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"My father," he gasped at last. "'Sdeath, sir, what is it you mean? My father has been dead these ten years. I scarce remember him."

Crispin's lips moved, but no word did he utter. Then with a sudden gesture of despair he turned to Hogan, who stood apart, a silent witness.

"My God, Hogan," he cried. "How shall I tell him?"

In answer to the appeal, the Irishman turned to Kenneth.

"You have been in error, sir, touching your parentage," quoth he bluntly. "Alan Stewart, of Bailienochy, was not your father."

Kenneth looked from one to the other of them.

"Sirs, is this a jest?" he cried, reddening. Then, remarking at length the solemnity of their countenances, he stopped short. Crispin came close up to him, and placed a hand upon his shoulder. The boy shrank visibly beneath the touch, and again an expression of pain crossed the poor ruffler's face.

"Do you recall, Kenneth," he said slowly, almost sorrowfully, "the story that I told you that night in Worcester, when we sat waiting for dawn and the hangman?"

The lad nodded vacantly.

"Do you remember the details? Do you remember I told you how, when I swooned beneath the stroke of Joseph Ashburn's sword, the last words I heard were those in which he bade his brother slit the throat of the babe in the cradle? You were, yourself, present yesternight at Castle Marleigh when Joseph Ashburn told me Gregory had been mercifully inclined; that my child had not died; that if I gave him his life he would restore him to me. You remember?"

Again Kenneth nodded. A vague, numbing fear was creeping round his heart, and his blood seemed chilled by it and stagnant. With fascinated eyes he watched the knight's face—drawn and haggard.

"It was a trap that Joseph Ashburn set for me. Yet he did not altogether lie. The child Gregory had indeed spared, and it seems from what I have learned within the last half-hour that he had entrusted his rearing to Alan Stewart, of Bailienochy, seeking afterwards—I take it—to wed him to his daughter, so that should the King come to his own again, they should have the protection of a Marleigh who had served his King."

"You mean," the lad almost whispered, and his accents were unmistakably of horror, "you mean that I am your—Oh, God, I'll not believe it!" he cried out, with such sudden loathing and passion that Crispin recoiled as though he had been struck. A dull flush crept into his cheeks to fade upon the instant and give place to a pallor, if possible, intenser than before.

"I'll not believe it! I'll not believe it!" the boy repeated, as if seeking by that reiteration to shut out a conviction by which he was beset. "I'll not believe it!" he cried again; and now his voice had lost its passionate vehemence, and was sunk almost to a moan.

"I found it hard to believe myself," was Crispin's answer, and his voice was not free from bitterness. "But I have a proof here that seems incontestable, even had I not the proof of your face to which I have been blind these months. Blind with the eyes of my body, at least. The eyes of my soul saw and recognized you when first they fell on you in Perth. The voice of the blood ordered me then to your side, and though I heard its call, I understood not what it meant. Read this letter, boy—the letter that you were to have carried to Colonel Pride."

With his eyes still fixed in a gaze of stupefaction upon Galliard's face, Kenneth took the paper. Then slowly, involuntarily almost it seemed, he dropped his glance to it, and read. He was long in reading, as though the writing presented difficulties, and his two companions watched him the while, and waited. At last he turned the paper over, and examined seal and superscription as if suspicious that he held a forgery.

But in some subtle, mysterious way—that voice of the blood perchance to which Crispin had alluded—he felt conviction stealing down upon his soul. Mechanically he moved across to the table, and sat down. Without a word, and still holding the crumpled letter in his clenched hand, he set his elbows on the table, and, pressing his temples to his palms, he sat there dumb. Within him a very volcano raged, and its fires were fed with loathing—loathing for this man whom he had ever hated, yet never as he hated him now, knowing him to be his father. It seemed as if to all the wrongs which Crispin had done him during the months of their acquaintanceship he had now added a fresh and culminating wrong by discovering this parentage.

He sat and thought, and his soul grew sick. He probed for some flaw, sought for some mistake that might have been made. And yet the more he thought, the more he dwelt upon his youth in Scotland, the more convinced was he that Crispin had told him the truth. Pre-eminent argument of conviction to him was the desire of the Ashburns that he should marry Cynthia. Oft he had marvelled that they, wealthy, and even powerful, selfish and ambitious, should have selected him, the scion of an obscure and impoverished Scottish house, as a bridegroom for their daughter. The news now before him made their motives clear; indeed, no other motive could exist, no other explanation could there be. He was the heir of Castle Marleigh, and the usurpers sought to provide against the day when another revolution might oust them and restore the rightful owners.

Some elation his shallow nature felt at realizing this, but that elation was short-lived, and dashed by the thought that this ruler, this debauchee, this drunken, swearing, roaring tavern knight was his father; dashed by the knowledge that meanwhile the Parliament was master, and that whilst matters stood so, the Ashburns could defy—could even destroy him, did they learn how much he knew; dashed by the memory that Cynthia, whom in his selfish way—out of his love for himself—he loved, was lost to him for all time.

And here, swinging in a circle, his thoughts reverted to the cause of this—Crispin Galliard, the man who had betrayed him into yesternight's foul business and destroyed his every chance of happiness; the man whom he hated, and whom, had he possessed the courage as he was possessed by the desire, he had risen up and slain; the man that now announced himself his father.

And thinking thus, he sat on in silent, resentful vexation. He started to feel a hand upon his shoulder, and to hear the voice of Galliard evidently addressing him, yet using a name that was new to him.

"Jocelyn, my boy," the voice trembled. "You have thought, and you have realized—is it not so? I too thought, and thought brought me conviction that what that paper tells is true."

Vaguely then the boy remembered that Jocelyn was the name the letter gave him. He rose abruptly, and brushed the caressing hand from his shoulder. His voice was hard—possibly the knowledge that he had gained told him that he had nothing to fear from this man, and in that assurance his craven soul grew brave and bold and arrogant.

"I have realized naught beyond the fact that I owe you nothing but unhappiness and ruin. By a trick, by a low fraud, you enlisted me into a service that has proved my undoing. Once a cheat always a cheat. What credit in the face of that can I give this paper?" he cried, talking wildly. "To me it is incredible, nor do I wish to credit it, for though it were true, what then? What then?" he repeated, raising his voice into accents of defiance.

Grief and amazement were blended in Galliard's glance, and also, maybe, some reproach.

Hogan, standing squarely upon the hearth, was beset by the desire to kick Master Kenneth, or Master Jocelyn, into the street. His lip curled into a sneer of ineffable contempt, for his shrewd eyes read to the bottom of the lad's mean soul and saw there clearly writ the confidence that emboldened him to voice that insult to the man he must know for his father. Standing there, he compared the two, marvelling deeply how they came to be father and son. A likeness he saw now between them, yet a likeness that seemed but to mark the difference. The one harsh, resolute, and manly, for all his reckless living and his misfortunes; the other mild, effeminate, hypocritical and shifty. He read it not on their countenances alone, but in every line of their figures as they stood, and in his heart he cursed himself for having been the instrument to disclose the relationship in which they stood.