house. As if in answer to unspoken thoughts, settling timbers groaned somewhere overhead. Through the window, down below in the sharp shadows of the house, the dull green glint of water caught my eye.
Carl and I, the night and the old house—
And the deep, dark pool.
5. The Music
It was almost completely dark by the time Carl returned, but in between I had at least been able to discover my uncle’s system of reference. It was quite elementary, really. In his notebook, references such as “CA 121/7” simply indicated an item of interest in the Cthäat Aquadingen, page 121, the seventh paragraph. And in the work itself he had carefully underscored all such paragraphs or items of interest. At least a dozen such references concerning the Cthäat Aquadingen occurred in his notebook, and as night had drawn on I had examined each in turn.
Most of them were meaningless to me and several were in a tongue or glyph completely beyond my comprehension, but others were in a form of old English which I could transcribe with comparative ease. One such, which seemed a chant of sorts, had a brief annotation scrawled in the margin in my uncle’s hand. The passage I refer to, as nearly as I can remember, went like this:
“Rise, O Nameless Ones;
It is Thy Season
When Thine Own of Thy Choosing,
Through Thy Spells & Thy Magic,
Through Dreams & Enchantry,
May know Thou art come.
They rush to Thy Pleasure,
For the Love of Thy Masters—
—the Spawn of Cthulhu.”
And the accompanying annotation queried: “Would they have used such as this to call the Thing forth, I wonder, or was it simply a blood lure? What causes it to come forth now? When will it next come?”
It was while I was comparing references and text in this fashion that I began to get a glimmer as to just what the book was, and on further considering its title I saw that I had probably guessed correctly: “Cthäat” frankly baffled me, unless it had some connection with the language or being of the pre-Nacaal Kthatans; but “Aquadingen” was far less alien in its sound and formation. It meant (I believed), “water-things”, or “things of the waters”; and the—Cthäat Aquadingen was quite simply a compendium of myths and legends concerning water sprites, nymphs, demons, naiads and other supernatural creatures of lakes and oceans, and the spells or conjurations by which they might be evoked or called out of their watery haunts.