The Catchprices were in the habit of listening to the Country Hour each day at lunch. They came in across the treeless, car-littered Home Paddock to the bungalow and sat around the electric-blue Laminex table brushing the flies off their serious faces, drinking black tea – they had no midday meal – and listening to the market prices delivered in a proper English accent.
It didn’t matter what the prices were – they were always broke. That was Cacka’s point to them, and he never let up no matter how they spoke to him. He was not thick-skinned, but he was persistent. When he wanted something he talked about it in that ‘cooing’ way, talk and talk, on and on, rubbing his big dirt-dry hands together and smiling sadly and looking at you with his brown eyes, talking on and on until you would give him anything he wanted. He sat at the table in that depressing bright-orange weatherboard bungalow propped on its ‘temporary’ concrete blocks in the middle of the barren paddock and he folded his arms across his big chest and tilted back on a battered chrome chair and talked on and on about the future in a way that would have seemed almost insane were it not for the fact that he had been smart enough to have Frieda McClusky there to listen to him.
And while it is true that Frieda did not want chooks any more than the old lady did, she loved him, and loved him in a more tender and protective way than she would have imagined possible. She could not bear to see him want a thing like that and just not have it. All her instinct warned her about poultry, even then, before she heard of battery farming. But she had needs even stronger than her instincts and she pressed her little breasts against his big back each night and put her arms around him and squeezed her thigh up in around his furry backside and knew that it was up to her to get him his chook farm.
She would spend all her life going over these events, thinking of how it might have been otherwise. She thought it self-deceiving to give herself too much credit for love. What she remembered was how much she had wanted to escape that musty confinement of one more family, that sour, closed smell like a mouse nest in a bush-hut wall. She gave this prominence in her memory, and it was true, of course, but she was wrong to discount the effects of love.
Also, she wanted Cacka to admire her, and sometimes she made this need for admiration the only reason she had sacrificed the perfect flower farm to wire netting and chook shit and the Egg Marketing Board of New South Wales.
Also: there was gelignite. She had a passion to let it off with her mother-in-law watching. She wanted to split wood and shatter earth and frighten her and make her go away.
Also: to hurt herself, to fill herself brimful of blame and rage. She wanted to make the damned earth bleed. See. See. See what you made me go and do.
It was old Huey Dawson who showed her the land – eight o’clock in the morning and all the dew so heavy they were drenched just walking through it: grass, Watsonias, wild roses drifted there from God knows where, stands of spotted gums with pale, pale green trunks so slippery they would make you cry. It was five acres cut off from the bottom of old Doctor Andes’s property and it had never seen a cow on it. There were tiny bush orchids and native grasses with seeds like yellow tear drops – it had probably been that way for ever. It was lot 5, folio 14534 being parcel 54 of the parish of Franklin. It had vendor finance of 5 per cent and no deposit and she had to take Cacka to it (along the straight, soft, sandy road where the overgrown acacias brushed the edges of the ute and made him anxious about the powdery duco) and when he resisted because he was actually frightened of the financial commitment and was ready to run back to the bungalow and listen to stock prices on the radio, she showed him how he could make a good business on this piece of land: three acres for chooks, one acre for the lucerne, maize and oats. She had the idea – it was original, she read it nowhere – of building the brick building where they cooled down the hens in heat waves. She did not mean to insist that she was smarter than he was, but when she saw his scheme about to flounder, she panicked. It must happen, it had to happen, she would not let him fail.
It was the beginning of a pattern – every time she helped him get something he wanted, a poultry farm, a car dealership, she drove him further from her. She was the one who talked him into that damn poultry farm when it was the last thing on earth she wanted.
This was the site of Catchprice Poultry – Cacka and Frieda Catchprice were to be the first ones west of Sydney with battery farming. And although she entered into the business as a full partner with her husband she had no idea what battery farming was and had not appreciated the consequences.
Now she knew. Men can do this sort of thing and not think about it. They can cut the chickens’ beaks, and amputate their legs if necessary. They can walk out into the shed every day for ten years and see and smell those rows of caged birds and not think about it any more than how nicely the eggs roll into the conveyor belt and how clean they are. Nothing wrong with this – Frieda did not feel censorious about men’s ability to disconnect their feelings. She thought it useful. God had planned it so one half of humanity could kill the food, the other half could nurture the young.
But what she was too young to know, what she learned later, was that it was damned silly for a woman to do men’s work, by which she meant work that entailed a denial of female feelings – killing people in war, working in slaughter houses, putting chooks in rows in cages. This was something men can do and it will have no harmful effects for them.
But it sends a woman’s chemicals into conflict. This was how she got breast cancer – that poultry farm. She never told anyone this, but shocked Cacka and the doctor on the eve of her mastectomy by saying, ‘Take them both off.’
She could see the idiots thought she was unnatural, that she had got so used to ordering Cacka around that she now wanted to be a man. Did they think she wanted to lose breasts? To spend the rest of her life with these huge scars like plastic sandwich wrapper?
Cacka could be weepy and sentimental about her breasts, but Frieda Catchprice was an animal caught in a trap, eating through its own limbs. She was poisoned and wanted to be free from the parts that would kill her. And sure enough, there was a second mastectomy – the one they so confidently told her she didn’t need to have – another five years later.
When Frieda Catchprice stood in Sarkis Alaverdian’s back yard, she ran over and over all these events, looking for a crack in the story, a place where she might have acted differently and have come to a different place. She worked up and down the events, like a fly trying to find its way through glass to air.
The trucks thundered over the Sydney Road overpass above the 60 × 120-ft blocks which had been sold thirty years before as Catchprice Heights. The streets were named Albert, Frieda, Cathleen, Mortimer, Jack. It was the Catchprice Estate that Sarkis Alaverdian was now a prisoner of. And it was now Mrs Catchprice, walking with him back to Catchprice Motors, who determined to set him free.
‘Do you have a suit?’ she asked.
18
It was only after they had escaped from Vernon Street (where the twelve-year-olds were ripping the insignia off a Saab Turbo) that Mrs Catchprice offered Sarkis a job as a salesman. Sarkis had seen the twelve-year-olds too late to avoid them and he did not wish to turn round or even cross the street because it was like running, like blood in the water, and he had no choice but to continue walking. Three of them were sitting on a white-railed garden fence. Two were perched on the Saab’s hood. The space they left to walk through was bordered by the bright white stones of their naked kneecaps.