"Thou hast changed the measure upon us unawares in that last couplet, my Blondel," said the King.
"Most true, my lord," said Blondel. "I rendered the verses from the Italian of an old harper whom I met in Cyprus, and not having had time either to translate it accurately or commit it to memory, I am fain to supply gaps in the music and the verse as I can upon the spur of the moment, as you see boors mend a quickset fence with a fagot."
"Nay, on my faith," said the King, "I like these rattling, rolling Alexandrines. Methinks they come more twangingly off to the music than that briefer measure."
"Both are licensed, as is well known to your Grace," answered Blondel.
"They are so, Blondel," said Richard, "yet methinks the scene where there is like to be fighting will go best on in these same thundering Alexandrines, which sound like the charge of cavalry, while the other measure is but like the sidelong amble of a lady's palfrey."
"It shall be as your Grace pleases," replied Blondel, and began again to prelude.
"Nay, first cherish thy fancy with a cup of fiery Chios wine," said the King. "And hark thee, I would have thee fling away that new-fangled restriction of thine, of terminating in accurate and similar rhymes. They are a constraint on thy flow of fancy, and make thee resemble a man dancing in fetters."
"The fetters are easily flung off, at least," said Blondel, again sweeping his fingers over the strings, as one who would rather have played than listened to criticism.
"But why put them on, man?" continued the King. "Wherefore thrust thy genius into iron bracelets? I marvel how you got forward at all. I am sure I should not have been able to compose a stanza in yonder hampered measure."
Blondel looked down, and busied himself with the strings of his harp, to hide an involuntary smile which crept over his features; but it escaped not Richard's observation.
"By my faith, thou laughest at me, Blondel," he said; "and, in good truth, every man deserves it who presumes to play the master when he should be the pupil. But we kings get bad habits of self-opinion. Come, on with thy lay, dearest Blondel—on after thine own fashion, better than aught that we can suggest, though we must needs be talking."
Blondel resumed the lay; but as extemporaneous composition was familiar to him, he failed not to comply with the King's hints, and was perhaps not displeased to show with how much ease he could new-model a poem, even while in the act of recitation.
A murmur of applause ran through the assembly, following the example of Richard himself, who loaded with praises his favourite minstrel, and ended by presenting him with a ring of considerable value. The Queen hastened to distinguish the favourite by a rich bracelet, and many of the nobles who were present followed the royal example.
"Is our cousin Edith," said the King, "become insensible to the sound of the harp she once loved?"
"She thanks Blondel for his lay," replied Edith, "but doubly the kindness of the kinsman who suggested it."
"Thou art angry, cousin," said the King; "angry because thou hast heard of a woman more wayward than thyself. But you escape me not. I will walk a space homeward with you towards the Queen's pavilion. We must have conference together ere the night has waned into morning."
The Queen and her attendants were now on foot, and the other guests withdrew from the royal tent. A train with blazing torches, and an escort of archers, awaited Berengaria without the pavilion, and she was soon on her way homeward. Richard, as he had proposed, walked beside his kinswoman, and compelled her to accept of his arm as her support, so that they could speak to each other without being overheard.